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| Author | : L.M. Bogad |
| Publisher | : PM Press |
| Total Pages | : 68 |
| Release | : 2011-04-01 |
| Genre | : Drama |
| ISBN | : 1604865636 |
Inform yourself! Inform on your neighbor! Follow Special Agent Christian White on a cheerfully creepy tour of declassified government surveillance documents. White probes the redacted (blacked-out) texts of the FBI’s notorious Counterintelligence Programs, searching for the words erased in the name of the Freedom of Information Act. Learn fun techniques for the infiltration of activist groups, how to earn benefits and a pension as an agent provocateur, and how to, in the words of J. Edgar Hoover, “expose, disrupt, misdirect, discredit or otherwise neutralize” your neighbors! These are our tax dollars at work, folks; we might as well enjoy it. This script has been performed by writer/activist L.M. Bogad in theatres, galleries, labor halls, and community centers for the past twelve years. The pamphlet also includes a preface by Guillermo Gómez-Peña, and a companion essay by Bogad about the history of domestic surveillance/harassment, and a “how to” for would-be performers of the script. Back by popular demand, this new Second Edition adds photos of the original COINTELPRO documents used in the show. There are also many updates to the script: more information, more character development, and more and better jokes, all in the darkly humorous style of the original.
| Author | : L.M. Bogad |
| Publisher | : Routledge |
| Total Pages | : 269 |
| Release | : 2021-11-29 |
| Genre | : Performing Arts |
| ISBN | : 1000451313 |
Performing Truth answers the most pressing questions facing any theatre-makers who are wrestling with how to present historical, political or socioeconomic information in an engaging, entertaining, and galvanizing way. How to make data compelling and documents mobilizing? How to keep an audience interested in what might be dry, dire, or depressing? How to surprise an audience and keep them alert? Collecting together the performance texts of international performance artist and activist L.M. Bogad, this book accompanies each script with essays that further explore that work's performance strategies. It also equips readers with specific resources and pedagogical tools to help those wishing to stage these pieces or create their own work to engage with similar topics. Bogad also provides "takeaways" for each piece, illustrating the challenges of its particular subject matter and how to overcome those challenges with innovations unique to performance art. This is a key guidebook for artists and theatre-makers facing the challenges of engaging with information in an era of fake news, propaganda bots, and the polarization of ideological spheres, as well as students and teachers taking on that challenge in theatre studies, performance studies and performing arts classrooms.
| Author | : Larry Bogad |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2016-02-26 |
| Genre | : Performing Arts |
| ISBN | : 1317422201 |
Tactical Performance tells fun, mischievous stories of underdogs speaking mirth to power - through creative, targeted activist performance in the streets of cities around the world. This compelling, inspiring book also provides the first ever full-length practical and theoretical guide to this work. L.M.Bogad, one of the most prolific practitioners and scholars of this genre, shares the most effective non-violent tactics and theatrics employed by groups which have captured the public imagination in recent years. Tactical Performance explores carnivalesque protest in unique depth, looking at the possibilities for direct action and sometimes shocking confrontation with some of the most powerful institutions in the world. It is essential reading for anyone interested in creative pranksterism and the global justice movement.
| Author | : L.M. Bogad |
| Publisher | : Routledge |
| Total Pages | : 301 |
| Release | : 2016-03-17 |
| Genre | : Performing Arts |
| ISBN | : 1317291786 |
Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.
| Author | : Joshua Kahn |
| Publisher | : PM Press |
| Total Pages | : 120 |
| Release | : 2011-11-09 |
| Genre | : Political Science |
| ISBN | : 1604866373 |
Organizing Cools the Planet offers a challenge to all concerned about the ecological crisis: find your frontline. This booklet weaves together stories, analysis, organizing tools, and provocative questions, to offer a snapshot of the North American Climate Justice movement and provide pathways for readers to participate in it. Authors share hard lessons learned, reflect on strategy, and grapple with the challenges of their roles as organizers who do not come from “frontline communities” but work to build a movement big enough for everyone and led by the priorities and solutions of low-income people, communities of color, Indigenous, youth, and other constituencies most directly impacted by the crisis. Rooted in the authors’ experiences organizing in local, national, and international arenas, they challenge readers to look at the scale of ecological collapse with open eyes, without falling prey to disempowering doomsday narratives. This booklet is for anyone who wants to build a movement with the resiliency to navigate one of the most rapid transitions in human history.
| Author | : Leon Rosselson |
| Publisher | : PM Press |
| Total Pages | : 38 |
| Release | : 2017-07-01 |
| Genre | : Music |
| ISBN | : 1629633984 |
“For my parents and grandparents, Jewish identity, in religion, culture and language, was a given. Not so for me. I’m not religious, not a Zionist, so in what consists my Jewishness? Is a love of chopped liver and a belief that chicken soup cures all ills enough? And does it matter? This is the story of my search for answers. It is an argument with myself, with song lyrics to embellish the argument.” Like so many of those others in Britain of Jewish lineage, songwriter and award-winning folk singer Leon Rosselson is descended from antecedents who fled pogroms in eastern Europe. Pertinently, he questions what being a Jew means—is it adherence to Judaism as a religion, an ethnicity, a citizen of Israel, or someone who eats “chicken soup with knedlach”? He describes clearly and with historical insight how any concept of “Jewishness” can involve all of those things and more. In his own life, he has decided to pick and choose from this tradition and history and build on what he deems to be the progressive, humane, and universalist values of that Jewish background. Rosselson is a strong supporter of Palestinian rights, seeing in the victimization of Palestinians by the state of Israel parallels with historical Jewish persecution. He concludes this short essay by stating: “I share with the growing number of Jews in the diaspora who place solidarity with the oppressed above demands of tribalism and with those in Israel who dare to stand against the powers that be.”
| Author | : Jenny Spencer |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2011-12-22 |
| Genre | : Performing Arts |
| ISBN | : 1136484949 |
This collection documents and examines political and protest theatre produced between the 9/11 attacks in 2001 and Obama’s election in 2008 by British and American artists responding to their own governments’ actions and policies during this time. The plays take up topics such as the ongoing wars on terror, Blair’s support of U.S. policies, the flawed intelligence that led to the Iraq war, and illegal detentions and torture at Abu Ghraib. The authors argue that engaged artists faced a radically different sociopolitical context for their work after 9/11 compared to earlier social protest movements and new forms of theatre, and different emotional strategies were necessary to meet the challenges. The subtitle Patriotic Dissent suggests the double stance of many artists-- influenced by patriotic expressions of national solidarity, yet critical of the ways that patriotic language was put to use against others. The articles represent a broad range of theatre: Broadway musicals, documentary theatre, adaptations of classical theatre, new plays by British playwrights, street performances and installations, and musical concerts. The contributors’ case studies evaluate the effectiveness of important instances of political theatre and protest from this decade, arguing for the significance, relevance, and continuing necessity for evolving forms of political theatre today.
| Author | : Gabriel San Román |
| Publisher | : PM Press |
| Total Pages | : 50 |
| Release | : 2014-07-01 |
| Genre | : History |
| ISBN | : 1604869836 |
When the socialist politician Salvador Allende dramatically won Chile’s presidential election in 1970, a powerful cultural movement accompanied him to power. Folk singers emerged at the forefront, proving that music could help forge the birth of a new society. As the CIA actively funded opposition media against Allende during his campaign, the New Chilean Song Movement rose to prominence, viscerally persuading voters with its music. Víctor Jara, a central protagonist at the time, became an icon in Chile, Latin America, and beyond for his revolutionary lyrics and life. Inti-Illimani, Quilapayún, and other musicians contributed by singing before audiences of workers outside factories or campesinos in Chile’s rural countryside. A short cultural history, “Venceremos“ charts the development of the movement from the years before Allende’s victorious campaign to the brutal U.S.-backed military coup on September 11, 1973, that overthrew his presidency and imposed the dictatorship of General Augusto Pinochet. Featuring interviews from key figures and lyrical analysis, “Venceremos“ gives insight into how the New Chilean Song Movement’s revolutionary anthems came to be. From the early folkloric documentation of Violeta Parra in Chile’s countryside to “Venceremos,“ the triumphant anthem of Allende’s Popular Unity Coalition, the music of Chile’s Nueva Canción was shaped by the larger history occurring all around it. Within the songs, all the hopes, dreams and apprehensions of the nation were reflected. At the same time, as its influence grew, the cultural movement claimed its own principal space as catalyst of not only Chile’s musical but its political future as well. So dangerous were its creations that the Pinochet dictatorship censored and attempted to destroy them. Most tragically, Víctor Jara’s life was taken in the bloody repression that immediately followed the coup.
| Author | : Mark Leier |
| Publisher | : PM Press |
| Total Pages | : 38 |
| Release | : 2017-05-22 |
| Genre | : Political Science |
| ISBN | : 1629634042 |
The battles between Michael Bakunin and Karl Marx in the First International (aka the International Working Men's Association, 1864–1876) began a pattern of polemics and rancor between anarchists and Marxists that still exists today. Outlining the profound similarities between Bakunin and Marx in their early lives and careers as activists, Mark Leier suggests that the differences have often been exaggerated and have prevented activists from learning useful lessons about creating vibrant movements.
| Author | : Community Environmental Legal Defense Fund |
| Publisher | : PM Press |
| Total Pages | : 73 |
| Release | : 2015-08-01 |
| Genre | : Political Science |
| ISBN | : 1629631426 |
Humanity stands at the brink of global environmental and economic collapse. We have pinned our future to an economic system that centralizes power in fewer and fewer hands, and whose benefits increasingly flow to smaller and smaller numbers of people. Our system of government is similarly medieval—relying on a 1780s constitutional form of government written to guarantee the exploitation of the natural environment and elevate “the endless production of more” over the rights of people, nature, and their communities. But right now, people within the community rights movement aren’t waiting for power brokers to fix the system. They’re beginning to envision a new sustainability constitution by adopting new laws at the local level that are forcing those ideas upward into the state and national ones. In doing so, they are directly challenging the basic operating system of this country—one which currently elevates corporate “rights” above the rights of people, nature, and their communities—and changing it into one which recognizes a right to local, community self-government that cannot be overridden by corporations, or by governments wielded by corporate interests. This short primer from the Community Environmental Legal Defense Fund explores and describes the philosophy and underpinnings of the community rights movement that has emerged in the United States—a movement of nonviolent civil disobedience based on municipal lawmaking.
