Coatings on Photographs

Coatings on Photographs
Author: Constance McCabe
Publisher: American Institute for Conservation of Historic & Artistic W
Total Pages: 392
Release: 2005
Genre: Photography
ISBN:

The Permanence and Care of Color Photographs

The Permanence and Care of Color Photographs
Author: Henry Gilmer Wilhelm
Publisher:
Total Pages: 762
Release: 1993
Genre: Photography
ISBN:

Reference source for the care and preservation of photographs and motion picture film. Evaluates the light fading and dark fading/yellowing characteristics of color transparency films, color negative films, and color photographic papers, with recommendations for the longest-lasting products. High-resolution ink jet, dye sublimation, color electrophotographic, and other digital imaging technologies are discussed, as are conservation matting, mount boards, framing, slide pages, negative and print enclosures, storage boxes, densitometric monitoring of black-and-white and color prints in museum and archive collections, the care of color slide collections, the permanent preservation of color motion pictures, the preservation of cellulose nitrate films, and many other topics.

Platinum and Palladium Photographs

Platinum and Palladium Photographs
Author: Constance McCabe
Publisher:
Total Pages: 504
Release: 2017-02-15
Genre: Photographs
ISBN: 9780997867909

The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.

Coatings Technology Handbook, Second Edition

Coatings Technology Handbook, Second Edition
Author: D. Satas
Publisher: CRC Press
Total Pages: 934
Release: 2000-11-01
Genre: Technology & Engineering
ISBN: 9780824704391

Serving as an all-in-one guide to the entire field of coatings technology, this encyclopedic reference covers a diverse range of topics-including basic concepts, coating types, materials, processes, testing, and applications- and summarizes the latest developments and standard coating methods. Helping readers apply the best coatings for their product needs, the book provides the insights and experience of over 100 recognized experts in over 100 chapters to select. Emphasizing an interdisciplinary exchange of ideas and approaches, the book is illustrated with more than 350 drawings and photographs, plus early 1400 literature references, equations, and tables.

Phosphor Type Photoconductive Coatings for Continuous Tone Electro-Optical Photography

Phosphor Type Photoconductive Coatings for Continuous Tone Electro-Optical Photography
Author: Eugene Wainer
Publisher:
Total Pages: 109
Release: 1951
Genre:
ISBN:

Electrophotography is a pictorial process whereby images are obtained through the medium of supplying a photoconductive surface with electrons in the dark and discharging this photoconductive surface preferentially on exposure to light. The image is fixed by dusting the surface of such a plate with electrostatically charged particles which attach themselves preferentially to the surface depending on the nature of the charges remaining on the plate, and then removing the powder in image form either by electrostatics or by offset means. It has been found that electro-optical photographs can be made using commercially available phosphors as the sensitive surface. Phosphors most suitable for the application are the sulfide family, primarily of the zinc, cadmium, sulfide types. The chief drawback to the use of phosphors of these chemical families for the photoconductive sensitive surface is that the photographic speed obtained through use of such materials is extremely low, being of the order of 1 A.S.A. or less. Deductive investigation has indicated that a phosphor-like material composed substantially of properly treated cadmium sulfide will exhibit speeds markedly greater than that of the zinc-sulfide types.

How to Paint Photographs in Water Colors and in Oil

How to Paint Photographs in Water Colors and in Oil
Author: George B. Ayres
Publisher:
Total Pages: 236
Release: 2015-07-06
Genre: History
ISBN: 9781330821879

Excerpt from How to Paint Photographs in Water Colors and in Oil: How to Work in Crayon, Make the Chromo-Photograph, Retouch Negatives and Instructions in Ceramic Painting In transferring the publication of another edition of my book from Philadelphia to New York, I do so with the confident expectation that I am accepting a rare opportunity for extending it to a larger field of usefulness. The dissemination of previous editions having been confined more especially to the photographic sphere, it has been felt that the merits of die work - hitherto so freely acknowledged and endorsed by our generous fraternity - were yet to be known and appreciated by the book-buying public in general. In harmony with this change of publishers, I have made numerous alterations and improvements in the book itself; sparing neither time nor labor in my endeavor to keep it in the front rank of excellence. Not a line of it has escaped careful revision; the entire text has been re-arranged; new topics have been inserted; and the whole enlarged' by many additional pages of useful matter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.