Cliffords Blues
Download Cliffords Blues full books in PDF, epub, and Kindle. Read online free Cliffords Blues ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : John A. Williams |
| Publisher | : Open Road Media |
| Total Pages | : 343 |
| Release | : 2016-02-02 |
| Genre | : Fiction |
| ISBN | : 1504033051 |
A black musician arrested by Nazis in 1930s Germany endures the horrors of the Dachau death camp in this harrowing novel based on historical fact A self-proclaimed “gay negro” from New Orleans, Clifford Pepperidge made his name in the smoky nightclubs of Harlem in the 1920s, playing piano alongside Bessie Smith, Duke Ellington, and other jazz greats. A decade later, he thrills crowds nightly in the cabarets of Weimar Berlin. But dark days are on the horizon as the Nazi Party rises to power. Arrested by Hitler’s Gestapo during a roundup of homosexuals, Clifford finds himself placed in “protective custody” and transported to a concentration camp. Stripped of his dignity and his identity, and plunged into a nightmare of forced labor, starvation, and abuse, he seeks escape in his music. When a camp SS officer and jazz aficionado recognizes Clifford, the gentle musician learns just how far a desperate man will go in order to survive. Shining a light on a little-known aspect of the Holocaust, Clifford’s Blues is a disturbing portrait of a dark era in world history and a poignant celebration of the resilience of the human spirit and the power of music.
| Author | : Maria Diedrich |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 391 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : 3643101090 |
From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany with a particular focus on cultural interplay. Covering a wide range of media of expression - music, performance, film, scholarship, literature, visual arts, reviews - the essays collected in this volume trace and analyze a cultural interaction, collaboration and mutual transformation that began in the eighteenth century, literally boomed during the Harlem Renaissance/Weimar Republic, could not even be liquidated by the Third Reich's `Degenerate Art' campaigns, and, with new media available to further exchanges, is still increasingly empowering and inspiring participants on both sides of the Atlantic.
| Author | : Ulrich Oberdiek |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 200 |
| Release | : 2014-01-08 |
| Genre | : Reference |
| ISBN | : 3643998333 |
Anthropological Abstracts is a reference journal published once a year in English language text, listing most of the publications in the field of cultural/social anthropology that have been published in the German language area (Austria, Germany, and Switzerland). Since most German language publications are not included in the major English language abstracting services, Anthropological Abstracts provides a convenient source of information for anthropologists and social scientists who do not read German, offering an awareness of anthropological research and publications in German-speaking countries. Included are journal articles, monographs, anthologies, exhibition catalogs, yearbooks, etc. (Series: Anthropological Abstracts - Cultural / Social Anthropology from German-Speaking Countries - Vol. 9)
| Author | : JulieLyonn Lieberman |
| Publisher | : Oak Publications |
| Total Pages | : 113 |
| Release | : 1986-06-01 |
| Genre | : Music |
| ISBN | : 1783234881 |
The 17 tunes presented in this book teach aspiring musicians how to play fiddle in the style of masters such as Papa John Creach, Sugarcane Harris, Howard Armstrong, Remo Biondi, Clarence Gatemouth Brown, and Lonnie Johnson. Covering the history of the blues fiddle, this book also presents correct ways to introduce and end tunes, right- and left-hand styles, and backup techniques.
| Author | : David Rife |
| Publisher | : Scarecrow Press |
| Total Pages | : 296 |
| Release | : 2008 |
| Genre | : Literary Collections |
| ISBN | : 9780810859074 |
Broad in scope, meticulously researched, and including titles that have long been inaccessible, this resource is an overview of the history of the genre from its beginning to the present."--BOOK JACKET.
| Author | : Bernard A. Drew |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 373 |
| Release | : 2006-11-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313090440 |
Here's a one stop resource, containing 100 profiles of your favorite contemporary African American writers, along with complete lists of their works. Focusing on writers who have made their mark in the past 25 years, this guide stresses African American writers of popular and genre literature-from Rochelle Alers and Octavia Butler, and Samuel Delaney to Walter Mosley, and Omar Tyree, with a few classic literary giants also included. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Where can you find information about popular, contemporary African American authors? Web sites can be difficult to locate and unreliable, particularly for some of the newer authors, and their contents are inconsistent and often inaccurate. Although there are a number of reference works on African American writers, the emphasis tends to be on historical and literary authors. Here's a single volume containing 100 profiles of your favorite contemporary African American writers, along with lists of their works. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Focusing on writers who have made their mark in the past 25 years, this guide covers African American writers of popular and genre literature—from Rochelle Alers, Octavia Butler, and Samuel Delaney to Walter Mosley, Omar Tyree, and Zane. A few classic literary giants who are popular with today's readers are also included—e.g., Maya Angelou, Toni Morrison, and Richard Wright. Readers who want to know more about their favorite African American authors or find other books written by those authors, students researching AA authors for reports and papers, and educators seeking background information for classes in African American literature will find this guide invaluable. (High school and up.)
| Author | : Sarah Phillips Casteel |
| Publisher | : Columbia University Press |
| Total Pages | : 199 |
| Release | : 2024-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 0231559143 |
In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory. This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips Casteel examines both testimonial art by victims of the Nazi regime and creative works that imaginatively reconstruct the wartime period. Among these are the internment art of Caribbean painter Josef Nassy, the survivor memoir of Black German journalist Hans J. Massaquoi, the jazz fiction of African American novelist John A. Williams and Black Canadian novelist Esi Edugyan, and the photomontages of Scottish Ghanaian visual artist Maud Sulter. Bridging Black and Jewish studies, this book identifies the significance of African diaspora experiences and artistic expression for Holocaust history, memory, and representation.
| Author | : Nick Catalano |
| Publisher | : Oxford University Press |
| Total Pages | : 232 |
| Release | : 2001-05-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 0190286806 |
Although he died in a tragic car accident at twenty-five, Clifford Brown is widely considered one of the most important figures in the history of jazz, a trumpet player who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a leading influence on contemporary jazz musicians. Now, in Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, Nick Catalano gives us the first major biography of this musical giant. Based on extensive interviews with Clifford Brown's family, friends, and fellow jazz musicians, here is a fascinating portrait of a remarkable musician. Catalano depicts Brown's early life, showing how he developed a facility and dazzling technique that few jazz players have ever equaled. We read of his meteoric rise in Philadelphia, where he played with many of the leading jazz players of the 1950s, including Dizzy Gillespie and Charlie Parker; his tour of Europe with Lionel Hampton, which made him famous; and his formation of the Brown-Roach Quintet with prominent drummer Max Roach--one of the most popular hard bop combos of the day. Catalano also shows that Brown was a remarkable individual--he grew up in a middle-class African-American home in Wilmington, Delaware, attended college, was a skilled mathematician, and had wide cultural interests. Moreover, in an era when most jazz players were either alcoholics or addicts, Brown was clean-living and drug free. Indeed, he became a role model for musicians who were struggling with drugs and had great influence in this area with one prominent colleague, tenor sax player Sonny Rollins. Clifford Brown not only provides a colorful account of Brown's life, but also features an informed analysis of his major recorded solos, highlighting Brown's originality and revealing why he remains a great influence on trumpet players today. It is a book that anyone with a serious interest in jazz will want to own.
| Author | : Jeffrey Allen Tucker |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 197 |
| Release | : 2018-02-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496815378 |
One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman à clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black experiences marginalized from official histories make him one of our most important writers. Conversations with John A. Williams collects twenty-three interviews with the three-time winner of the American Book Award, beginning with a discussion in 1969 of his early works and ending with a previously unpublished interview from 2005. Gathered from print periodicals as well as radio and television programs, these interviews address a range of topics, including anti-black violence, Williams's WWII naval service, race and publishing, interracial romance, Martin Luther King Jr., growing up in Syracuse, the Prix de Rome scandal, traveling in Africa and Europe, and his reputation as an angry black writer. The conversations prove valuable given how often Williams drew from his own life and career for his fiction. They display the integrity, social engagement, and artistic vision that make him a writer to be reckoned with.
| Author | : E. Patrick Johnson |
| Publisher | : Duke University Press |
| Total Pages | : 394 |
| Release | : 2005-11-01 |
| Genre | : Social Science |
| ISBN | : 0822387220 |
While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project. The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies. Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace
