Classical Mythology in Shakespeare
Author | : Robert Kilburn Root |
Publisher | : |
Total Pages | : 156 |
Release | : 1903 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Robert Kilburn Root |
Publisher | : |
Total Pages | : 156 |
Release | : 1903 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Robert Kilburn Root |
Publisher | : New York : Gordian Press |
Total Pages | : 152 |
Release | : 1965 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Laura Annawyn Shamas |
Publisher | : Peter Lang |
Total Pages | : 156 |
Release | : 2007 |
Genre | : Drama |
ISBN | : 9780820479330 |
Original Scholarly Monograph
Author | : Janice Valls-Russell |
Publisher | : Bloomsbury Publishing |
Total Pages | : 488 |
Release | : 2024-10-17 |
Genre | : Literary Criticism |
ISBN | : 1350125881 |
Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.
Author | : Janice Valls-Russell |
Publisher | : Manchester University Press |
Total Pages | : 374 |
Release | : 2017-10-06 |
Genre | : Literary Criticism |
ISBN | : 1526117711 |
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
Author | : Ms Agnès Lafont |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 325 |
Release | : 2013-09-28 |
Genre | : Literary Criticism |
ISBN | : 1472406672 |
Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.
Author | : Jonathan Bate |
Publisher | : Princeton University Press |
Total Pages | : 378 |
Release | : 2020-10-13 |
Genre | : Drama |
ISBN | : 0691210144 |
"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.
Author | : Robert Kilburn Root |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Mythology, Classical, in literature |
ISBN | : |