Clarinet Sonata No 1
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Masterworks for Clarinet and Piano
Author | : Schirmer Books |
Publisher | : G Schirmer, Incorporated |
Total Pages | : 0 |
Release | : 1986-11 |
Genre | : Music |
ISBN | : 9780793554058 |
Contents: Fantasy Piece (Schumann) * First Sonata (Brahms) * Grand Duo Concertant (Weber) * Second Sonata (Brahms) * Sonata (Mendelssohn) * Variations, Op.33 (Weber).
Best of Clarinet Classics
Author | : Rudolf Mauz |
Publisher | : Schott Music |
Total Pages | : 103 |
Release | : 2020-05-11 |
Genre | : Music |
ISBN | : 3795720303 |
The most important clarinet literature in one volume: Best of Clarinet Classics contains numerous original works for clarinet in arrangements for clarinet in Bb and piano. With pieces from the early days of the instrument (C. Stamitz, X. Lefèvre, W.A. Mozart) via the era of virtuosos (C. Baermann, I. Müller, B.H. Crusell), the Romantic era and the age of Impressionism (N. Gade, C. Debussy) to the 20th-century composers (C. Nielsen, M. Reger).
Johannes Brahms - Clarinet Sonata No.1 - Op.120 No.1 - A Score for Clarinet and Piano
Author | : Johannes Brahms |
Publisher | : Read Books Ltd |
Total Pages | : 30 |
Release | : 2016-05-20 |
Genre | : Music |
ISBN | : 1473363349 |
This volume contains Johannes Brahms' 1894 clarinet and piano score “Clarinet Sonata No.1 – Op.120”, dedicated to Richard Mühlfeld. This modern reprint of the original scores features clear, large margins, making it ideal for students and musicians alike. Johannes Brahms (1833 – 1897) was a seminal German composer and pianist. He was incredibly popular and influential during his lifetime and, Together with Johann Sebastian Bach and Ludwig van Beethoven, is often referred to as one of the “Three Bs”. He is widely considered to be both a traditionalist and an innovator, and wrote for piano, organ, symphony orchestra, chamber ensembles, and for voice and chorus. Featuring large, clear note heads and wide margins, this edition is perfect for studying and following the music. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
Unlocking the Mysteries of Cataloging
Author | : Elizabeth Haynes |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 225 |
Release | : 2015-03-03 |
Genre | : Language Arts & Disciplines |
ISBN | : 1610695704 |
Ideal for students and both beginning and practicing catalogers in public, school, and academic libraries, this updated workbook offers targeted, hands-on exercises that enhance understanding of description, classification, subject analysis, subject heading application, and MARC 21 subject analysis. Like the first edition, this updated workbook has a straightforward goal: to help expand and improve the effectiveness of library catalogs. It is designed to supplement existing textbooks by providing exercises in AACR2r and RDA description, classification, subject analysis, and MARC protocols. Particular attention is given to problems that may arise when cataloging books as well as multimedia combinations, 3-D items, toys, natural objects, maps, printed and performed music, bilingual materials, and electronic files. Through the exercises, you will better understand the overall process of cataloging an item and making a record, the application of RDA in producing records, the steps for cataloging new media, and the differences in records using RDA or AACR2r. To enhance the exercises, the workbook incorporates photographs of real materials and offers questions for consideration. There is also a companion website with enlargeable color graphics. The site provides complete answer records and additional indexes for instructors to use in selecting examples for specific elements in the record. For students, new or advanced, selected MARC answer records are included, as are special lists, forms, and indexes leading to the tools any cataloger will need. Student Resources Exercises The images from the exercises in the book are included in this section in a larger format for closer examination. Exercises MARC Template For use in drafting cataloging records for all types of elements. MARC Template Instructor's Resources MARC and RDA answer records are provided to instructors upon request. Please contact [email protected] for more information.
The Music Sound
Author | : Nicolae Sfetcu |
Publisher | : Nicolae Sfetcu |
Total Pages | : 6042 |
Release | : 2014-05-07 |
Genre | : Music |
ISBN | : |
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
The Variations of Johannes Brahms
Author | : Julian Littlewood |
Publisher | : Plumbago Books and Arts |
Total Pages | : 384 |
Release | : 2004 |
Genre | : Variations |
ISBN | : 0954012348 |
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
Author | : David Beach |
Publisher | : Routledge |
Total Pages | : 385 |
Release | : 2012-05-04 |
Genre | : Music |
ISBN | : 1136329765 |
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Brahms and the Scherzo
Author | : Ryan McClelland |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2016-04-15 |
Genre | : Music |
ISBN | : 1317172841 |
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.