City Of End
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Author | : Greg Bear |
Publisher | : Del Rey |
Total Pages | : 497 |
Release | : 2008-08-05 |
Genre | : Fiction |
ISBN | : 0345507134 |
Multiple Hugo and Nebula award-winning author, Greg Bear is one of science fiction’s most accomplished writers. Bold scientific speculation, riveting plots, and a fierce humanism reflected in characters who dare to dream of better worlds distinguish his work. Now Bear has written a mind-bendingly epic novel that may well be his masterpiece. Do you dream of a city at the end of time? In a time like the present, in a world that may or may not be our own, three young people–Ginny, Jack, and Daniel–dream of a doomed, decadent city of the distant future: the Kalpa. Ginny’s and Jack’s dreams overtake them without warning, leaving their bodies behind while carrying their consciousnesses forward, into the minds of two inhabitants of the Kalpa–a would-be warrior, Jebrassy, and an inquisitive explorer, Tiadba–who have been genetically retro-engineered to possess qualities of ancient humanity. As for Daniel: He dreams of an empty darkness–all that his future holds. But more than dreams link Ginny, Jack, and Daniel. They are fate-shifters, born with the ability to skip like stones across the surface of the fifth dimension, inhabiting alternate versions of themselves. And each guards an object whose origin and purpose are unknown: gnarled, stony artifacts called sum-runners that persist unchanged through all versions of time. Hunted by others with similar powers who seek the sum-runners on behalf of a terrifying, goddess-like entity known as the Chalk Princess, Ginny, Jack, and Daniel are drawn, despite themselves, into an all but hopeless mission to rescue the future–and complete the greatest achievement in human history.
Author | : Kay Kenyon |
Publisher | : Pyr |
Total Pages | : 605 |
Release | : 2010-08-05 |
Genre | : Fiction |
ISBN | : 159102840X |
In this series Kay Kenyon has created her most vivid and compelling society yet, the universe Entire. Reviewers have called this "a grand world," "an enormous stage," and "a bravura concept." On this stage unfolds a mighty struggle for dominance between two universes. Titus Quinn has forged an unstable peace with the Tarig lords. The ruinous capability of the nanotech surge weapon he possesses ensures détente. But it is a sham. In what the godwoman Zhiya calls "a fit of moral goodness," he’s thrown the weapon into the space-folding waters of the Nigh. This clears the way for an enemy he could have never foreseen: the people of the Rose. A small cadre led by Helice Maki is determined to take the Entire for itself and leave the earth in ruins. The transform of earth will begin deep in a western desert and will sweep over the lives of ordinary people, entangling Quinn’s sister-in-law Caitlin in a deepening and ultimate conspiracy. In the Entire, Quinn stalks Helice to the fabled Rim City, encircling the heart of the Entire. Here he at last finds his daughter, now called Sen Ni, in the Chalin style. Outside of earth-based time, she has grown to adulthood. He hardly knows her, and finds her the mistress of a remarkable dream-time insurgency against the Tarig lords—and more, a woman risen high in the Entire’s meritocracy. Quinn needs his daughter’s help against the woman who would destroy the earth. But Sen Ni has her own plans and allies, among them a boy-navitar unlike any other pilot of the River Nigh—a navitar willing and supremely able to break his vows and bend the world. Quinn casts his fate with the beautiful and resourceful Ji Anzi who—sent on a journey to other realms—holds the key to Quinn’s heart and his overarching mission. But as he approaches the innermost sanctuary of the Tarig, he is alone. Waiting for him are powerful adversaries, including a lady who both hates and loves him, the high prefect of the dragon court, and Quinn’s most implacable enemy, a warrior whose chaotic mind will soon be roused from an eternal slumber. From the Trade Paperback edition.
Author | : Vincent Barrett Price |
Publisher | : |
Total Pages | : 224 |
Release | : 1992 |
Genre | : Architecture |
ISBN | : |
Familiar to New Mexicans through the columns and articles he has written for various periodicals, Price presents his philosophy of what makes Albuquerque, New Mexico such an attractive place to live, and explains how to keep it that way. Annotation copyright Book News, Inc. Portland, Or.
Author | : Douglas W. Rae |
Publisher | : Yale University Press |
Total Pages | : 536 |
Release | : 2008-10-01 |
Genre | : History |
ISBN | : 0300134754 |
How did neighborhood groceries, parish halls, factories, and even saloons contribute more to urban vitality than did the fiscal might of postwar urban renewal? With a novelist’s eye for telling detail, Douglas Rae depicts the features that contributed most to city life in the early “urbanist” decades of the twentieth century. Rae’s subject is New Haven, Connecticut, but the lessons he draws apply to many American cities. City: Urbanism and Its End begins with a richly textured portrait of New Haven in the early twentieth century, a period of centralized manufacturing, civic vitality, and mixed-use neighborhoods. As social and economic conditions changed, the city confronted its end of urbanism first during the Depression, and then very aggressively during the mayoral reign of Richard C. Lee (1954–70), when New Haven led the nation in urban renewal spending. But government spending has repeatedly failed to restore urban vitality. Rae argues that strategies for the urban future should focus on nurturing the unplanned civic engagements that make mixed-use city life so appealing and so civilized. Cities need not reach their old peaks of population, or look like thriving suburbs, to be once again splendid places for human beings to live and work.
Author | : Edmond Hamilton |
Publisher | : Jovian Press |
Total Pages | : 149 |
Release | : 2017-12-02 |
Genre | : Fiction |
ISBN | : 153780345X |
The pleasant little American city of Middletown is the first target in an atomic war - but instead of blowing Middletown to smithereens, the super-hydrogen bomb blows it right off the map - to somewhere else! First there is the new thin coldness of the air, the blazing corona and dullness of the sun, the visibility of the stars in high daylight. Then comes the inhabitant's terrifying discovery that Middletown is a twentieth-century oasis of paved streets and houses in a desolate brown world without trees, without water, apparently without life, in the unimaginably far-distant future.
Author | : Max Page |
Publisher | : Yale University Press |
Total Pages | : 279 |
Release | : 2008-01-01 |
Genre | : History |
ISBN | : 030011026X |
From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.
Author | : Vincent Barrett Price |
Publisher | : UNM Press |
Total Pages | : 244 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 9780826330970 |
Updated more than ten years after its initial publication, this impassioned book is more relevant than ever to Albuquerque's future. "Illuminating, provocative. . . . a complex, intelligent study of urbanization through an intimate examination of Albuquerque. . . . an insightful, absorbing book."--El Palacio
Author | : Allen J. Scott |
Publisher | : Univ of California Press |
Total Pages | : 500 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780520213135 |
Los Angeles has grown from a scattered collection of towns and villages to one of the largest megacities in the world. The editors of THE CITY have assembled a variety of essays examining the built environment and human dynamics of this extraordinary modern city, emphasizing the dramatic changes that have occurred since 1960. 58 illustrations.
Author | : David Bendernagel |
Publisher | : |
Total Pages | : 252 |
Release | : 2013-06-25 |
Genre | : Fiction |
ISBN | : 9780615813677 |
In the beginning, there is nothing. In the end, the same. This is a place. It is in the middle, and that's all. Ben Moor is haunted by a villainous alter ego. Since his father's death shortly after the fall of the twin towers, the boy believes he is impervious to any physical and emotional pain. Struggling with his father's absence and looming adulthood, Ben rejects his obsessions with comic books, video games, sports, and dreams of super heroism. He feels isolated even among those closest to him: his little brother, Bobby Jihad, and an artistic, bass-playing girl named Kitty. After killing his partner, the assassin runs from once-trusted colleagues and the boy who stalks him in dreams. Both killer and boy find their confidence challenged as they wander among the ruins of buildings and lives transformed by hostility and violence. Aware of each other and trying to make sense of the tragedies in their separate lives, they navigate the memories of the living and dead, cope with the burden of survival, and hope for redemption at The End of the City.
Author | : Matthew Asprey Gear |
Publisher | : Columbia University Press |
Total Pages | : 303 |
Release | : 2016-02-16 |
Genre | : Performing Arts |
ISBN | : 0231850905 |
The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.