Cistercians In Medieval Art
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Author | : Michael Carter |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Art, Medieval |
ISBN | : 9782503581934 |
The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle Ages, and questions many long-held opinions about the Order's perceived decline during the period c.1300-1540. Extensive building works were conducted between the fourteenth and sixteenth centuries at well-known abbeys such as Byland, Fountains, Kirkstall, and Rievaulx, and also at lesser-known houses including Calder and Holm Cultram, and at many convents of Cistercian nuns. This study examines the motives of Cistercian patrons and the extent to which the Order continued to enjoy the benefaction of lay society. Featuring over a hundred illustrations and eight colour plates, this book demonstrates that the Cistercians remained at the forefront of late medieval artistic developments, and also shows how the Order expressed its identity in its visual and material cultures until the end of the Middle Ages.
Author | : Christopher Norton |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2012-03-29 |
Genre | : Architecture |
ISBN | : 9780521181358 |
From their introduction in the early twelfth century the Cistercians were one of the leading monastic orders in Britain. Many of the finest monastic remains - Fountains, Rievaulx and Tintern - are Cistercian. This 1986 book is a comprehensive survey of Cistercian art and architecture in the British Isles. The various contributions, all by leading specialists, cover the historical and literary background; the development of Cistercian architecture (especially in the twelfth and thirteenth centuries, when the Cistercians were in the forefront of architectural achievement, playing an important role in the introduction and dissemination of the Gothic style); and art forms such as wall painting, stained glass, tile pavements, and manuscript illumination, as well as liturgy and music. These studies reveal what was distinctively Cistercian in the art and architecture of the Order, and permit a distinct understanding of the remarkable contribution of the Cistercians to the culture of medieval Britain.
Author | : Maximilian Sternberg |
Publisher | : BRILL |
Total Pages | : 316 |
Release | : 2013-08-15 |
Genre | : History |
ISBN | : 9004251812 |
In Cistercian Architecture and Medieval Society Maximilian Sternberg offers an account of the social functions of the built environment in medieval monasticism. Few medieval monuments hold so privileged a place in the modern imagination as Cistercian abbeys, yet Sternberg suggests, it is precisely our own, peculiarly modern fascination with the idea of 'Cistercian aesthetics' that has hindered a full view of the complex social meanings of their architecture. This book draws attention instead to the practical and symbolic means by which architecture helped the Cistercians to negotiate the dense web of relations that, in actuality, bound them to other spheres of medieval society. It explores the permeability of monastic boundaries, and considers their effectiveness in reconciling a simultaneous need for interaction and distance between monastic communities and these other social spheres.
Author | : Diane Reilly |
Publisher | : Amsterdam University Press |
Total Pages | : 247 |
Release | : 2019-01-24 |
Genre | : Literary Criticism |
ISBN | : 9048537185 |
This book is a study of the programmatic oral performance of the written word and its impact on art and text. Communal singing and reading of the Latin texts that formed the core of Christian ritual and belief consumed many hours of the Benedictine monk's day. These texts-read and sung out loud, memorized, and copied into manuscripts-were often illustrated by the very same monks who participated in the choir liturgy. The meaning of these illustrations sometimes only becomes clear when they are read in the context of the texts these monks heard read. The earliest manuscripts of Cîteaux, copied and illuminated at the same time that the new monastery's liturgy was being reformed, demonstrate the transformation of aural experience to visual and textual legacy.
Author | : Janet E. Burton |
Publisher | : Boydell Press |
Total Pages | : 258 |
Release | : 2011 |
Genre | : History |
ISBN | : 184383667X |
The Cistercians (White Monks) were the most successful monastic experiment to emerge from the tumultuous intellectual and religious fervour of the 11th and 12th centuries. This book seeks to explore the phenomenon that was the Cistercian Order.
Author | : Constance Hoffman Berman |
Publisher | : University of Pennsylvania Press |
Total Pages | : 364 |
Release | : 2018-04-04 |
Genre | : History |
ISBN | : 0812295080 |
Modern studies of the religious reform movement of the central Middle Ages have often relied on contemporary accounts penned by Cistercian monks, who routinely exaggerated the importance of their own institutions while paying scant attention to the remarkable expansion of abbeys of Cistercian women. Yet by the end of the thirteenth century, Constance Hoffman Berman contends, there were more houses of Cistercian nuns across Europe than of monks. In The White Nuns, she charts the stages in the nuns' gradual acceptance by the abbots of the Cistercian Order's General Chapter and describes the expansion of the nuns' communities and their adaptation to a variety of economic circumstances in France and throughout Europe. While some sought contemplative lives of prayer, the ambition of many of these religious women was to serve the poor, the sick, and the elderly. Focusing in particular on Cistercian nuns' abbeys founded between 1190 and 1250 in the northern French archdiocese of Sens, Berman reveals the frequency with which communities of Cistercian nuns were founded by rich and powerful women, including Queen Blanche of Castile, heiresses Countess Matilda of Courtenay and Countess Isabelle of Chartres, and esteemed ladies such as Agnes of Cressonessart. She shows how these founders and early patrons assisted early abbesses, nuns, and lay sisters by using written documents to secure rights and create endowments, and it is on the records of their considerable economic achievements that she centers her analysis. The White Nuns considers Cistercian women and the women who were their patrons in a clear-eyed reading of narrative texts in their contexts. It challenges conventional scholarship that accepts the words of medieval monastic writers as literal truth, as if they were written without rhetorical skill, bias, or self-interest. In its identification of long-accepted misogynies, its search for their origins, and its struggle to reject such misreadings, The White Nuns provides a robust model for historians writing against received traditions.
Author | : James France |
Publisher | : Cistercian Publications Books |
Total Pages | : 492 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Accompanying CD-ROM contains ... "image-index of all known medieval portrayals of this influential saint."--Page 4 of cover.
Author | : James France |
Publisher | : Alan Sutton Publishing |
Total Pages | : 312 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
The Cistercian Order emerged as a radical breakaway movement at the end of the 11th century with a commitment to reforming the monastic life. Uniformity of customs and practice was sought through the institution whereby abbots from all over Christendom came together for the General Chapter at the mother-abbey of Citeaux. This, and the visitation of all the abbeys by the abbot of their founding house, ensured a degree of cohesion not equalled by any other body, not even the papacy itself. The Order subsequently became one of the most powerful spiritual, cultural and economic forces within medieval Europe, established in over 700 locations by the early 16th century. As a result, the Cistercians may be considered pioneers of the European ideal.
Author | : Mette Birkedal Bruun |
Publisher | : Cambridge University Press |
Total Pages | : 341 |
Release | : 2013 |
Genre | : History |
ISBN | : 1107001315 |
Presents the Order's figureheads, practical life and spiritual horizon, and its contribution to medieval Europe's religious, cultural and political climate.
Author | : Conrad Rudolph |
Publisher | : John Wiley & Sons |
Total Pages | : 1040 |
Release | : 2019-05-07 |
Genre | : Art |
ISBN | : 1119077729 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.