This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1875 edition. Excerpt: ...nude state, stretched on the back of a wild horse, and inviting the public to go to Astley's, and see ' the beautiful Menken.' Young men thronged the theatre to witness this combination of poses plastiqiws with dramatic spectacle, and 'girls of the period' dressed their hair a la Menken, that is, like the frizzled crop of a negress; but the theatrical critics looked coldly and sadly upon tho performance, and accused the management of ministering to a vitiated taste. Adah Menken was at this time in her twentyseventh year, and had a few years previously become the wife of Heenan, the pugilist, whose fine figure had won her regards when the wealthiest men in California were competing for her favours. The union was not a happy one, for which result both the parties have been blamed; and the cause of difference was probably one in respect of which neither could reproach the other without provoking recrimination. Heenan, who was then in London, might often have been seen at Astley's during his wife's engagement, and it was said that both desired a reconciliation, and that Adah had come to England with that view; but nothing came of it. 'The beautiful Menken' went to Paris, and was said to be on terms of tender intimacy with the elder Dumas. She died in Paris shortly afterwards, and her remains rest in the cemetery of Pere La Chaise. Adah Isaacs Menken was undoubtedly a woman of rare natural talents and great accomplishments. While in London, she published a volume of poems, with the general title of Infelicia, which correctly describes their tone and character. Some of them are as wild as anything which has emanated from Walt Whitman, and more are replete with the weird fancies and wayward genius of Poe; but all are pervaded by a deep and...