Cinemascope Two
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| Author | : John Reid |
| Publisher | : Lulu.com |
| Total Pages | : 261 |
| Release | : 2005-02-01 |
| Genre | : Drama |
| ISBN | : 1411622480 |
If it were not for the vision and enterprise of Darryl F. Zanuck and 20th Century-Fox, chances are none of us would be enjoying widescreen films today. Instead, we'd still be watching movies and TV on the same postage-stamp screen that became standard when movies began to talk in 1927. This survey of Fox's contributions to the CinemaScope Revolution which that studio started back in 1953, examines no less than 140 key films (with extensive cast and technical credits, plus release details and other background information, including prizes and awards).
| Author | : Jacek Klinowski |
| Publisher | : Planet RGB Limited |
| Total Pages | : 793 |
| Release | : |
| Genre | : Performing Arts |
| ISBN | : 1513607235 |
Discover the captivating world of cinema with Cinema, the Magic Vehicle. If you are a film enthusiast looking to delve into the history of cinema from its early beginnings to the 1980s, I have an extraordinary book recommendation just for you. This remarkable book is filled with the most inspiring descriptions of the greatest films spanning the years 1913 to 1981. If you feel like you've been watching mostly remakes and are unsure of what else to explore in terms of historical films, this book will serve as your ultimate guide. It will transport you through time and immerse you in the fascinating works of film that have shaped today’s cinema. From silent film masterpieces which, without words, evoke strong emotions to the grand works of the Golden Age of Hollywood, Cinema, the Magic Vehicle will take you on a journey across diverse styles, genres and themes. Whether your interest lies in drama, comedy, science fiction or film noir, you will find something captivating within these pages. In addition to the correct screen credits and film descriptions, this book provides valuable historical context to help you to understand how cinema evolved over the years. You will discover how political, social and cultural events influenced filmmakers and how their works reflected the spirit of their era. This is not just a collection of film summaries but a fascinating time-travel experience that will deepen your understanding of the history of cinema and its impact on the world. Let yourself be swept away on an extraordinary journey through the history of cinema. Cinema, the Magic Vehicle is a guide to uncovering countless cinematic treasures and finding those essential titles worth watching. Open your eyes and heart to the wonders that await you, and let the magic of cinema captivate you for hours on end. Experience the gems that lie within. Start your adventure today and discover the captivating world of cinema from its earliest days to the golden age of film. Cinema, the Magic Vehicle is the key that will unlock unforgettable experiences and uncharted cinematic treasures. Get ready for unforgettable adventures and let the enchantment of cinema take hold of you.
| Author | : Robert Murphy |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 1617 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838715320 |
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
| Author | : Gary Giddins |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 416 |
| Release | : 2010-04-19 |
| Genre | : Performing Arts |
| ISBN | : 0393339009 |
A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter—ranging from the horror films of Hitchcock to the fantastical frames of Disney—provides readers with engaging analyses of influential films and the directors and actors who made them possible.
| Author | : David Bordwell |
| Publisher | : Routledge |
| Total Pages | : 514 |
| Release | : 2008 |
| Genre | : Performing Arts |
| ISBN | : 0415977789 |
Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.
| Author | : Foster Hirsch |
| Publisher | : Knopf |
| Total Pages | : 702 |
| Release | : 2023-10-10 |
| Genre | : Performing Arts |
| ISBN | : 0307958930 |
A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, CinemaScope, and VistaVision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios; the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television. Here is Eisenhower’s America—seemingly complacent, conformity-ridden revealed in Vincente Minnelli’s Father of the Bride, Walt Disney’s Cinderella, and Brigadoon, among others. And here is its darkening, resonant landscape, beset by conflict, discontent, and anxiety (The Man Who Knew Too Much, The Asphalt Jungle, A Place in the Sun, Touch of Evil, It Came From Outer Space) . . . an America on the verge of cultural, political and sexual revolt, busting up and breaking out (East of Eden, From Here to Eternity, On the Waterfront, Sweet Smell of Success, The Wild One, A Streetcar Named Desire, and Jailhouse Rock). An important, riveting look at our nation at its peak as a world power and at the political, cultural, sexual upheavals it endured, reflected and explored in the quintessential American art form.
| Author | : Robert von Dassanowsky |
| Publisher | : Berghahn Books |
| Total Pages | : 408 |
| Release | : 2011-04-01 |
| Genre | : Performing Arts |
| ISBN | : 0857452320 |
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
| Author | : David Hanan |
| Publisher | : Springer |
| Total Pages | : 342 |
| Release | : 2017-02-16 |
| Genre | : Performing Arts |
| ISBN | : 3319408747 |
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
| Author | : Jonathan Walley |
| Publisher | : Oxford University Press |
| Total Pages | : 577 |
| Release | : 2020-07-01 |
| Genre | : Performing Arts |
| ISBN | : 019093865X |
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
| Author | : Tino Balio |
| Publisher | : Routledge |
| Total Pages | : 443 |
| Release | : 2013-12-17 |
| Genre | : Performing Arts |
| ISBN | : 1317929152 |
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
