Cinema In A Democratic South Africa
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Author | : Lucia Saks |
Publisher | : Indiana University Press |
Total Pages | : 270 |
Release | : 2010-07-19 |
Genre | : History |
ISBN | : 0253221862 |
Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as to demonstrate stability amid social disruption. This rapid search for a new way to identify and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, early South African cinema, and finally speculates about the future of "counter-cinema" in present-day South Africa.
Author | : Keyan Tomaselli |
Publisher | : Routledge |
Total Pages | : 302 |
Release | : 2013-12-13 |
Genre | : Performing Arts |
ISBN | : 1317928407 |
This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.
Author | : Jacqueline Maingard |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2013-05-13 |
Genre | : Performing Arts |
ISBN | : 1135123969 |
South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelationships between South African cinema and key points in South Africa’s history, showing how cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004). Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema’s role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state’s film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture. Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today.
Author | : Isabel Balseiro |
Publisher | : Wayne State University Press |
Total Pages | : 292 |
Release | : 2003 |
Genre | : Culture in motion pictures |
ISBN | : 9780814330012 |
With the end of apartheid, South African cinema is at a turning point in its history. But how can we speak of a national cinema when so far only an elite minority has participated in it? How can filmmakers draw upon the past as they take South Africa into a new artistic era? This collection offers an unprecedented look at a film industry that has excluded its country's black majority, in both representation and production-and that now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? What has happened when whites aim to make "black" films? How has film been viewed in relation to the notion of leisure in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema.
Author | : Peter Davis |
Publisher | : Ohio University Press |
Total Pages | : 266 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : |
An overview of South African cinema and filmmakers.
Author | : Keyan G. Tomaselli |
Publisher | : Rozenberg Publishers |
Total Pages | : 203 |
Release | : 2006 |
Genre | : Africa |
ISBN | : 9051708866 |
Author | : L. Modisane |
Publisher | : Springer |
Total Pages | : 389 |
Release | : 2012-12-28 |
Genre | : Social Science |
ISBN | : 1137027037 |
Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.
Author | : Annie E. Coombes |
Publisher | : Duke University Press |
Total Pages | : 396 |
Release | : 2003-11-24 |
Genre | : History |
ISBN | : 9780822330721 |
DIVHow should post-apartheid South Africa present its history - in museums, monuments, and parks./div
Author | : Manthia Diawara |
Publisher | : Prestel Pub |
Total Pages | : 319 |
Release | : 2010 |
Genre | : Performing Arts |
ISBN | : 9783791343426 |
Contemporary African filmmaking is the subject of this insightful and exciting look at every aspect of the art form on the African continent. Focusing on new trends in African cinema from the 1990s to today, this book explores new cinematic languages and modes of production, films departure from nationalism and social realism, and the Nollywood film industry, among other topics. In this book Manthia Diawara, a renowned scholar on Black cinema, literature, and art brings readers up to date on the exciting changes taking place behind and in front of African cameras. Contributions by filmmakers, scholars, and producers as well as profiles of thirty important African directors and their films, provide valuable insight into recent developments. The volume comes with a DVD containing several interviews with filmmakers conducted by the author. Scholars, students, and anyone interested in cinematic and African cultural studies will find much to discover and celebrate in this authoritative, fascinating look at new trends in African filmmaking.
Author | : Martin Botha |
Publisher | : |
Total Pages | : 392 |
Release | : 2007 |
Genre | : Business & Economics |
ISBN | : |