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| Author | : Rafael Salin-Pascual |
| Publisher | : Lulu.com |
| Total Pages | : 149 |
| Release | : 2009-10 |
| Genre | : Social Science |
| ISBN | : 0557135850 |
Movies as tools for to understand that humanity is not just male and female, but also trassexual male and transsexual female, and that sexual orientation is a different matter. After all love is in the air.
| Author | : Margaret G. Frohlich |
| Publisher | : Springer Nature |
| Total Pages | : 223 |
| Release | : 2023-02-10 |
| Genre | : Performing Arts |
| ISBN | : 3031189469 |
This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba.
| Author | : Wayne M Bryant |
| Publisher | : Routledge |
| Total Pages | : 201 |
| Release | : 2013-10-23 |
| Genre | : Art |
| ISBN | : 1317971302 |
How far have we progressed from the days when showing a film such as Jack Smith’s Flaming Creatures landed the cinema’s programmer, projectionist, and ticket taker in jail? What are some of the hidden clues modern audiences are overlooking in older films that suggest a character’s bisexuality? Which famous actors, actresses, directors, and screenwriters were attracted to people of both sexes? In Bisexual Characters in Film, the first book to focus on the role of bisexual characters in film, you’ll find answers to these questions and many more as you explore, analyze, and celebrate 80 years of bisexual movie characters (and the people who have created them) from around the world. A lively, entertaining, and informative commentary, this book examines the treatment of bisexual film characters and shows you how that treatment has been affected by societal forces such as censorship, politics, religious prejudices, homophobia, and sexual stereotypes. Bisexual Characters in Film looks at the contribution of bisexual people (and others who have had lovers of varying sexes) to the body of work available on film today. These include the directors, writers, actors, composers, and designers whose sexual orientation has informed their work. An analysis of the Motion Picture Production Code and its devastating effect on bisexual and homosexual screen images forms an important part of the book. You learn how, specifically, it eradicated gay, lesbian, and bisexual characters from Hollywood films as well as the role of bisexual, lesbian, and gay filmmakers in finally defeating it. Other questions you’ll find answers to include: Who, or what, is a bisexual? How were bisexual characters represented in silent film, before the forces of censorship banned them from the screen? What bisexual myths and stereotypes are portrayed on film? What is the role of “camp” in bisexual film? Bisexual Characters in Film is a unique resource for researchers; librarians; film festival planners; the queer media; professors and students of lesbian, gay, and bisexual studies; bisexual activists; and general bisexual, gay, lesbian, and transgendered readers. It provides a much-needed view of bisexual representations in a major segment of our popular culture.
| Author | : Pam Hassebroek |
| Publisher | : Triple Synergy Press |
| Total Pages | : 311 |
| Release | : 2021-08-16 |
| Genre | : |
| ISBN | : 9780578965437 |
Through a brief history of movies, this trustworthy collection presents a coherent view of changing social norms regarding women and the LGBTQ community. The book discusses our diverse humanity, but its purpose is unity, not division.* Considers the meaning of individuality and identity;* essential and thought-provoking insight into our human uniqueness and diversity;* fundamental answers to why and how people resist acknowledging and accepting human differences."Movies on Chatham Presents" shows how film portrayals have reinforced discrimination, which is among the world's most pressing matters. See how this happens and how things change through film depictions, and historical social backdrops. We can observe the inequalities of social position in movie settings from the early 20th century forward. This book examines the movie industry's changing expressions of femaleness, sexual orientation, gender identity, and gender roles in parallel with pertinent public laws and policies. Watching the movies alongside the book's commentary enables visualizing the obstacles overcome and celebrating the positive trend toward a more equitable social order."Movies on Chatham Presents" offers a template for respectful and enlightening conversations about film and pop culture.* The book helps us to recognize our multiple social identities, diversify who we interact with, and broaden our perspectives.* The book provides tools to move us all toward higher principles in group interactions--personal, professional, and organizational.
| Author | : Ronald Gregg |
| Publisher | : Oxford University Press |
| Total Pages | : 816 |
| Release | : 2021-11-12 |
| Genre | : Performing Arts |
| ISBN | : 0190878010 |
The term "queer cinema" is often used to name at least three cultural events: 1) an emergent visual culture that boldly identifies as queer; 2) a body of narrative, documentary, and experimental work previously collated under the rubric of homosexual or lesbian, gay, bisexual, and trans (LGBT) cinema; 3) a means of critically reading and evaluating films and other visual media through the lens of sexuality. By this expansive account, queer cinema encompasses more than a century of filmmaking, film criticism, and film reception, and the past twenty-five years have seen the idea of "queer cinema" expand further as a descriptor for a global arts practice. As the first of its kind, The Oxford Handbook of Queer Cinema treats these three currents as art and critical practice, bringing the canon of queer cinema together with a new generation of makers and scholars. The Handbook's contributors include scholars who research the worldwide canon of queer cinema, those who are uniquely positioned to address three decades of its particular importance, and those best positioned to ponder the forms it is taking or may take in our new century, namely digital media that moves in new circuits. In eight sections, they explore the many forms that queer cinema takes across time, discussing narrative, experimental, documentary, and genre filmmaking, including pornography. Likewise, although the study of cinema and media is not restricted to a single method, chapters showcase the unique combination of textual analysis, industrial and production history, interpretation, ethnography, and archival research that this field enables. For example, chapters analyze the ways in which queer cinema both is and is not self-evidently an object for study by examining films that reinforce negative understandings of queerness alongside those that liberate the subject; and by naming the films that are newly queered, while noting that many queerly-made texts await discovery. Finally, chapters necessarily assert that queer cinema is not an Anglophone phenomenon, nor is it restricted to the medium of film.
| Author | : Karl Schoonover |
| Publisher | : Duke University Press |
| Total Pages | : 254 |
| Release | : 2016-11-17 |
| Genre | : Performing Arts |
| ISBN | : 082237367X |
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
| Author | : Benshoff |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 334 |
| Release | : 2005-10-13 |
| Genre | : Performing Arts |
| ISBN | : 0742568571 |
From Thomas Edison''s first cinematic experiments to contemporary Hollywood blockbusters, Queer Images chronicles the representation of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores not only the ever-changing images of queer characters onscreen, but also the work of queer filmmakers and the cultural histories of queer audiences. Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood''s Golden Age; classical Hollywood''s (failed) attempt to purge "sex perversion" from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity—as reflected on the silver screen—has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. Queer Images is an essential volume for film buffs and anyone interested in sexuality and culture.
| Author | : Melanie Kohnen |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2015-11-06 |
| Genre | : Social Science |
| ISBN | : 1136519904 |
This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.
| Author | : Linda Holtzman |
| Publisher | : Routledge |
| Total Pages | : 559 |
| Release | : 2014-12-18 |
| Genre | : Social Science |
| ISBN | : 1317464931 |
The new edition of this widely adopted book reveals how the popular media contribute to widespread myths and misunderstanding about cultural diversity. While focused on the impact of television, feature film, and popular music, the authors reach far beyond media to explore how our understanding, values, and beliefs about race, class, gender and sexual orientation are constructed. They analyze how personal histories, combined with the collective history of oppression and liberation, contribute to stereotypes and misinformation, as well as how personal engagement with media can impact prospects for individual and social freedom. Along with updated media examples, expanded theories and analysis, this edition explores even more deeply the coverage of race in two chapters, discusses more broadly how men and boys are depicted in the media and socialized, and how class issues have become even more visible since the Great Recession of the 21st century and the Occupy movements. Special activities and exercises are provided in the book and an online Instructor's Manual is available to adopters.
| Author | : Harry M. Benshoff |
| Publisher | : John Wiley & Sons |
| Total Pages | : 452 |
| Release | : 2021-04-06 |
| Genre | : Performing Arts |
| ISBN | : 1118743881 |
A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
