Church Music In America 1620 2000
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Author | : John Ogasapian |
Publisher | : Mercer University Press |
Total Pages | : 306 |
Release | : 2007 |
Genre | : Music |
ISBN | : 9780881460261 |
The history of American church music is a particularly fascinating and challenging subject, if for no other reason than because of the variety of diverse religious groups that have immigrated and movements that have sprung up in American. Indeed, for the first time in modern history-possibly the only time since the rule of medieval Iberia under the Moors-different faiths have co-existed here with a measure of peace- sometimes ill-humored, occasionally hostile, but more often amicable or at least tolerant-influencing and even weaving their traditions into the fabric of one another's worship practices even as they competed for converts in the free market of American religion. This overview traces the musical practices of several of those groups from their arrival on these shores up to the present, and the way in which those practices and traditions influenced each other, leading to the diverse and multi-hued pattern that is American church music at the beginning of the twenty-first century. The tone is non-technical; there are no musical examples, and the musical descriptions are clear and concise. In short, it is a book for interested laymen as well as professional church musicians, for pastors and seminarians as well as students of American religious culture and its history.
Author | : Andrew Shenton |
Publisher | : Rowman & Littlefield |
Total Pages | : 373 |
Release | : 2021-02-17 |
Genre | : Music |
ISBN | : 1538148749 |
Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
Author | : James Michael Floyd |
Publisher | : Routledge |
Total Pages | : 389 |
Release | : 2012-07-26 |
Genre | : Music |
ISBN | : 1135848203 |
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
Author | : Stanley R. McDaniel |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 837 |
Release | : 2024-05-23 |
Genre | : Music |
ISBN | : 1666755931 |
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Author | : Peter Mercer-Taylor |
Publisher | : Oxford University Press, USA |
Total Pages | : 399 |
Release | : 2020 |
Genre | : Music |
ISBN | : 0190842792 |
In the antebellum period, most Americans first encountered European classical music through hundreds of hymn tunes that tapped into classical melodies. This book is the first in-depth study of the rise and fall of these popular, but largely overlooked, adaptations and their place in nineteenth-century American musical life.
Author | : Judah M. Cohen |
Publisher | : Indiana University Press |
Total Pages | : 328 |
Release | : 2019-02-14 |
Genre | : Music |
ISBN | : 0253040248 |
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
Author | : Mark W. Karlberg |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 202 |
Release | : 2013-04-26 |
Genre | : Religion |
ISBN | : 1621896641 |
This collection of writings contains articles and book reviews that are not readily accessible to most readers. Many of them are written for a wider audience of informed lay students of Scripture, as well as seminarians. They have been brought together here in a fresh way with other new writings. As a result, this study is somewhat unique, drawing upon the author's career in theology and church music. Over the course of four decades of scholarly research and writing Mark Karlberg has also been engaged in the music ministry of the church, serving as organist and choir director. Chief influences in his study and practice of music in the church have been Robert Elmore and Gerre Hancock, leading organists, choral masters, and composers of our generation. In the course of their stellar careers Elmore and Hancock have served in different ecclesiastical settings--Moravian, Presbyterian, Southern Baptist, and Anglican. What they both share in common is their exceptional skill in the art of improvisation. Part of their accompaniment was "off the written musical score," resulting in service-playing that was creative and engaging. In the spirit of their artistic expression we offer this collection of writings bearing as its theme the great Song of Redemption, composed by "the singing Christ" (Heb 2:12).
Author | : George Thomas Kurian |
Publisher | : Rowman & Littlefield |
Total Pages | : 2849 |
Release | : 2016-11-10 |
Genre | : Religion |
ISBN | : 1442244321 |
From the Founding Fathers through the present, Christianity has exercised powerful influence in the United States—from its role in shaping politics and social institutions to its hand in inspiring art and culture. The Encyclopedia of Christianity in the United States outlines the myriad roles Christianity has played and continues to play. This masterful five-volume reference work includes biographies of major figures in the Christian church in the United States, influential religious documents and Supreme Court decisions, and information on theology and theologians, denominations, faith-based organizations, immigration, art—from decorative arts and film to music and literature—evangelism and crusades, the significant role of women, racial issues, civil religion, and more. The first volume opens with introductory essays that provide snapshots of Christianity in the U.S. from pre-colonial times to the present, as well as a statistical profile and a timeline of key dates and events. Entries are organized from A to Z. The final volume closes with essays exploring impressions of Christianity in the United States from other faiths and other parts of the world, as well as a select yet comprehensive bibliography. Appendices help readers locate entries by thematic section and author, and a comprehensive index further aids navigation.
Author | : Ari Y. Kelman |
Publisher | : NYU Press |
Total Pages | : 221 |
Release | : 2018-06-19 |
Genre | : Music |
ISBN | : 147986367X |
How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.
Author | : James Andrew Davis |
Publisher | : U of Nebraska Press |
Total Pages | : 342 |
Release | : 2014-07-01 |
Genre | : Music |
ISBN | : 0803262779 |
In December 1863, Civil War soldiers took refuge from the dismal conditions of war and weather. They made their winter quarters in the Piedmont region of central Virginia: the Union’s Army of the Potomac in Culpeper County and the Confederacy’s Army of Northern Virginia in neighboring Orange County. For the next six months the opposing soldiers eyed each other warily across the Rapidan River. In Music Along the Rapidan James A. Davis examines the role of music in defining the social communities that emerged during this winter encampment. Music was an essential part of each soldier’s personal identity, and Davis considers how music became a means of controlling the acoustic and social cacophony of war that surrounded every soldier nearby. Music also became a touchstone for colliding communities during the encampment—the communities of enlisted men and officers or Northerners and Southerners on the one hand and the shared communities occupied by both soldier and civilian on the other. The music enabled them to define their relationships and their environment, emotionally, socially, and audibly.