Chuck Dugan Is AWOL

Chuck Dugan Is AWOL
Author: Eric Chase Anderson
Publisher: Chronicle Books
Total Pages: 240
Release: 2005-04-07
Genre: Fiction
ISBN: 9780811839204

On the day of his 18th birthday, Midshipman Chuck Dugan receives a startling letter, which includes a treasure map.

Library Journal

Library Journal
Author: Melvil Dewey
Publisher:
Total Pages: 904
Release: 2005
Genre: Electronic journals
ISBN:

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

The Wes Anderson Collection: Isle of Dogs

The Wes Anderson Collection: Isle of Dogs
Author: Lauren Wilford
Publisher: Abrams
Total Pages: 256
Release: 2018-09-25
Genre: Performing Arts
ISBN: 1683352963

The Wes Anderson Collection: Isle of Dogs is the only book to take readers behind the scenes of the beloved auteur’s newest stop-motion animated film. †‹Through the course of several in-depth interviews with film critic Lauren Wilford, writer and director Wes Anderson shares the story behind Isle of Dogs’s conception and production, and Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemaking process. Previously unpublished behind-the-scenes photographs, concept artwork, and hand-written notes and storyboards accompany the text. The book also features an introduction by critics and collaborators Taylor Ramos and Tony Zhou, and a foreword by critic Matt Zoller Seitz. The fourth volume of the New York Times bestselling Wes Anderson Collection, Isle of Dogs stays true to the series with its rich design and colorful illustrations, capturing Anderson’s signature aesthetic vision and bringing the series's definitive study of Anderson's filmography up to date. Isle of Dogs tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, F. Murray Abraham, Tilda Swinton, Akira Ito, Yoko Ono, Mari Natsuko, Harvey Keitel, Courtney B. Vance, Ken Watanabe, Scarlett Johnasson, Fisher Stevens, Nijiro Murakami, and Liev Schreiber.

Access

Access
Author:
Publisher:
Total Pages: 604
Release: 2005
Genre: American periodicals
ISBN:

Lucrative Targets

Lucrative Targets
Author: Perry D. Jamieson
Publisher: Department of the Air Force
Total Pages: 268
Release: 2001
Genre: History
ISBN:

United States Air Force in the Persian Gulf War. Part of a series of five works dealing with various aspects of the Air Force’s participation in Desert Shield and Storm. This volume focuses on the Air Force’s role in the opposing Iraqi forces in the "Kuwaiti theater of operations," a relatively small region in souther Iraq and Kuwait, where Iraqi Republican Guard were concentrated.

Wes Anderson

Wes Anderson
Author: Mark Browning
Publisher: Bloomsbury Publishing USA
Total Pages: 206
Release: 2011-02-02
Genre: Performing Arts
ISBN: 1598843532

This is the first full-length study devoted to the films of Wes Anderson, one of the most distinctive filmmakers working today. This first full-length consideration of this noted director's work, Wes Anderson: Why His Movies Matter is organized chronologically to encompass all of Anderson's films, from 1996's Bottle Rocket to Rushmore, The Royal Tenenbaums, and the 2009 release, The Fantastic Mr. Fox. The study includes analysis of Anderson's work in commercials, his representation of race and class, his main stylistic influences, and his innovations in the use of frame. Beyond that, author Mark Browning considers whether Anderson's allusions create resonance or simply play a game with an audience keen to spot references. He argues that, in Anderson's films, the style is the substance, and the apparent comedic superficiality is what actually provides depth. Chapters covering the individual films are followed by an examination of Anderson as set designer, author, and stylist. The conclusion explains how his films can be viewed as relevant, exploring links to events and figures in the real world.