Army of the Potomac

Army of the Potomac
Author: Russel H. Beatie
Publisher: Savas Beatie
Total Pages: 757
Release: 2007-05-14
Genre: History
ISBN: 1611210216

The third volume of this masterful Civil War history series covers the pivotal early months of General George McClellan’s Peninsula Campaign. As he did in his first two volumes of this magisterial series, Russel Beatie tells the story largely through the eyes and from the perspective of high-ranking officers, staff officers, and politicians. This study is based upon extensive firsthand research (including many previously unused and unpublished sources) that rewrites the history of Little Mac’s inaugural effort to push his way up the peninsula and capture Richmond in one bold campaign. In meticulous fashion, Beatie examines many heretofore unknown, ignored, or misunderstood facts and events and uses them to evaluate the campaign in the most balanced historical context to date. Every aspect of these critically important weeks is examined, from how McClellan’s Urbanna plan unraveled and led to the birth of the expedition that debarked at Fort Monroe in March 1862, to the aftermath of Williamsburg. To capture the full flavor of their experiences, Beatie employs the “fog of war” technique, which puts the reader in the position of the men who led the Union army. The Confederate adversaries are always present but often only in shadowy forms that achieve firm reality only when we meet them face-to-face on the battlefield. Well written, judiciously reasoned, and extensively footnoted, McClellan’s First Campaign will be heralded as the seminal work on this topic. Civil War readers may not always agree with Beatie’s conclusions, but they will concur that his account offers an original examination of the Army of the Potomac’s role on the Virginia peninsula. “If you want to understand the war in the east, this series is essential.” —Civil War Books and Authors

An Agrarian Republic

An Agrarian Republic
Author: Adam Wesley Dean
Publisher: UNC Press Books
Total Pages: 241
Release: 2015-02-16
Genre: History
ISBN: 146961992X

The familiar story of the Civil War tells of a predominately agricultural South pitted against a rapidly industrializing North. However, Adam Wesley Dean argues that the Republican Party's political ideology was fundamentally agrarian. Believing that small farms owned by families for generations led to a model society, Republicans supported a northern agricultural ideal in opposition to southern plantation agriculture, which destroyed the land's productivity, required constant western expansion, and produced an elite landed gentry hostile to the Union. Dean shows how agrarian republicanism shaped the debate over slavery's expansion, spurred the creation of the Department of Agriculture and the passage of the Homestead Act, and laid the foundation for the development of the earliest nature parks. Spanning the long nineteenth century, Dean's study analyzes the changing debate over land development as it transitioned from focusing on the creation of a virtuous and orderly citizenry to being seen primarily as a "civilizing" mission. By showing Republicans as men and women with backgrounds in small farming, Dean unveils new connections between seemingly separate historical events, linking this era's views of natural and manmade environments with interpretations of slavery and land policy.

The Arts and Culture of the American Civil War

The Arts and Culture of the American Civil War
Author: James A. Davis
Publisher: Routledge
Total Pages: 370
Release: 2016-11-18
Genre: Music
ISBN: 1315438232

In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.