Christian Plain Style
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Author | : Peter Auski |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 384 |
Release | : 1995-01-03 |
Genre | : Literary Criticism |
ISBN | : 0773564896 |
Locating the roots of the plain style in secular and philosophic classicism, Auksi examines theories on classical rhetoric from Demetrius and Dionysius of Halicarnassus to Cicero and Quintilian. He shows how biblicists deliberately transformed a heathen mode, and demonstrates that rhetoric served a pragmatic function among the church fathers. He also discusses the different responses of Renaissance translators, rhetors, polemicists, and humanists to the stylized medieval inheritance, paying particular attention to the issue of sacred plainness in preaching. The epilogue provides a convincing argument for the decline of the plain style in the late seventeenth century and describes how the almost vanished ideal of plainness was transformed by Methodists, Quakers, Mennonites, Amish, and Hutterites.
Author | : Anthony D. Cousins |
Publisher | : A&C Black |
Total Pages | : 222 |
Release | : 1991-07-25 |
Genre | : Religion |
ISBN | : 1441195602 |
While so much has been written about the English Protestant religious poets of the late 16th and earlier 17th centuries, there is relatively little study on the Catholic religious poets. Cousins fills this gap with his critical history of the Catholic religious poets major phase in the English Renaissance. In studying the Catholic religious poets from Southwell to Crashaw, this book focuses on the interplay in their verse between natively English and Counter-Reformation devotional literary traditions. Cousins puts forward particularly two arguments: that most of the more important Catholic poets write verse which expresses a Christ-centred vision of reality; that the divine agape receives almost as much attention in the Catholic poets' verse as does devout eros. In The Catholic Religious Poets Cousins defends the work of the Catholic religious poets arguing that this literary tradition deserves closer examination and higher valuation than it has usually been given.
Author | : Roland Greene |
Publisher | : Princeton University Press |
Total Pages | : 1678 |
Release | : 2012-08-26 |
Genre | : Literary Criticism |
ISBN | : 0691154910 |
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Author | : Francis-Noël Thomas |
Publisher | : Princeton University Press |
Total Pages | : 234 |
Release | : 2017-03-14 |
Genre | : Language Arts & Disciplines |
ISBN | : 1400887356 |
Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Bruce Bickel |
Publisher | : Harvest House Publishers |
Total Pages | : 50 |
Release | : 2008-03-01 |
Genre | : Religion |
ISBN | : 0736923160 |
From Bruce Bickel and Stan Jantz, authors of Knowing the Bible 101, a trim, 45-page booklet is perfect for new believers, Christians who want a handy evangelistic tool, and churchgoers who are ready to rediscover the essentials of the Christian life. Readers will immediately connect with Bruce and Stan'’s honest, encouraging responses to questions new Christians often ask: What do I do next? Am I expected to follow some rules and regulations? What have I gotten myself into? Brief chapters on eternal security, new life in Christ, and the ministry of the Holy Spirit set the tone for this clear and compelling introduction to the faith. With their engaging, straightforward style, Bruce and Stan explain what God has done for humanity, what God wants people to do so they can know Him better, and how individuals can reflect the love of Christ to the world.
Author | : Jo Carruthers |
Publisher | : A&C Black |
Total Pages | : 243 |
Release | : 2011-08-11 |
Genre | : Literary Criticism |
ISBN | : 0826439373 |
By outlining Protestantism and Englishness in early-modern literature to the present-day, this study reveals how other religious identities can be alienated in British society.
Author | : |
Publisher | : |
Total Pages | : 482 |
Release | : 1829 |
Genre | : Canada |
ISBN | : |
Author | : Alan Heimert |
Publisher | : Harvard University Press |
Total Pages | : 462 |
Release | : 1985-02-22 |
Genre | : Biography & Autobiography |
ISBN | : 9780674740662 |
In a felicitous blend of documents and narrative Heimert and Delbanco recapture the sweep and restless change of Puritan thought from its incipient Americanism through its dominance in New England society to its fragmentation in the face of dissent from within and without.
Author | : Randall J. Pederson |
Publisher | : BRILL |
Total Pages | : 394 |
Release | : 2014-08-14 |
Genre | : Religion |
ISBN | : 9004278516 |
Unity in Diversity presents a fresh appraisal of the vibrant and diverse culture of Stuart Puritanism, provides a historiographical and historical survey of current issues within Puritanism, critiques notions of Puritanisms, which tend to fragment the phenomenon, and introduces unitas within diversitas within three divergent Puritans, John Downame, Francis Rous, and Tobias Crisp. This study draws on insights from these three figures to propose that seventeenth-century English Puritanism should be thought of both in terms of Familienähnlichkeit, in which there are strong theological and social semblances across Puritans of divergent persuasions, and in terms of the greater narrative of the Puritan Reformation, which united Puritans in their quest to reform their church and society.
Author | : Carol Harrison |
Publisher | : OUP Oxford |
Total Pages | : 313 |
Release | : 2013-07-05 |
Genre | : Religion |
ISBN | : 0191664022 |
How did people think about listening in the ancient world, and what evidence do we have of it in practice? The Christian faith came to the illiterate majority in the early Church through their ears. This proved problematic: the senses and the body had long been held in suspicion as all too temporal, mutable and distracting. Carol Harrison argues that despite profound ambivalence on these matters, in practice, the senses, and in particular the sense of hearing, were ultimately regarded as necessary - indeed salvific -constraints for fallen human beings. By examining early catechesis, preaching and prayer, she demonstrates that what illiterate early Christians heard both formed their minds and souls and, above all, enabled them to become 'literate' listeners; able not only to grasp the rule of faith but also tacitly to follow the infinite variations on it which were played out in early Christian teaching, exegesis and worship. It becomes clear that listening to the faith was less a matter of rationally appropriating facts and more an art which needed to be constantly practiced: for what was heard could not be definitively fixed and pinned down, but was ultimately the Word of the unknowable, transcendent God. This word demanded of early Christian listeners a response - to attend to its echoes, recollect and represent it, stretch out towards it source, and in the process, be transformed by it.