Christian Mosaic Pictures
Author | : South Kensington Museum |
Publisher | : |
Total Pages | : 34 |
Release | : 1877 |
Genre | : Christian art and symbolism |
ISBN | : |
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Author | : South Kensington Museum |
Publisher | : |
Total Pages | : 34 |
Release | : 1877 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Rina Talgam |
Publisher | : Penn State University Press |
Total Pages | : 608 |
Release | : 2014 |
Genre | : Art |
ISBN | : |
An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.
Author | : Jeffrey Spier |
Publisher | : Yale University Press |
Total Pages | : 334 |
Release | : 2007-01-01 |
Genre | : Art |
ISBN | : 9780300116830 |
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Author | : Carl Kuhl |
Publisher | : FEDD |
Total Pages | : 216 |
Release | : 2022-03-01 |
Genre | : Religion |
ISBN | : 1949784908 |
What if the church became more than a home for the hypocrites? What if the church became a hospital to heal the hurting? When the carnage of war broke out on D-Day, the wounded were brought to an empty, nearby church and laid on the pews so medics could treat them. When the war was over, and the blood-stained pews discovered, the townspeople decided to preserve the stains to remind all who would come afterward: This is the place where the wounded are welcome. Blood Stained Pews is a chance to examine Jesus’ original intent for the church, a hospital for the broken. Pastor and author Carl Kuhl is clear: Christians have been getting this wrong, but in this book, he gives clear steps to change our hearts, our practices, and ultimately our churches through the power of open brokenness. Through personal stories and powerful insights, Carl implores us to more deeply consider God’s grace and turn our churches into the places people run to when they’re wounded.
Author | : John Henry Parker |
Publisher | : |
Total Pages | : 294 |
Release | : 1876 |
Genre | : Architecture, Roman |
ISBN | : |
Author | : Terry Tempest Williams |
Publisher | : Vintage |
Total Pages | : 434 |
Release | : 2009-10-06 |
Genre | : Nature |
ISBN | : 0375725199 |
"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.
Author | : Liz James |
Publisher | : Cambridge University Press |
Total Pages | : 1748 |
Release | : 2017-10-05 |
Genre | : Art |
ISBN | : 1108508596 |
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Author | : Steven Bigham |
Publisher | : |
Total Pages | : 240 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780974561868 |
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.