Chinese Rhyme Prose
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| Author | : Burton Watson |
| Publisher | : The Chinese University of Hong Kong Press |
| Total Pages | : 172 |
| Release | : 2015-01-15 |
| Genre | : Literary Collections |
| ISBN | : 9629965631 |
The fu, or rhymeprose, is a major poetic form in Chinese literature, most popular between the 2nd century b.c. and 6th century a.d. Unlike what is usually considered Chinese poetry, it is a hybrid of prose and rhymed verse, more expansive than the condensed lyrics, verging on what might be called Whitmanesque. The thirteen long poems included here are descriptions of and meditations on such subjects as mountains and abandoned cities, the sea and the wind, owls and goddesses, partings and the idle life.
| Author | : Ming Dong Gu |
| Publisher | : SUNY Press |
| Total Pages | : 304 |
| Release | : 2007-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 0791481484 |
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
| Author | : |
| Publisher | : New York Review of Books |
| Total Pages | : 148 |
| Release | : 2015-01-13 |
| Genre | : Poetry |
| ISBN | : 9629969300 |
Selected as one of the sixty-five masterpieces for the UNESCO Collection of Representative Works The fu, or rhyme-prose, is a major poetic form in Chinese literature, most popular between the 2nd century b.c. and 6th century a.d. Unlike what is usually considered Chinese poetry, it is a hybrid of prose and rhymed verse, more expansive than the condensed lyrics, verging on what might be called Whitmanesque. The thirteen long poems included here are descriptions of and meditations on such subjects as mountains and abandoned cities, the sea and the wind, owls and goddesses, partings and the idle life. Burton Watson is universally considered the foremost English-language translator of classical Chinese and Japanese literature for the past five decades. Gary Snyder calls him a “great and graceful scholar,” and Robert Aitken has written that “Burton Watson is a superb translator because he knows what literature is.” Here his seemingly effortless translations are accompanied by a comprehensive introduction to the development and characteristics of the fu form, as well as excerpts from contemporary commentary on the genre. A path-breaking study of pre-modern Chinese literature and an essential volume for poetry readers, the book has been out of print for decades. For this edition, Lucas Klein has provided a preface that considers both the fu form and Watson’s extraordinary work as a whole.
| Author | : William Jennings |
| Publisher | : |
| Total Pages | : 396 |
| Release | : 1891 |
| Genre | : Chinese poetry |
| ISBN | : |
| Author | : John Minford |
| Publisher | : Columbia University Press |
| Total Pages | : 1252 |
| Release | : 2002 |
| Genre | : Education |
| ISBN | : 9780231096775 |
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
| Author | : Youshi Zhen |
| Publisher | : Stanford University Press |
| Total Pages | : 262 |
| Release | : 1988 |
| Genre | : Literary Criticism |
| ISBN | : 9780804714099 |
The classical prose essay (ku-wen) of the T'ang and Sung dynasties is one of the major Chinese literary genres, of far greater significance in the Chinese literary tradition than the comparable essay form is in Western literature. This first comprehensive study of Ku-wen in English focuses on its four most important writers: Han Yu and Liu Tsung-yuan of the T'ang, and Ouyang Hsiu and Su Shih of the Sung. With this work, the author hopes to restore a balance to Western study of the literature of the T'ang and Sung, which tend to be regarded as ages of poetry. The four masters, all of them major poets as well, took their prose writings in ku-wen very seriously, leaving a heritage of masterpieces as models to be emulated by all subsequent Chinese writers. In treating the individual writers, the author emphasizes the relationship between a writer's ideas, his literary temperament, and his stylistic practices, in the process showing how each writer attempted to create a ku-wen that would serve as a multi-faceted medium of literary discourse.
| Author | : Arthur Waley |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1919 |
| Genre | : Chinese poetry |
| ISBN | : |
| Author | : Zong-qi Cai |
| Publisher | : Columbia University Press |
| Total Pages | : 456 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : 0231139411 |
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
| Author | : Cyril Birch |
| Publisher | : Grove Press |
| Total Pages | : 542 |
| Release | : 1965 |
| Genre | : Fiction |
| ISBN | : 9780802150387 |
Presents classic Chinese tales of love and morality, marriage and justice, and the strange and supernatural.
| Author | : Burton Watson |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 1971 |
| Genre | : Chinese poetry |
| ISBN | : 9780231035545 |
