Chinese Objects Of Art 1935
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| Author | : Helen Glaister |
| Publisher | : Taylor & Francis |
| Total Pages | : 188 |
| Release | : 2022-08-26 |
| Genre | : Art |
| ISBN | : 1000644278 |
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
| Author | : Vimalin Rujivacharakul |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 235 |
| Release | : 2011 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1611490065 |
Collecting China is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned private collections to critical reinterpretations of historical writings.
| Author | : Louise Tythacott |
| Publisher | : Berghahn Books |
| Total Pages | : 289 |
| Release | : 2011-06-01 |
| Genre | : Art |
| ISBN | : 0857452398 |
This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.
| Author | : Zhaoming Qian |
| Publisher | : University of Virginia Press |
| Total Pages | : 300 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780813921761 |
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
| Author | : 國立故宮博物院 |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 666 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : 0810964945 |
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Jeannette Shambaugh Elliot |
| Publisher | : University of Washington Press |
| Total Pages | : 193 |
| Release | : 2015-08-03 |
| Genre | : Art |
| ISBN | : 0295997559 |
| Author | : Hongxing Zhang |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 0 |
| Release | : 2013-11-19 |
| Genre | : Art |
| ISBN | : 9781851777563 |
| Author | : Dekun Zheng |
| Publisher | : Chinese University Press |
| Total Pages | : 394 |
| Release | : 1982 |
| Genre | : History |
| ISBN | : 9789622012790 |
'This volume comprises nine articles that fall into three categories: general survey of Chinese archaeology as well as the author's visit to Tom Harrison's field work in Sarawak in 1966; field reports on archaeological sites in Fujian and Sichuan; and archaeological investigations in Hebei, Henan, Shandong and Fujian.
| Author | : Michelle Ying Ling Huang |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 355 |
| Release | : 2014-10-02 |
| Genre | : Art |
| ISBN | : 1443868558 |
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
| Author | : Lothar Ledderose |
| Publisher | : Princeton University Press |
| Total Pages | : 280 |
| Release | : 2023-10-17 |
| Genre | : Art |
| ISBN | : 0691252882 |
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
