Chinese Entertainment
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Author | : Kwok-Bun Chan |
Publisher | : Routledge |
Total Pages | : 316 |
Release | : 2014-06-11 |
Genre | : Social Science |
ISBN | : 131797798X |
Scholarly studies of Chinese culture, history and society, both within and outside of China, generally pay little attention to leisure, entertainment and amusement, though it has long been known that this aspect of life gives a deep understanding of the psyche and soul, and the hopes and fears, of a person. Leisure is a less coerced-upon, mandatory human conduct than work; certainly leisurely conduct is more voluntary, expressive and creative. But when seen as human behaviour, leisure and entertainment cannot be separated from history, heritage, ethnicity, the community, family and kin, rituals and customs – thus a collective activity and its constraints on the person. This book examines a variety of genre of Chinese entertainment, from singing clubs, Cantonese opera and film, to Chinese rock and tourism. Though formally voluntary, Chinese entertainment, when entangled with ethnicity, heritage and history, is ironically a site of both enjoyment and struggle, both pleasure and suffering. This book was originally published as a special issue of Visual Anthropology.
Author | : David Craig |
Publisher | : Springer Nature |
Total Pages | : 204 |
Release | : 2021-02-25 |
Genre | : Social Science |
ISBN | : 3030653765 |
In Chinese, the term wanghong refers to creators, social media entrepreneurs alternatively known as KOLs (key opinion leaders) and zhubo (showroom hosts), influencers and micro-celebrities. Wanghong also refers to an emerging media ecology in which these creators cultivate online communities for cultural and commercial value by harnessing Chinese social media platforms, like Weibo, WeChat, Douyu, Huya, Bilibili, Douyin, and Kuaishuo. Framed by the concepts of cultural, creative, and social industries, the book maps the development of wanghong policies and platforms, labor and management, content and culture, as they operate in contrast to its non-Chinese counterpart, social media entertainment, driven by platforms like YouTube, Facebook, Instagram, and Twitch. As evidenced by the backlash to TikTok, the threat of competition from global wanghong signals advancing platform nationalism.
Author | : |
Publisher | : |
Total Pages | : 436 |
Release | : 1917 |
Genre | : China |
ISBN | : |
Author | : Thomas Franklin Fairfax Millard |
Publisher | : |
Total Pages | : 848 |
Release | : 1920 |
Genre | : China |
ISBN | : |
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
Author | : |
Publisher | : |
Total Pages | : 402 |
Release | : 1918 |
Genre | : London (England) |
ISBN | : |
Author | : Helen Henrietta Macartney Robbins |
Publisher | : |
Total Pages | : 564 |
Release | : 1908 |
Genre | : China |
ISBN | : |
Author | : San Francisco Chamber of Commerce |
Publisher | : |
Total Pages | : 656 |
Release | : 1910 |
Genre | : California |
ISBN | : |
In 1911, the San Francisco Chamber of Commerce was formed by the union of the Chamber of Commerce of San Francisco, Merchants' Association of San Francisco, Merchants' Exchange (San Francisco, Calif.), and the Down Town Association.
Author | : Greater San Francisco Chamber of Commerce |
Publisher | : |
Total Pages | : 368 |
Release | : 1910 |
Genre | : San Francisco (Calif.) |
ISBN | : |
Author | : Japan. Tetsudōshō |
Publisher | : |
Total Pages | : 652 |
Release | : 1924 |
Genre | : China |
ISBN | : |
Author | : Mrs. Bryson |
Publisher | : |
Total Pages | : 172 |
Release | : 1900 |
Genre | : Children |
ISBN | : |