Childrens Drawings As Measures Of Intellectual Maturity
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Author | : Dale B. Harris |
Publisher | : New York : Harcourt, Brace & World |
Total Pages | : 392 |
Release | : 1963 |
Genre | : Art |
ISBN | : |
This publication is a revision and extension of the Goodenough Draw-aMan Test which has been used to survey the intellectual status of young children.
Author | : Maureen V. Cox |
Publisher | : Psychology Press |
Total Pages | : 176 |
Release | : 2013-05-24 |
Genre | : Psychology |
ISBN | : 1134832370 |
The human figure is one of the earliest topics drawn by the young child and remains popular throughout childhood and into adolescence. When it first emerges, however, the human figure in the child's drawing is very bizarre: it appears to have no torso and its arms, if indeed it has any, are attached to its head. Even when the figure begins to look more conventional the child must still contend with a variety of problems: for instance, how to draw the head and body in the right proportions and how to draw the figure in action. In this book, Maureen Cox traces the development of the human form in children's drawings; she reviews the literature in the field, criticises a number of major theories which purport to explain the developing child's drawing skills and also presents new data.
Author | : Maureen V. Cox |
Publisher | : Psychology Press |
Total Pages | : 158 |
Release | : 2013-05-24 |
Genre | : Psychology |
ISBN | : 1134832303 |
The human figure is one of the earliest topics drawn by the young child and remains popular throughout childhood and into adolescence. When it first emerges, however, the human figure in the child's drawing is very bizarre: it appears to have no torso and its arms, if indeed it has any, are attached to its head. Even when the figure begins to look more conventional the child must still contend with a variety of problems: for instance, how to draw the head and body in the right proportions and how to draw the figure in action. In this book, Maureen Cox traces the development of the human form in children's drawings; she reviews the literature in the field, criticises a number of major theories which purport to explain the developing child's drawing skills and also presents new data.
Author | : Joseph H. Di Leo |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2013-04-15 |
Genre | : Psychology |
ISBN | : 1135064172 |
First published in 1983. In this comprehensive volume, Dr. Di Leo once again brings to the reader the fruitful combination of extensive knowledge of children's drawings and an approach to the subject that is intimate and humane, but highly sophisticated. Those familiar with his books have come to expect the lucid style with which Dr. Di Leo leads the clinician toward incisive interpretations of children's drawings, pointing out key features and using, where appropriate, parallels from the world of art and literature. His discussions of over 120 drawings reproduced in this volume cover an astonishing range of topics, including: Interpretation, Formal and Stylistic Features, Mostly Cognition (drawing a man in a boat), Mostly Affect (drawing a house), Projective Significance of Child Art, The Whole and Its Parts, Global Features, Body Parts, Sex Differences and Sex Roles in Western Society as Perceived by Children, Laterality and Its Effects on Drawing, Tree Drawings, and Personality Traits, Emotional Disorder Reflected in Drawings, Pitfalls, Role of the Arts in Education for Peace, and Reflections. In his analyses, Dr. Di Leo skillfully singles out examples of overinterpretation and other pitfalls, and answers questions such as: What does the therapist do when the child refuses to draw the family? Is the drawing a self-image? What are the differences between regressive drawings compared with the immature drawings of normal children? Even such fascinating topics as art brut, creativity, madness, and child art are discussed. The reader will find thought-provoking both the author's astute analyses and his keen awareness of the influence of society on children and the pictures they draw. Therapists in the field will find the book remarkably penetrating, while students in the field will delight in its clarity and thoroughness. Everyone who works with the drawings of children will find it absorbing.
Author | : Florence Laura Goodenough |
Publisher | : |
Total Pages | : 210 |
Release | : 1926 |
Genre | : Child development |
ISBN | : |
Author | : Dale Benner HARRIS |
Publisher | : |
Total Pages | : 367 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Joseph H. Di Leo |
Publisher | : Routledge |
Total Pages | : 247 |
Release | : 2015-12-22 |
Genre | : Psychology |
ISBN | : 1317855493 |
Shows the ways in which self-portraits and other pictures drawn by youngsters reflect their personality traits, cognitive development, Emotional Stability, And Family Background.
Author | : Cathy A. Malchiodi |
Publisher | : Guilford Press |
Total Pages | : 276 |
Release | : 2012-02-24 |
Genre | : Psychology |
ISBN | : 146250485X |
This practical resource demonstrates how all clinicians can broaden and enhance their work with children by integrating drawing into therapy. The book enables therapists to address the multidimensional aspects of children's art without resorting to simplistic explanations. Approaching drawing as a springboard for communication and change, Malchiodi offers a wealth of guidelines for understanding the intricate messages embedded in children's drawings and in the art-making process itself. Topics covered include how to assist children in making art, what questions to ask and when, and how to motivate children who are initially resistant to drawing. Assimilating extensive research and clinical experience, the book includes over 100 examples of children's work.
Author | : John Willats |
Publisher | : Psychology Press |
Total Pages | : 430 |
Release | : 2006-04-21 |
Genre | : Psychology |
ISBN | : 1135624976 |
The message of this book is a simple one: children learn to draw by acquiring increasingly complex and effective drawing rules. In this regard, learning to draw is like learning a language, and as with language children use these rules creatively, making infinite use of finite means. Learning to draw is thus, like learning a language, one of the major achievements of the human mind. Theories of perception developed in the second half of the 20th century enable us to construct a new theory of children's drawings that can account for their many strange features. Earlier accounts contained valuable insights, but recent advances in the fields of language, vision, philosophy, and artificial intelligence now make it possible to resolve the many contradictions and confusions inherent in these early writings. John Willats has written a book that is accessible to psychologists, artists, primary and junior schoolteachers, and parents of both gifted and normal children.
Author | : Virginia Slaughter |
Publisher | : Cambridge University Press |
Total Pages | : 301 |
Release | : 2011-10-20 |
Genre | : Psychology |
ISBN | : 1139502298 |
Because we engage with the world and each other through our bodies and bodily movements, being able to represent one's own and others' bodies is fundamental to human perception, cognition and behaviour. This edited book brings together, for the first time, developmental perspectives on the growth of body knowledge in infancy and early childhood and how it intersects with other aspects of perception and cognition. The book is organised into three sections addressing the bodily self, the bodies of others and integrating self and other. Topics include perception and representation of the human form, infant imitation, understanding biological motion, self-representation, intention understanding, action production and perception and children's human figure drawings. Each section includes chapters from leading international scholars drawn together by an expert commentary that highlights open questions and directions for future research.