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| Author | : Vicky Lebeau |
| Publisher | : Reaktion Books |
| Total Pages | : 228 |
| Release | : 2008-05-15 |
| Genre | : Performing Arts |
| ISBN | : 9781861893529 |
Vicky Lebeau investigates how films use children to probe such themes as sexuality, death, imagination, the terrors of childhood, and hope.
| Author | : Deborah Martin |
| Publisher | : Springer |
| Total Pages | : 252 |
| Release | : 2019-01-04 |
| Genre | : Performing Arts |
| ISBN | : 1137528222 |
What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which the presence of the child precipitates experiments with film aesthetics. Bringing together fresh readings of well-known films with attention to a range of little-studied works, The Child in Contemporary Latin American Cinema examines films from the recent and contemporary period, focussing on topics such as the death of the child in ‘street child’ films, the role of the child in post-dictatorship filmmaking and the use of child characters to challenge gender and sexual ideologies. The book also aims to place those analyses in a historical context, tracing links with important precursors, and paying attention to the legacy of the child’s figuring in the mid-century movements of melodrama and the New Latin American Cinema.
| Author | : Jessica Balanzategui |
| Publisher | : Amsterdam University Press |
| Total Pages | : 341 |
| Release | : 2018-12-11 |
| Genre | : Art |
| ISBN | : 9048537797 |
This book illustrates how global horror film images of children re-conceptualised childhood at the beginning of the twenty-first century, unravelling the child's long entrenched binding to ideologies of growth, futurity, and progress. The Uncanny Child in Transnational Cinema analyses an influential body of horror films featuring subversive depictions of children that emerged at the beginning of the twenty-first century, and considers the cultural conditions surrounding their emergence. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in potent cinematic renegotiations of the concept of childhood. In these transnational films-largely stemming from Spain, Japan, and America-the child resists embodying growth and futurity, concepts to which the child's symbolic function is typically bound. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.
| Author | : Emma Wilson |
| Publisher | : Wallflower Press |
| Total Pages | : 216 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9781903364505 |
Photographs of missing children are some of the most haunting images of contemporary Western society. Wilson contends that the loss of a child is perceived as a limit-experience in contemporary cinema, where filmmakers attempt to transform their means of representation as a response to acute pain and horror. She explores the representation of missing and endangered children in a number of the key films of the last decade, including Kieslowski's Three Colours: Blue, Atom Egoyan's Exotica, Todd Solondz's Happiness, Jane Campion's The Portrait of a Lady, Lars von Trier's The Kingdom, and Almodovar's All About My Mother.
| Author | : Debbie Olson |
| Publisher | : Lexington Books |
| Total Pages | : 515 |
| Release | : 2018-02-19 |
| Genre | : Social Science |
| ISBN | : 1498563813 |
This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. Each essay offers a counter-narrative to Western notions of childhood by looking critically at alternative visions of childhood that does not privilege a Western ideal. Rather, this collection seeks to broaden our ideas about children, childhood, and the child’s place in the global community. This collection features a wide variety of contributors from around the world who offer compelling analyses of non-Western, non-Hollywood films starring children.
| Author | : Bettina Henzler |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Child actors |
| ISBN | : 9783865052575 |
Next to love and death, childhood is one of the universal topics of cinema. This book focuses on the relationship between cinema and childhood with regard to the aesthetics, mediality, and cultural history of film. It presents a variety of current positions on three main topics: child figures in film, childhood as the spectators' experience, and the role of childhood in the production process. The contributions cover a wide range of interdisciplinary perspectives, such as film theory, psychoanalysis, health science, and film production. They deal with a kaleidoscope of films from the beginnings of film history to the present--experimental, documentary, and fictional. The contributors include: Alejandro Bachmann, Alain Bergala, Christian Bonah, Joël Danet, Bettina Henzler, Vicky Lebeau, Karen Lury, Matthias Müller, and Daniel Wiegand.
| Author | : Sarah J. Smith |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 206 |
| Release | : 2005-06-22 |
| Genre | : Performing Arts |
| ISBN | : 1786729555 |
Children have long been one of cinema's largest audiences yet, from its infancy, cinema has in the minds of moral watchdogs accompanied a succession of pastimes and new technologies as catalysts for juvenile delinquency. From 'penny dreadfuls' and comic books to television, 'video nasties' and computer games, and more recently, gangsta rap, mobile phones and the Internet - all have been seen as threats to children's safety, health, morality and literacy, and cinema is no exception. Writing with energy and wit and mobilising impressive original research, Sarah J. Smith explores recurring debates in Britain and America about children and how they use and respond to the media, focusing on a key example: the controversy and apparent moral panic surrounding children and cinema in its heyday, the 1930s. She shows how children colonised the cinema and established their own distinct cinema culture. And, considering films from "Snow White and the Seven Dwarfs" to "Scarface" and "King Kong", she explores attempts to control children's viewing, the underlying ideas that supported these approaches and the extent to which they were successful. Revealing the ways in which children subverted or circumvented official censorship - including the Hays Code and the British Board of Film Censors - she develops a challenging new proposition: that children were agents in the regulation of their own viewing, not simply passive consumers.
| Author | : Debbie C. Olson |
| Publisher | : Lexington Books |
| Total Pages | : 359 |
| Release | : 2012-05-18 |
| Genre | : Performing Arts |
| ISBN | : 0739170260 |
Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the traditional portraits of sweetness and light. Particularly since the mid-twentieth century, there are a growing number of cinematic works that depict childhood has as a site of knowingness, despair, sexuality, death, and madness. Lost and Othered Children in Contemporary Cinema challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.
| Author | : Stephanie Hemelryk Donald |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 281 |
| Release | : 2017-02-09 |
| Genre | : Performing Arts |
| ISBN | : 1501318594 |
The child has existed in cinema since the Lumière Brothers filmed their babies having messy meals in Lyons, but it is only quite recently that scholars have paid serious attention to her/his presence on screen. Scholarly discussion is now of the highest quality and of interest to anyone concerned not only with the extent to which adult cultural conversations invoke the figure of the child, but also to those interested in exploring how film cultures can shift questions of agency and experience in relation to subjectivity. Childhood and Nation in World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. At the same time, the importance of the child in figuring ideas of nationhood is an undiminished tic in adult cultural and social consciousness. Either the child on film provokes claims on the nation or the nation claims the child. Given the waning star of national film studies, and the widely held and serious concerns over the status of the nation as a meaningful cultural unit, the point here is not to assume some extraordinary pre-social geopolitical empathy of child and political entity. Rather, the present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.
| Author | : Edward Baron Turk |
| Publisher | : Harvard University Press |
| Total Pages | : 518 |
| Release | : 1989 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780674114609 |
Traces the career of the influential French director and uses psychoanalytical concepts to analyze his major films.
