Chicago Modern 1893 1945
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Author | : Elizabeth Kennedy |
Publisher | : Terra Museum of Amer Art |
Total Pages | : 175 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780932171412 |
Chicago’s fine arts have long languished in the shadow of the city’s architectural riches, but their time has finally come, most prominently as the focus of the final major exhibition at Chicago’s Terra Museum of American Art. The attendant catalog of the Terra Museum’s fall 2004 exhibition, "Chicago Modern, 1893-1945: Pursuit of the New", is the first-ever survey by a major art museum of early American modernist works created by Chicago artists. At the opening of the twentieth century, Chicago was regarded as the quintessential modern city that would provide fertile soil for a new national art. The debut of impressionism at the World’s Columbian Exposition of 1893 bore early witness to this expectation as it marked the arrival of modern art in Chicago. In the midst of great local controversy, and echoing debates raging at the time in New York and Paris, the School of the Art Institute of Chicago incorporated modernism into its curriculum, a move that led Chicago-trained artists to experiment in and reinterpret the prominent art movements of their time. Here, for the first time, this work is showcased. This volume focuses on the rich body of artistic work produced during the city’s artistic “golden age,” the period from the 1893 Exposition through the end of World War II. Noted art scholars contribute to the volume with essays that explore how Chicago painters created a unique niche in these transformative international art movements—from the impressionism of the 1800s to the social realism and surrealism of the 1930s and 1940s—and forged a regional consciousness through experimental means. This detailed and lavishly illustrated catalog examines the larger issues and concerns that shaped art in Chicago during this period, offering a new and valuable addition to regional American art scholarship and a fitting farewell for one of Chicago’s most beloved art museums. Contributors: Wendy Greenhouse Elizabeth Kennedy Daniel Schulman Susan Weininger
Author | : Maggie Taft |
Publisher | : University of Chicago Press |
Total Pages | : 441 |
Release | : 2018-10-10 |
Genre | : Art |
ISBN | : 022616831X |
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Author | : Andrea Swanson |
Publisher | : |
Total Pages | : 68 |
Release | : 1986 |
Genre | : Chicago (Ill.) in art |
ISBN | : |
Author | : Michelle E. Moore |
Publisher | : Bloomsbury Publishing |
Total Pages | : 264 |
Release | : 2018-12-13 |
Genre | : Literary Criticism |
ISBN | : 135001804X |
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
Author | : Museum of Contemporary Art (Chicago, Ill.) |
Publisher | : |
Total Pages | : 14 |
Release | : 1996 |
Genre | : Art, American |
ISBN | : |
Author | : David Paul McDaniel |
Publisher | : |
Total Pages | : 394 |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : Donald L. Miller |
Publisher | : Simon and Schuster |
Total Pages | : 784 |
Release | : 2015-05-19 |
Genre | : History |
ISBN | : 1416550208 |
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
Author | : Mary Jane Jacob |
Publisher | : University of Chicago Press |
Total Pages | : 328 |
Release | : 2012-12-15 |
Genre | : Architecture |
ISBN | : 0226389588 |
Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new? Returning the city to its rightful position at the heart of a multidimensional movement that changed the face of the twentieth century, Chicago Makes Modern applies the missions of a brilliant group of innovators to our own time. From the radical social and artistic perspectives implemented by Jane Addams, John Dewey, and Buckminster Fuller to the avant-garde designs of László Moholy-Nagy and Mies van der Rohe, the prodigious offerings of Chicago's modern minds left an indelible legacy for future generations. Staging the city as a laboratory for some of our most heralded cultural experiments, Chicago Makes Modern reimagines the modern as a space of self-realization and social progress—where individual visions triggered profound change. Featuring contributions from an acclaimed roster of contemporary artists, critics, and scholars, this book demonstrates how and why the Windy City continues to drive the modern world.
Author | : David F. Burg |
Publisher | : University Press of Kentucky |
Total Pages | : 400 |
Release | : 2014-07-11 |
Genre | : History |
ISBN | : 0813150477 |
In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world. In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community. Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itself -- its architecture, artworks, music, technological achievements -- he discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions. In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.
Author | : Darlene Clark Hine |
Publisher | : University of Illinois Press |
Total Pages | : 250 |
Release | : 2012-06-25 |
Genre | : History |
ISBN | : 0252078586 |
"The "New Negro" consciousness with its roots in the generation born in the last and opening decades of the 19th and 20th centuries replenished and nurtured by migration, resulted in the Harlem Renaissance in the 1920s then reemerged transformed in the 1930s as the Black Chicago Renaissance. The authors in this volume argue that beginning in the 1930s and lasting into the 1950s, Black Chicago experienced a cultural renaissance that rivaled the cultural outpouring in Harlem. The Black Chicago Renaissance, however, has not received its full due. This book addresses that neglect. Like Harlem, Chicago had become a major destination for black southern migrants. Unlike Harlem, it was also an urban industrial center that gave a unique working class and internationalist perspective to the cultural work that took place here. The contributors to Black Chicago Renaissance analyze a prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Each author discusses forces that distinguished and link the Black Chicago Renaissance to the Harlem Renaissance as well as placing the development of black culture in a national and international context by probing the histories of multiple (sequential and overlapping--Philadelphia, Cleveland, Detroit, Los Angeles, Memphis) black renaissances. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, as well as the American Negro Exposition of 1940"--