Cheremis Musical Styles
Author | : Bruno Nettl |
Publisher | : Bloomington : Indiana University Press |
Total Pages | : 138 |
Release | : 1960 |
Genre | : Music |
ISBN | : |
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Author | : Bruno Nettl |
Publisher | : Bloomington : Indiana University Press |
Total Pages | : 138 |
Release | : 1960 |
Genre | : Music |
ISBN | : |
Author | : Fred Lerdahl |
Publisher | : MIT Press |
Total Pages | : 390 |
Release | : 1996-06-03 |
Genre | : Music |
ISBN | : 9780262260916 |
A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
Author | : Bruno Nettl |
Publisher | : University of Illinois Press |
Total Pages | : 428 |
Release | : 1983 |
Genre | : Music |
ISBN | : 9780252010392 |
Author | : Bruno Nettl |
Publisher | : Rowman & Littlefield |
Total Pages | : 241 |
Release | : 2013 |
Genre | : Biography & Autobiography |
ISBN | : 0810886979 |
This book traces the personalities and contributions of eleven individuals who influenced the ethnomusicologist Bruno Nettl. The book also discusses the evolution and rise of the discipline of ethnomusicology.
Author | : Bela Bartok |
Publisher | : Springer Science & Business Media |
Total Pages | : 766 |
Release | : 2012-12-06 |
Genre | : Music |
ISBN | : 9401035059 |
N January 30, 1944, Bela Bart6k, writing from Asheville, North O Carolina, where he had gone to regain his strength after a long period of ill-health in 1943, commented, Here I have started on a very interesting (and, as usual, lengthy) work, the kind I have never done before. Properly speaking, it is not a musical work: I am arranging and writing out fair copies of Rumanian folksong texts'! Although the date has not as yet been established, the first draft of the Rumanian folk texts as texts per se was written-if an apparent age of the MS. can be considered a clue-sometime before Bartok had emigrated to the United States in 1940. This draft (see description below) had been forwarded for etymological data, according to the non-Bart6kian autography appearing thereon. The identity of the informant or informants involved and the circumstances surrounding this matter remain unknown at the present writing. After Bart6k had made offset prints of the music examples of the 2 first two volumes of Rumanian F olk Music in 1940, the printed but incomplete draft of Vol. II (Vocal Melodies)-comprising 304 of the ultimate total of 659 pages-was sent to Nicholas Vama~escu, then di rector of "The Romanian Radio Hour" (Station W. ]. L. B. , Detroit, 3 Michigan), for correction of the texts, in April, 1941. 1 Letter to Joseph Szigeti, in Bartok Bela levelei (ed. Janos Demeny; Budapest: Miivelt Nep Konyvkiado, 1951), p. 184.
Author | : Bela Bartok |
Publisher | : Princeton University Press |
Total Pages | : 297 |
Release | : 2015-03-08 |
Genre | : Music |
ISBN | : 1400867207 |
This book is a substantial and thorough musicological analysis of Turkish folk music. It reproduces in facsimile Bartók's autograph record of eighty seven vocal and instrumental peasant melodies of the Yürük Tribes, a nomadic people in southern Anatolia. Bartók's introduction includes his annotations of the melodies, texts, and translations and establishes a connection between Old Hungarian and Old Turkish folk music. Begun in 1936 and completed in 1943, the work was Bartók's last major essay. The editor, Dr. Benjamin Suchoff, has provided an historical introduction and a chronology of the various manuscript versions. An afterword by Kurt Reinhard describes recent research in Turkish ethnomusicology and gives a contemporary assessment of Bartók's field work in Turkey. Appendices prepared by the editor include an index of themes compiled by computer. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 948 |
Release | : 1961 |
Genre | : Copyright |
ISBN | : |
Author | : Don Michael Randel |
Publisher | : Harvard University Press |
Total Pages | : 1020 |
Release | : 2003-11-28 |
Genre | : Music |
ISBN | : 9780674011632 |
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.