Charlotte Perkins Gilman And Her Contemporaries
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Author | : Cynthia J. Davis |
Publisher | : University of Alabama Press |
Total Pages | : 272 |
Release | : 2004-04-16 |
Genre | : Literary Criticism |
ISBN | : 0817350721 |
By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost. -- From publisher's description.
Author | : Jill Bergman |
Publisher | : University of Alabama Press |
Total Pages | : 241 |
Release | : 2017-02-07 |
Genre | : Literary Criticism |
ISBN | : 0817319360 |
Charlotte Perkins Gilman and a Woman's Place in America probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman's place on its ear, this essay collection studies Gilman's writings and the manner in which they push back against societal norms and reject male-dominated confines of space. The contributors present readings of some of Gilman's most significant works. By examining the settings in "The Yellow Wallpaper" and Herland, for example, the volume analyzes Gilman's construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home. Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman's narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman's work that focus on the author's own renouncement of her "natural" role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization. --
Author | : Cynthia Davis |
Publisher | : Stanford University Press |
Total Pages | : 568 |
Release | : 2010-03-02 |
Genre | : Biography & Autobiography |
ISBN | : 0804738890 |
A biography of Charlotte Perkins Gilman (1860-1935): Beecher-descendent, zealous reformer, exhilarating lecturer, prolific writer, scandalous divorcee, "unnatural mother," international celebrity, and life-long controversialist.
Author | : Charlotte Perkins Gilman |
Publisher | : Modernista |
Total Pages | : 18 |
Release | : 2024-03-21 |
Genre | : |
ISBN | : 9180946518 |
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
Author | : Judith A. Allen |
Publisher | : University of Chicago Press |
Total Pages | : 486 |
Release | : 2009-09 |
Genre | : History |
ISBN | : 0226014630 |
" ... The first comprehensive assessment of Charlotte Perkins Gilman's richly complex feminism."--Back cover.
Author | : Charlotte Perkins Gilman |
Publisher | : |
Total Pages | : 31 |
Release | : 2021-01-04 |
Genre | : |
ISBN | : |
"""The Yellow Wallpaper"" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a ""temporary nervous depression - a slight hysterical tendency"", a diagnosis common to women during that period"
Author | : Charlotte Perkins Gilman |
Publisher | : BoD – Books on Demand |
Total Pages | : 142 |
Release | : 2020-07-21 |
Genre | : Fiction |
ISBN | : 375233097X |
Reproduction of the original: The Crux by Charlotte Perkins Gilman
Author | : Julie Bates Dock |
Publisher | : Penn State Press |
Total Pages | : 148 |
Release | : 2010-11-01 |
Genre | : Fiction |
ISBN | : 0271040815 |
Author | : Jill Rudd |
Publisher | : |
Total Pages | : 344 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : |
Known to her contemporaries as a fervent advocate of reform on social, economic, and religious fronts, designated an "optimist reformer" by William Dean Howells, Charlotte Perkins Gilman (1860-1935) today is celebrated more as a writer of novels and short stories, particularly Herland and The Yellow Wallpaper, than as the author of the many social and political essays that originally made her so prominent. The essayists in this spirited volume return to Gilman's primary focus by reminding us that the main purpose of her writing was reform. Charlotte Perkins Gilman: Optimist Reformer looks at Gilman's legacy for women at the end of the twentieth century; in doing so its contributors reassess both her reformist ideas and our own views on fin de siecle feminism. Gilman scholarship has indeed moved on from the much needed recovery of her work to more critical treatments that allow us to acknowledge elements now regarded as unacceptable. As a result, the essayists here reappraise Gilman and her writings in ways that directly address hithertofore overlooked points, such as her racism, her almost willful disregard of issues of class, and her broadly essentialist view of women. The effect of this collection is thus twofold: Gilman and her works are both reassessed in light of current feminist thought and presented in the context of her own time. A constant theme is the recognition of her unwavering belief that things could be changed for the better; it is this persistent optimism that made her such a forceful voice for reform. Thus the essayists demonstrate that engagement with Gilman's reformist views is still pertinent for feminist debate today.
Author | : Charlotte Perkins Gilman |
Publisher | : Independently Published |
Total Pages | : 198 |
Release | : 2018-10-13 |
Genre | : Fiction |
ISBN | : 9781728760186 |
Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue. The book is often considered to be the middle volume in her utopian trilogy; preceded by Moving the Mountain (1911), and followed by, With Her in Ourland (1916). It was not published in book form until 1979.