Charles Magnus Lithographer
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Author | : E. Richard McKinstry |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Lithographers |
ISBN | : 9781584563198 |
A general study of Charles Magnus, an important figure in American publishing history and popular imagery.
Author | : John William Reps |
Publisher | : University of Missouri Press |
Total Pages | : 594 |
Release | : 1984 |
Genre | : Canada |
ISBN | : 0826204163 |
Union list catalog of the lithographic views of cities and towns made during the 19th century.
Author | : John Bidwell |
Publisher | : Penn State Press |
Total Pages | : 359 |
Release | : 2024-07-04 |
Genre | : History |
ISBN | : 0271098678 |
Perhaps the single most important founding document of the United States of America, the Declaration of Independence became both a work of art and a mass-market commodity during the nineteenth century. In this book, graphic arts historian John Bidwell traces the fascinating history of Declaration prints and broadsides and reveals the American public’s changing attitudes toward this iconic text. The new and improved intaglio, letterpress, and lithographic printing technologies of the nineteenth century led to increasingly elaborate reproductions of the Declaration. Some were touted as precious relics; others were aimed at the bottom of the market. Rival publishers claimed to have produced the definitive visualization of the document, attacking the character and patriotism of other firms even as they promoted their own artistic abilities and attention to detail. Meanwhile, painter John Trumbull attempted to sell subscriptions for an engraved version of his Declaration painting, and John Quincy Adams—then secretary of state—commissioned an official 1823 edition in response to the feuding facsimilists seeking government patronage. Bidwell unravels the intricate web of rivalries surrounding these competing publications. Featuring a comprehensive checklist of nearly two hundred prints and broadsides drawn from various collections, this engrossing history highlights the proliferation and widespread influence of the Declaration of Independence on American popular culture. It will be equally esteemed by general readers interested in American history, print and autograph collectors, and art and book historians.
Author | : Grosvenor Library, Buffalo |
Publisher | : |
Total Pages | : 428 |
Release | : 1926 |
Genre | : |
ISBN | : |
Author | : Diane Shaw |
Publisher | : JHU Press |
Total Pages | : 273 |
Release | : 2020-03-03 |
Genre | : Science |
ISBN | : 1421429314 |
America's westward expansion involved more than pushing the frontier across the Mississippi toward the Pacific; it also consisted of urbanizing undeveloped regions of the colonial states. In 1810, New York's future governor DeWitt Clinton marveled that the "rage for erecting villages is a perfect mania." The development of Rochester and Syracuse illuminates the national experience of internal economic and cultural colonization during the first half of the nineteenth century. Architectural historian Diane Shaw examines the ways in which these new cities were shaped by a variety of constituents—founders, merchants, politicians, and settlers—as opportunities to extend the commercial and social benefits of the market economy and a merchant culture to America's interior. At the same time, she analyzes how these priorities resulted in a new approach to urban planning. According to Shaw, city founders and residents deliberately arranged urban space into three segmented districts—commercial, industrial, and civic—to promote a self-fulfilling vision of a profitable and urbane city. Shaw uncovers a distinctly new model of urbanization that challenges previous paradigms of the physical and social construction of nineteenth-century cities. Within two generations, the new cities of Rochester and Syracuse were sorted at multiple scales, including not only the functional definition of districts, but also the refinement of building types and styles, the stratification of building interiors by floor, and even the coding of public space by class, gender, and race. Shaw's groundbreaking model of early nineteenth-century urban design and spatial culture is a major contribution to the interdisciplinary study of the American city.
Author | : New York Public Library |
Publisher | : |
Total Pages | : 100 |
Release | : 1925 |
Genre | : Engraving |
ISBN | : |
Author | : William J. Brown |
Publisher | : Lulu.com |
Total Pages | : 270 |
Release | : 2009 |
Genre | : History |
ISBN | : 0578012618 |
The first full-length history of the American grain elevator, from 1843 to 1943. Eight black and white illustrations, appendix, index, bibliography.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 430 |
Release | : 1970 |
Genre | : Acquisitions (Libraries) |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 658 |
Release | : 2000 |
Genre | : Art, American |
ISBN | : 0870999575 |
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author | : Christopher W. Lane |
Publisher | : University of Pittsburgh Press |
Total Pages | : 232 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
"A Panorama of Pittsburgh"is a testament to the extensive visual representation of Pittsburgh in books, magazines, illustrated newspapers, frameable views, maps, corporate identity, lithographs, and other types of materials during the nineteenth century. Produced to accompany an exhibition hosted by the Frick Art & Historical Center, guest curator Lane enlightens readers on the printmaking industry in the city and provides the most comprehensive list of prints of nineteenth-century Pittsburgh ever assembled."