Charles Koechlin (1867-1950)

Charles Koechlin (1867-1950)
Author: Robert Orledge
Publisher: Psychology Press
Total Pages: 528
Release: 1989
Genre: Biography & Autobiography
ISBN: 9783718606092

In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.

Catherine Urner (1891-1942) and Charles Koechlin (1867-1950)

Catherine Urner (1891-1942) and Charles Koechlin (1867-1950)
Author: Barbara Urner Johnson
Publisher: Ashgate Pub Limited
Total Pages: 236
Release: 2003
Genre: Music
ISBN: 9780754633310

Catherine Urner journeyed to Paris to study with Charles Koechlin after winning a prize for several years' study of music abroad. She studied with him from 1919-1921, when she returned to America and was appointed director of vocal music at Mills College. She continued to compose and give vocal recitals throughout California and made several more trips to Paris where her first string quartet premiered at Salle Pleyel in 1925. Urner arranged for Koechlin to come to the United States to teach a summer course in music at the University of California, Berkeley in 1928, and during this time their affaire became more intense and Koechlin persuaded her to return to France with him. Catherine lived with the Koechlin family until 1933. Koechlin harmonized many of her melodies and they collaborated on symphonic poem, 'The Bride of a God'. The strain of the relationship between Catherine and Charles on the Koechlin family became too great and Catherine returned permanently to the US in 1933. Four years later she married her friend and pupil, the organist Charles Shatto, though this happy union ended in tragedy.