Charles Johnsons Spiritual Imagination
Download Charles Johnsons Spiritual Imagination full books in PDF, epub, and Kindle. Read online free Charles Johnsons Spiritual Imagination ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Jonathan Little |
| Publisher | : University of Missouri Press |
| Total Pages | : 188 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780826211514 |
In this first book-length study of Charles Johnson's work, Jonathan Little offers an engaging account of the artistic growth of one of the most important contemporary African American writers. From his beginnings as a political cartoonist through his receipt of the National Book Award for Middle Passage, Johnson's imagination has become increasingly spiritual. Little draws upon a wide array of sources, including short stories, interviews, reviews, articles, and cartoons, as he traces the brilliant achievement of this provocative artist who is very much at the height of his career. Charles Johnson's Spiritual Imagination begins with an analysis of Johnson's political cartoons from the late sixties and early seventies, when he was immersed in the Black Power Movement. Little shows that in these early cartoons one can already see Johnson's comic genius and his quest for unconstrained artistic freedom even when dealing with the highly charged issues of racial politics. By examining how Johnson incorporates the influences of phenomenology, Zen Buddhism, Taoism, Hinduism, and Romanticism into a strikingly original perspective on individual and social identity, Little chronicles Johnson's development. The book illuminates the progression of Johnson's aesthetics as he deals with the at times disturbing contrast between the hope offered by art and spirituality and the harsh realities of African American existence. As he situates Johnson within the tradition of African American literature, Little pairs each of his novels with a major precursor, including novels by Richard Wright and Ralph Ellison, and such far-ranging sources as Hermann Hesse's Siddhartha and the Ten Oxherding Pictures. These comparisons help to show Johnson's innovations within the African American literary tradition and include discussions of naturalism, realism, and modernism. This book will appeal to anyone interested in African American literature, spirituality, aesthetics, and the culture wars.
| Author | : Gary Storhoff |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 278 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9781570035623 |
Understanding Charles Johnson offers a critical introduction to the fiction of one of the most highly acclaimed contemporary writers and the first African American male since Ralph Ellison to win the National Book Award, which Johnson received in 1990 for Middle Passage. In addition to providing a biographical sketch, Gary Storhoff analyzes Johnson's four novels and two volumes of short stories. Describing his body of work as unique in American fiction, Storhoff explains how philosophical and religious orientations differentiate Johnson's writings and challenge his readers. Storhoff explores the merging of Johnson's philosophical and spiritual interests with his concern for African American culture. In identifying the literary principles of Johnson's texts, Storhoff emphasizes the writer's commitment to Buddhism and demonstrates its impact on his themes, characters, narratives, and rhetoric. Suggesting that Buddhism is the linchpin of Johnson's work, Storhoff acknowledges that scholars and critics are aware of Johnson's close association with the tradition but provides readers with what they need to appreciate fully its importance in his work. which includes a Ph.D. in the subject. Storhoff explicates the influence of the British empiricists, including Bishop George Berkeley, on the novelist; his rejection of relativism and utilitarianism; his adaptation of Aristotelian ethics; and his ambivalent treatment of American pragmatism as recently propounded by Cornel West. Johnson emerges from Storhoff's discussion as a profoundly eclectic, sophisticated, interdisciplinary writer, with complex views on race relations in the twenty-first century.
| Author | : Rudolph P. Byrd |
| Publisher | : Indiana University Press |
| Total Pages | : 240 |
| Release | : 2005-06-13 |
| Genre | : Literary Criticism |
| ISBN | : 9780253111203 |
"This is truly a major contribution to African American literary criticism, and it promises to elevate Johnson to the place in the literary firmament he so richly deserves." -- Henry Louis Gates, Jr., Harvard University Charles Johnson came of age during the Black Arts Movement of the 1960s and 1970s. His fiction bears the imprint of his formal training as a philosopher and his work as a journalist and cartoonist with a well-honed interest in political satire. Mentored by the American writer John Gardner, Johnson is preoccupied with questions of morality, which are informed by his knowledge of Continental and Asian philosophical traditions. In this book, Rudolph Byrd examines Johnson's four novels -- Faith and the Good Thing, Oxherding Tale, Middle Passage (National Book Award Winner), and Dreamer -- under the rubric of philosophical black fiction, as art that interrogates experience. Byrd contends that Johnson suspends, shelves, and brackets all presuppositions regarding African American life. This bracketing accomplished, the African American experience becomes a pure field of appearances within two poles: consciousness and the people or phenomena to which it is related. Johnson's principal themes are identity and liberation. Intent upon the liberation of perception, for the reader and the writer, Johnson's fiction aims at "whole sight," encompassing a plurality of meanings across a symbolic geography of forms, texts, and traditions from within the matrix of African American life and culture. And like a palimpsest, Johnson's texts contain multiple layers of meaning of disparate origins imprinted over time with varying degrees of visibility and significance. Charles Johnson's Novels will appeal to fans of the writer's work, but it also will serve as a helpful guide for readers newly introduced to this brilliant contemporary American writer.
| Author | : Marc C. Conner |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 241 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 1604735074 |
Essays by Herman Beavers, Gena Chandler, Marc C. Conner, William Gleason, William R. Nash, Linda Selzer, Gary Storhoff, and John Whalen-Bridge In Charles Johnson: The Novelist as Philosopher, leading scholars examine the African American author's literary corpus and major themes, ideas, and influences. The essays explore virtually all of Johnson's writings: each of his novels, his numerous short stories, the range of his nonfiction essays, his many book reviews, and even several unpublished works. These essays engage Johnson's work from a variety of critical perspectives, revealing the philosophical, cultural, and political implications of his writings. The authors seek especially to understand philosophical black fiction and to provide the multifocal, whole sight analysis Johnson's work demands. Johnson (b. 1948)--author of Dreamer, Oxherding Tale, and the National Book Award-winning Middle Passage draws upon influences as diverse as Richard Wright, Herman Melville, Thomas Aquinas, Franz Kafka, W. E. B. Du Bois, and Ralph Waldo Emerson. He combines rigorous training in western philosophy with a lifelong practice in eastern religious and philosophical traditions. He has repeatedly told interviewers that he became a writer specifically to strengthen the interplay between philosophy and fiction. Marc C. Conner is associate professor of English at Washington and Lee University. William R. Nash is associate professor of American studies and director of African American studies at Middlebury College.
| Author | : William R. Nash |
| Publisher | : University of Illinois Press |
| Total Pages | : 250 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780252027734 |
A fearless experimenter and one of the most important contemporary American writers, Charles Johnson challenges separatist politics and tries to get beyond race as a literary category. In Charles Johnson's Fiction, William R. Nash emphasizes and explores the tensions in Johnson's work between his ideal of race as illusion and his methods of articulating racial grievance. Nash examines Johnson's short stories, novels--Faith and the Good Thing, Oxherding Tale, Middle Passage, and Dreamer--and the nonfiction work Being and Race. Tracing the themes of Johnson's political and artistic concerns as they evolved in his work, Nash locates his fascination with the aesthetics of the Black Arts Movement and his dismissal of separatist black politics and racialist thought. He also considers Johnson's adoption of Western and Eastern philosophies and belief that race is a blinding, limiting category that impedes the exploration of individual and collective identity. In formulating a mode of expression that balances the conflicting demands of race and aesthetics, Johnson crafts a new vision of history and African American identity that signifies on a range of black and white literary predecessors, including Zora Neale Hurston, Theodore Dreiser, Ralph Waldo Emerson, Ralph Ellison, James Baldwin, and Herman Melville. Nash argues that Johnson's hybrid philosophy of Buddhism and phenomenology defies the basic premises of identity formation and leads to the perception of a different self. Juxtaposed with jarring storylines of racial injustice, Johnson's notion that race is an illusion informs his aesthetic, promotes his strategies for battling oppression, and reminds readers what African Americans have already overcome in the quest to cultivate new visions of identity. Charles Johnson's Fiction also includes eight of Johnson's cartoons published in Black Humor and Half-Past Nation Time in the early 1970s.
| Author | : Gabriel R. Ricci |
| Publisher | : Routledge |
| Total Pages | : 342 |
| Release | : 2017-07-12 |
| Genre | : Literary Criticism |
| ISBN | : 1351504541 |
In a letter to Boccaccio, Petrarch extolled the virtue of poetry and letters for promoting an understanding of both human nature and morals. The letter was designed to console him after hearing a prediction that he was soon to die and that he ought to renounce poetry. The prophecy came from an elder renowned for his piety, but Petrarch admonished that too often dishonesty and fraud are couched in religious sentiments. Nothing, not even death, according to Petrarch, ought to divert us from literature. For Petrarch, Virgil was the source for understanding how literary studies not only promote eloquence, but enhance morals. If anything, literature dispels the fear of death. The claims of this volume is that it may be the case that the virtuous life can be achieved by those ignorant of letters but a more direct and certain route is guaranteed by a devotion to literature. The collected works in this new volume of the Transaction series Religion and Public Life heeds Petrarch's advice that literature not only orients us to life's developmental stages, it can provide us with a more complete understanding of the human character while artfully advancing morals. To this end, Michelle Darnell's opening chapter entitled "A New Age of Reason" explains how existentialism is an argument for how literature can take on philosophical form, not as formal argument, but as persuasive narrative. Over the objections of even those who study Sartre, Darnell uses Sartre's The Age of Reason as a model and shows how his literary output was a legitimate philosophical inquiry. In addition to the Darnell piece, the volume boasts a series of outstanding and innovative works by scholars in the field. Taken together as a whole, these authors not only illustrate the moral consequences of an original choice, but oblige the reader to explore the ramifications of such a choice in one's own life.
| Author | : Gale, Cengage Learning |
| Publisher | : Gale, Cengage Learning |
| Total Pages | : 32 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 1410352544 |
A Study Guide for Charles Johnson's "Menagerie, A Child's Fable," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
| Author | : Shameem Black |
| Publisher | : Columbia University Press |
| Total Pages | : 356 |
| Release | : 2010 |
| Genre | : Education |
| ISBN | : 9780231149792 |
Theorists of Orientalism and postcolonialism argue that novelists betray political and cultural anxieties when characterizing "the Other." Shameem Black takes a different stance. Turning a fresh eye toward several key contemporary novelists, she reveals how "border-crossing" fiction represents socially diverse groups without resorting to stereotype, idealization, or other forms of imaginative constraint. Focusing on the work of J. M. Coetzee, Amitav Ghosh, Jeffrey Eugenides, Ruth Ozeki, Charles Johnson, Gish Jen, and Rupa Bajwa, Black introduces an interpretative lens that captures the ways in which these authors envision an ethics of representing social difference. They not only offer sympathetic portrayals of the lives of others but also detail the processes of imagining social difference. Whether depicting the multilingual worlds of South and Southeast Asia, the exportation of American culture abroad, or the racial tension of postapartheid South Africa, these transcultural representations explore social and political hierarchies in constructive ways. Boldly confronting the orthodoxies of recent literary criticism, Fiction Across Borders builds upon such seminal works as Edward Said's Orientalism and offers a provocative new study of the late twentieth-century novel.
| Author | : Aida Levy-Hussen |
| Publisher | : NYU Press |
| Total Pages | : 223 |
| Release | : 2016-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1479890944 |
How to Read African American Literature offers a series of provocations to unsettle the predominant assumptions readers make when encountering post-Civil Rights black fiction. Foregrounding the large body of literature and criticism that grapples with legacies of the slave past, Aida Levy-Hussen’s argument develops on two levels: as a textual analysis of black historical fiction, and as a critical examination of the reading practices that characterize the scholarship of our time. Drawing on psychoanalysis, memory studies, and feminist and queer theory, Levy-Hussen examines how works by Toni Morrison, David Bradley, Octavia Butler, Charles Johnson, and others represent and mediate social injury and collective grief. In the criticism that surrounds these novels, she identifies two major interpretive approaches: “therapeutic reading” (premised on the assurance that literary confrontations with historical trauma will enable psychic healing in the present), and “prohibitive reading” (anchored in the belief that fictions of returning to the past are dangerous and to be avoided). Levy-Hussen argues that these norms have become overly restrictive, standing in the way of a more supple method of interpretation that recognizes and attends to the indirect, unexpected, inconsistent, and opaque workings of historical fantasy and desire. Moving beyond the question of whether literature must heal or abandon historical wounds, Levy-Hussen proposes new ways to read African American literature now.
| Author | : Darryl Dickson-Carr |
| Publisher | : Columbia University Press |
| Total Pages | : 292 |
| Release | : 2005-10-14 |
| Genre | : Literary Collections |
| ISBN | : 9780231510691 |
From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.
