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| Author | : Koen De,Temmerman |
| Publisher | : BRILL |
| Total Pages | : 721 |
| Release | : 2017-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004356312 |
This is the fourth volume in the series Studies in Ancient Greek Narrative. The book deals with the narratological concepts of character and characterization and explores the textual devices used for purposes of characterization by ancient Greek authors from Homer to Heliodorus.
| Author | : Koen De Temmerman |
| Publisher | : |
| Total Pages | : 418 |
| Release | : 2014-02 |
| Genre | : History |
| ISBN | : 0199686149 |
Analyzes the characterization of the protagonists in the five extant, so-called 'ideal' Greek novels of the first few centuries C.E., using the conceptual couples of typification/individuation, idealistic/realistic characterization, and static/dynamic character to show their complexity.
| Author | : C. B. R. Pelling |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 1990 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
The Greeks discovered the individual, it is said, but in what sense is this true? Characters in Greek literature may often seem strangely different from their modern counterparts: less idiosyncratic, less real, and with less psychological depth or interest. Personality traits seems to cluster more predictably in the characters of Greek authors than of those today. Despite the wide-ranging scope of this aspect of Greek literature, most previous discussions on Greek characterization and individuality have been limited to particular authors or genres. This volume attempts to illuminate the connections and mutual influences of the various genres in the portrayal of the individual. Ten essays explore the question of the distinction of character and personality (C. Gill); how the Greeks viewed the concept of character (S. Halliwell); characterization in epic (O. Taplin), in tragedy (P. E. Easterling, S. Goldhill, and J. Griffin), in comedy (M. Silk), in philosophical dialectic (L. Coventry), in oratory and rhetoric (D. A. Russell), and in biography (C. B. R. Pelling). This work will be invaluable to anyone interested in Greek literature and in the phenomenon of characterization and individuality in literature in general.
| Author | : René Nünlist |
| Publisher | : BRILL |
| Total Pages | : 608 |
| Release | : 2017-07-31 |
| Genre | : Literary Criticism |
| ISBN | : 9047405706 |
This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
| Author | : Efi Papadodima |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 326 |
| Release | : 2020-04-20 |
| Genre | : Literary Criticism |
| ISBN | : 3110695626 |
The volume offers new insights into the intricate theme of silence in Greek literature, especially drama. Even though the topic has received respectable attention in recent years, it still lends itself to further inquiry, which embraces silence's very essence and boundaries; its applications and effects in particular texts or genres; and some of its technical features and qualities. The particular topics discussed extend to all these three areas of inquiry, by looking into: silence's possible role in the performance of epic and lyric; its impact on the workings of praise-poetry; its distinct deployments in our five complete ancient novels; Aristophanic, comic and otherwise, silences; the vocabulary of the unspeakable in tragedy; the connections of tragic silence to power, authority, resistance, and motivation; female tragic silences and their transcendence, against the background of male oppression or domination; famous tragic silences as expressions of the ritualized isolation of the individual from both human and divine society. The emerging insights are valuable for the broader interpretation of the relevant texts, as well as for the fuller understanding of central values and practices of the society that created them.
| Author | : Irene J.F. de Jong |
| Publisher | : BRILL |
| Total Pages | : 556 |
| Release | : 2017-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 9047422937 |
This is the second volume of a new narratological history of Ancient Greek lietrature, which deals with aspects of time: the order in which events are narrated, the amount of time devoted to the naration, and the number of times they are presented.
| Author | : Martin Hose |
| Publisher | : John Wiley & Sons |
| Total Pages | : 572 |
| Release | : 2015-10-12 |
| Genre | : Literary Criticism |
| ISBN | : 1444339427 |
A Companion to Greek Literature presents a comprehensive introduction to the wide range of texts and literary forms produced in the Greek language over the course of a millennium beginning from the 6th century BCE up to the early years of the Byzantine Empire. Features contributions from a wide range of established experts and emerging scholars of Greek literature Offers comprehensive coverage of the many genres and literary forms produced by the ancient Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the novel, and technical literature Includes readings that address the production and transmission of ancient Greek texts, historic reception, individual authors, and much more Explores the subject of ancient Greek literature in innovative ways
| Author | : Ioannis M. Konstantakos |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 492 |
| Release | : 2021-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110715589 |
The use of suspense in ancient literature attracts increasing attention in modern scholarship, but hitherto there has been no comprehensive work analysing the techniques of suspense through the various genres of the Classical literary canon. This volume aspires to fill such a gap, exploring the phenomenon of suspense in the earliest narrative writings of the western world, the literature of the ancient Greeks. The individual chapters focus on a wide range of poetic and prose genres (epic, drama, historiography, oratory, novel, and works of literary criticism) and examine the means by which ancient authors elicited emotions of tense expectation and fearful anticipation for the outcome of the story, the development of the plot, or the characters' fate. A variety of theoretical tools, from narratology and performance studies to psychological and cognitive approaches, are exploited to study the operation of suspense in the works under discussion. Suspenseful effects are analysed in a double perspective, both in terms of the artifices employed by authors and with regard to the responses and experiences of the audience. The volume will be useful to classical scholars, narratologists, and literary historians and theorists.
| Author | : Koen de Temmerman |
| Publisher | : Mnemosyne, Supplements |
| Total Pages | : 708 |
| Release | : 2017 |
| Genre | : Literary Criticism |
| ISBN | : 9789004356306 |
This is the fourth volume in the series Studies in Ancient Greek Narrative. The book deals with the narratological concepts of character and characterization and explores the textual devices used for purposes of characterization by ancient Greek authors from Homer to Heliodorus.
| Author | : Alexandros Kampakoglou |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 538 |
| Release | : 2018-03-05 |
| Genre | : Literary Criticism |
| ISBN | : 311056906X |
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
