Chapters Of Opera
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Author | : Henry Edward Krehbiel |
Publisher | : DigiCat |
Total Pages | : 386 |
Release | : 2022-09-04 |
Genre | : Fiction |
ISBN | : |
DigiCat Publishing presents to you this special edition of "Chapters of Opera" (Being historical and critical observations and records concerning the lyric drama in New York from its earliest days down to the present time) by Henry Edward Krehbiel. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Naomi Andre |
Publisher | : University of Illinois Press |
Total Pages | : 386 |
Release | : 2018-05-04 |
Genre | : Music |
ISBN | : 0252050614 |
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Author | : Joseph Kerman |
Publisher | : New York Review of Books |
Total Pages | : 410 |
Release | : 2008-04-08 |
Genre | : Music |
ISBN | : 9781590172650 |
The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams. Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians. Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.
Author | : Fred Plotkin |
Publisher | : Hachette UK |
Total Pages | : 512 |
Release | : 2013-07-16 |
Genre | : Music |
ISBN | : 1401306004 |
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Author | : Jane Rosenberg |
Publisher | : Thames & Hudson |
Total Pages | : 160 |
Release | : 1996-01 |
Genre | : Fiction |
ISBN | : 9780500278734 |
An illustrated retelling of the plots of fifteen well-known operas.
Author | : Mervyn Cooke |
Publisher | : Cambridge University Press |
Total Pages | : 430 |
Release | : 2005-12-08 |
Genre | : Music |
ISBN | : 9780521780094 |
This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
Author | : Tuula Pere |
Publisher | : Wickwick |
Total Pages | : 40 |
Release | : 2018-10-10 |
Genre | : Juvenile Fiction |
ISBN | : 9523258753 |
A curious wood mouse, Maurice decides to explore the opera house, which glimmers like a giant lantern from across the lawn. Lured by beautiful music, he sneaks in for a tour of the opera house’s rehearsals, wardrobe room, restaurant, and orchestra pit. The uninvited guest causes a great commotion, triggering a wild chase. Luckily, a gentle caretaker understands that even a little mouse can yearn for music.
Author | : Helen M. Greenwald |
Publisher | : Oxford Handbooks |
Total Pages | : 1217 |
Release | : 2014 |
Genre | : Music |
ISBN | : 0195335538 |
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Author | : Carolyn Abbate |
Publisher | : W. W. Norton & Company |
Total Pages | : 648 |
Release | : 2015-09-08 |
Genre | : Music |
ISBN | : 0393089533 |
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Author | : Catherine Clement |
Publisher | : U of Minnesota Press |
Total Pages | : 228 |
Release | : 1988 |
Genre | : Music |
ISBN | : 9780816635269 |
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.