Chappell and Co.'s Illustrated Catalogue of Music and Musical Instruments for 1862
Author | : International Exhibition of 1862 (LONDON) |
Publisher | : |
Total Pages | : 44 |
Release | : 1862 |
Genre | : |
ISBN | : |
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Author | : International Exhibition of 1862 (LONDON) |
Publisher | : |
Total Pages | : 44 |
Release | : 1862 |
Genre | : |
ISBN | : |
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 630 |
Release | : 2023-02-28 |
Genre | : Fiction |
ISBN | : 3382500116 |
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 605 |
Release | : 2023-02-28 |
Genre | : Fiction |
ISBN | : 3382500132 |
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : Daniela Simone |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2019-05-31 |
Genre | : Law |
ISBN | : 1108188044 |
As technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship – and hence ownership - of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.
Author | : Dmitriĭ Stepanovich Bortni͡a︡nskiĭ |
Publisher | : |
Total Pages | : 7 |
Release | : 1914 |
Genre | : Anthems |
ISBN | : |