Chaos Cosmos And Creation In Early Greek Theogonies
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| Author | : Olaf Almqvist |
| Publisher | : |
| Total Pages | : |
| Release | : 2022 |
| Genre | : Cosmology, Ancient |
| ISBN | : 9781350221901 |
Acknowledgments -- Abbreviations -- 1. Introduction: Myth, Philosophy, and Ontological Pluralism -- 2. Cosmos and Chaos in Hesiod's Theogony -- 3. Beyond the Golden Age: Sacrifice, Sharing, and Affinity in Hesiod's Mekone -- 4. Orpheus and the Reinvention of the Cosmos -- 5. Dionysus Dismembered -- 6. Conclusion: Protagoras and Greek Naturalism -- Appendix: Some Key Orphic Texts -- Notes -- Bibliography -- Index.
| Author | : Olaf Almqvist |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2022-01-13 |
| Genre | : Philosophy |
| ISBN | : 1350221880 |
Cosmological narratives like the creation story in the book of Genesis or the modern Big Bang are popularly understood to be descriptions of how the universe was created. However, cosmologies also say a great deal more. Indeed, the majority of cosmologies, ancient and modern, explore not simply how the world was made but how humans relate to their surrounding environment and the often thin line which separates humans from gods and animals. Combining approaches from classical studies, anthropology, and philosophy, this book studies three competing cosmologies of the early Greek world: Hesiod's Theogony; the Orphic Derveni Theogony; and Protagoras' creation myth in Plato's eponymous dialogue. Although all three cosmologies are part of a single mythic tradition and feature a number of similar events and characters, Olaf Almqvist argues they offer very different answers to an ongoing debate on what it is to be human. Engaging closely with the ontological turn in anthropology and in particular with the work of Philippe Descola, this book outlines three key sets of ontological assumptions – analogism, pantheism, and naturalism – found in early Greek literature and explores how these competing ontological assumptions result in contrasting attitudes to rituals such as prayer and sacrifice.
| Author | : Olaf Hugo Almqvist |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : |
| ISBN | : |
| Author | : Vojt?ch Hladk? |
| Publisher | : Oxford University Press |
| Total Pages | : 409 |
| Release | : 2024-05-16 |
| Genre | : Literary Criticism |
| ISBN | : 0192873245 |
The Derveni papyrus is a multi-layered and intricate philosophical and religious treatise written in Greek, probably just before 400 BCE. Since its discovery in 1962, the papyrus has attracted the attention of scholars in several areas of Classical studies, mostly ancient philosophy and religion, but also literary studies. The anonymous author of the text quotes a previously unknown Orphic poem and comments on it using philosophical motifs and concepts borrowed from various Presocratic thinkers but especially Heraclitus and the Anaxagoreans. The book presents a new interpretation of various aspects of this complex text: situating the treatise within the tradition of allegorical interpretation; providing an interpretation of the opening columns, which describe a peculiar ritual and contain some Heraclitean material, including, as the study argues, some previously unknown fragments; reconstructing the contents of the Orphic poem upon which the Derveni author comments; examining various allegorical devices employed by the Derveni author in his explanation of the Orphic poem, following his commentary in detail; and finally, discussing the likely intellectual background in which the Derveni treatise originated. In general, the study argues that rather than being the work of a philosophising Orphic initiate, the Derveni treatise is a philosophical text whose aim was to explain a nonstandard religious poem. The commentary explains the Orphic poem from a perspective influenced by discussions among the followers of philosophy of Anaxagoras and Heraclitus, and employs reflections on the use and function of language found in the writings of some contemporary thinkers. Based on an analysis of sources upon which the Derveni papyrus is based, it is concluded that its author was probably active in Athens in late fifth century BCE and may have been a person close to Socrates' teacher Archelaus.
| Author | : Andrew Gregory |
| Publisher | : A&C Black |
| Total Pages | : 327 |
| Release | : 2008-01-03 |
| Genre | : History |
| ISBN | : 1849667926 |
Ancient Greek Cosmogony is the first detailed, comprehensive account of ancient Greek theories of the origins of the world. It covers the period from 800 BC to 600 AD, beginning with myths concerning the creation of the world; the cosmogonies of all the major Greek and Roman thinkers; and the debate between Greek philosophical cosmogony and early Christian views. It argues that Greeks formulated many of the perennial problems of philosophical cosmogony and produced philosophically and scientifically interesting answers. The atomists argued that our world was one among many worlds, and came about by chance. Plato argued that it is unique, and the product of design. Empedocles and the Stoics, in quite different ways, argued that there was an unending cycle whereby the world is generated, destroyed and generated again. Aristotle on the other hand argued that there was no such thing as cosmogony, and the world has always existed. Reactions to, and developments of, these ideas are traced through Hellenistic philosophy and the debates in early Christianity on whether God created the world from nothing or from some pre-existing chaos. The book examines issues of the origins of life and the elements for the ancient Greeks, and how the cosmos will come to an end. It argues that there were several interesting debates between Greek philosophers on the fundamental principles of cosmogony, and that these debates were influential on the development of Greek philosophy and science.
| Author | : Metaphrasis: Dimitrios Kiriakopoulos |
| Publisher | : Strategic Book Publishing |
| Total Pages | : 104 |
| Release | : 2013-01 |
| Genre | : Poetry |
| ISBN | : 9781622123575 |
Hesiod Theogony 800-700 B.C. is a highly engaging book that provides a practical methodology for studying the ancient Greek language. The longest of the three surviving works of Hesiod, Theogony is a story consisting of 1022 verses that describe the creation of the cosmos and the birth of the Gods. The work is divided into five sections and begins when Hesiod is authorized by Mousai to hear the story of the universal creation. Inspired by these tales, he composes Theogony. Theogony depicts the story of the creation of the universe from Khaos and the elements of the first deities. Being the creator and the leader of the universal civilization, the God Zeus plays a major role in the story. It is his weddings to Metis, Themis, Mnemosyne, and Eurynome, who represent law, institutions, and justice, that enable him to form the basis for serenity and prosperity among the cosmos. Dimitrios Kiriakopoulos grew up in a small village in central Greece, near Mt. Olympus. Although he moved to Toronto, Canada at 17, he maintained an affinity for the Gods of Olympus who were said to live on the mountain. A restaurant owner by profession, he still resides in Toronto with his wife and two children.In his free time he enjoys reading and writing. Hesiod Theogony 800-700 B.C. is his first published effort. Publisher's website: http: //sbpra.com/Metaphrasis-DimitriosKiriakopoulo
| Author | : Hesiod |
| Publisher | : Phoemixx Classics Ebooks |
| Total Pages | : 66 |
| Release | : 2021-12-24 |
| Genre | : Art |
| ISBN | : 398647353X |
The Theogony of Hesiod Hesiod - The Theogony is essentially a large-scale synthesis of a vast variety of local Greek traditions concerning the gods and the universe, organized as a narrative that tells about the creation of the world out of Chaos and about the gods that shaped the cosmos. To some extent, it represents the Greek mythology equivalent of the book of Genesis in the Hebrew and Christian "Bible", as it lists the early generations and genealogy of the gods, titans and heroes since the beginning of the universe.Interestingly, Hesiod claims in the work that he (a poet, and not some mighty king) had been given the authority and responsibility of disseminating these stories by the Muses directly, thus putting himself almost in the position of a prophet.In formal terms, the poem is presented as a hymn in 1,022 lines invoking Zeus and the Muses, in the tradition of the hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. The final written form of the Theogony was probably not established until the 6th Century BCE, however, and some editors have concluded that a few minor episodes, such as the Typhoeus episode in verses 820-880, is an interpolation (a passage introduced later).It should perhaps be seen not a definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition of myths as it stood at that particular time. Greek mythology continued to change and adapt after this time, and some of the stories and attributes of the various gods have likewise transformed over time.
| Author | : Dwayne A. Meisner |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2018 |
| Genre | : History |
| ISBN | : 0190663529 |
Meisner offers a new interpretation of four Orphic theogonies: Derveni, Eudemian, Hieronyman, and Rhapsodic. The fragments of these poems, thought to be written by Orpheus, contained narratives of the creation of the cosmos and the births of the gods, but differed from the mainstream account of Hesiod's Theogony.
| Author | : Robert Shorrock |
| Publisher | : A&C Black |
| Total Pages | : 329 |
| Release | : 2013-10-16 |
| Genre | : Religion |
| ISBN | : 1472519663 |
Traditional and still prevalent accounts of late antique literature draw a clear distinction between 'pagan' and 'Christian' forms of poetry: whereas Christian poetry is taken seriously in terms its contribution to culture and society at large, so-called pagan or secular poetry is largely ignored, as though it has no meaningful part to play within the late antique world. The Myth of Paganism sets out to deconstruct this view of two contrasting poetic traditions and proposes in its place a new integrated model for the understanding of late antique poetry. As the book argues, the poet of Christ and the poet of the Muses were drawn together into an active, often provocative, dialogue about the relationship between Christianity and the Classical tradition and, ultimately, about the meaning of late antiquity itself. An analysis of the poetry of Nonnus of Panopolis, author of both a 'pagan' epic about Dionysus and a Christian translation of St John's Gospel, helps to illustrate this complex dialectic between pagan and Christian voices.
| Author | : Werner Jaeger |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 269 |
| Release | : 2003-09-02 |
| Genre | : Religion |
| ISBN | : 1592443214 |
The new and revolutionizing ideas which the early Greek thinkers developed about the nature of the universe had a direct impact upon their conception of what they called, in a new sense, 'God' or 'the Divine.' The history of the philosophical theology of the Greeks is thus the history of their rational approach to the nature of reality itself in its successive phases. The late Professor Jaeger's classic book traces this development from the first intimations in Hesiod of the theology that was to come, through the heroic age of Greek cosmological thought, down to the time of the Sophists of the fifth century B.C.
