Chan Buddhism In Dunhuang And Beyond
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Author | : Christoph Anderl |
Publisher | : BRILL |
Total Pages | : 435 |
Release | : 2020-11-04 |
Genre | : Religion |
ISBN | : 9004439242 |
Chán Buddhism in Dūnhuáng and Beyond traces the development of early Chán in the Northern region, based on a study of Chinese, Tibetan, Uighur and Tangut manuscripts.
Author | : Master Sheng Yen |
Publisher | : 法鼓文理學院 |
Total Pages | : 47 |
Release | : 2012-04-01 |
Genre | : Zen Buddhism |
ISBN | : 9866443167 |
Author | : Bernard Faure |
Publisher | : Routledge |
Total Pages | : 339 |
Release | : 2005-09-27 |
Genre | : Philosophy |
ISBN | : 1134431163 |
The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe. The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen 'rhetoric of immediacy' and its ideological underpinnings.
Author | : Albert Welter |
Publisher | : State University of New York Press |
Total Pages | : 390 |
Release | : 2022-11-01 |
Genre | : Philosophy |
ISBN | : 1438490909 |
This volume focuses on Chinese Chan Buddhism and its spread across East Asia, with special attention to its impacts on Korean Sŏn and Japanese Zen. Zen enthralled the scholarly world throughout much of the twentieth century, and Zen Studies became a major academic discipline in its wake. Interpreted through the lens of Japanese Zen and its reaction to events in the modern world, Zen Studies incorporated a broad range of Zen-related movements in the East Asian Buddhist world. As broad as the scope of Zen Studies was, however, it was clearly rooted in a Japanese context, and aspects of the "Zen experience" that did not fit modern Japanese Zen aspirations tended to be marginalized and ignored. Approaches to Chan, Sŏn, and Zen Studies acknowledges the move beyond Zen Studies to recognize the changing and growing parameters of the field. The volume also examines the modern dynamics in each of these traditions.
Author | : Imre Galambos |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 327 |
Release | : 2020-12-07 |
Genre | : Literary Criticism |
ISBN | : 3110727102 |
“Dunhuang Manuscript Culture” explores the world of Chinese manuscripts from ninth-tenth century Dunhuang, an oasis city along the network of pre-modern routes known today collectively as the Silk Roads. The manuscripts have been discovered in 1900 in a sealed-off side-chamber of a Buddhist cave temple, where they had lain undisturbed for for almost nine hundred years. The discovery comprised tens of thousands of texts, written in over twenty different languages and scripts, including Chinese, Tibetan, Old Uighur, Khotanese, Sogdian and Sanskrit. This study centres around four groups of manuscripts from the mid-ninth to the late tenth centuries, a period when the region was an independent kingdom ruled by local families. The central argument is that the manuscripts attest to the unique cultural diversity of the region during this period, exhibiting—alongside obvious Chinese elements—the heavy influence of Central Asian cultures. As a result, it was much less ‘Chinese’ than commonly portrayed in modern scholarship. The book makes a contribution to the study of cultural and linguistic interaction along the Silk Roads.
Author | : Bernard Faure |
Publisher | : Routledge |
Total Pages | : 329 |
Release | : 2005-09-27 |
Genre | : Philosophy |
ISBN | : 1134431171 |
The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe. The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen 'rhetoric of immediacy' and its ideological underpinnings.
Author | : Master Sheng Yen |
Publisher | : 法鼓文理學院 |
Total Pages | : 10 |
Release | : 2009-10-01 |
Genre | : |
ISBN | : 9868135206 |
Author | : Alan Cole |
Publisher | : Univ of California Press |
Total Pages | : 340 |
Release | : 2016-11-01 |
Genre | : Religion |
ISBN | : 0520959752 |
The truth of Chan Buddhism—better known as “Zen”—is regularly said to be beyond language, and yet Chan authors—medieval and modern—produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600–1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism’s final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick façade of real Buddhism—with all its rules, texts, doctrines, and institutional solidity—an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of “fantasy Buddhism” and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan’s illustrious ancestors were created in literature in order to further a wide range of real-world agendas.
Author | : Jiang Wu |
Publisher | : Oxford University Press |
Total Pages | : 478 |
Release | : 2011-12 |
Genre | : History |
ISBN | : 0199895562 |
Enlightenment in Dispute is the first comprehensive study of the revival of Chan Buddhism in seventeenth-century China. Focusing on the evolution of a series of controversies about Chan enlightenment, Jiang Wu describes the process by which Chan reemerged as the most prominent Buddhist establishment of the time. He investigates the development of Chan Buddhism in the seventeenth century, focusing on controversies involving issues such as correct practice and lines of lineage. In this way, he shows how the Chan revival reshaped Chinese Buddhism in late imperial China. Situating these controversies alongside major events of the fateful Ming-Qing transition, Wu shows how the rise and fall of Chan Buddhism was conditioned by social changes in the seventeenth century.
Author | : John R. Mcrae |
Publisher | : Univ of California Press |
Total Pages | : 232 |
Release | : 2004-01-19 |
Genre | : Religion |
ISBN | : 0520937074 |
The tradition of Chan Buddhism—more popularly known as Zen—has been romanticized throughout its history. In this book, John R. McRae shows how modern critical techniques, supported by recent manuscript discoveries, make possible a more skeptical, accurate, and—ultimately—productive assessment of Chan lineages, teaching, fundraising practices, and social organization. Synthesizing twenty years of scholarship, Seeing through Zen offers new, accessible analytic models for the interpretation of Chan spiritual practices and religious history. Writing in a lucid and engaging style, McRae traces the emergence of this Chinese spiritual tradition and its early figureheads, Bodhidharma and the "sixth patriarch" Huineng, through the development of Zen dialogue and koans. In addition to constructing a central narrative for the doctrinal and social evolution of the school, Seeing through Zen examines the religious dynamics behind Chan’s use of iconoclastic stories and myths of patriarchal succession. McRae argues that Chinese Chan is fundamentally genealogical, both in its self-understanding as a school of Buddhism and in the very design of its practices of spiritual cultivation. Furthermore, by forgoing the standard idealization of Zen spontaneity, we can gain new insight into the religious vitality of the school as it came to dominate the Chinese religious scene, providing a model for all of East Asia—and the modern world. Ultimately, this book aims to change how we think about Chinese Chan by providing new ways of looking at the tradition.