Celtic Southern Literature
Download Celtic Southern Literature full books in PDF, epub, and Kindle. Read online free Celtic Southern Literature ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Cantrell, James P. |
| Publisher | : Pelican Publishing |
| Total Pages | : 344 |
| Release | : |
| Genre | : Literary Criticism |
| ISBN | : 9781455605989 |
Examines Southern writers in a Celtic context. This debut book of literary criticism challenges the common perception that the culture of white Southerners springs from English, or Anglo-Norman, roots. Mr. Cantrell presents persuasive historical and literary evidence that it was the South's Celtic, or Scots-Irish, settlers who had the biggest influence on Southern culture, and that their vibrant spirit is still felt today. It discusses the work of William Gilmore Simms, Ellen Glasgow, the Agrarians, William Faulkner, Margaret Mitchell, Flannery O'Connor, Pat Conroy, and James Everett Kibler.
| Author | : Grady McWhiney |
| Publisher | : University of Alabama Press |
| Total Pages | : 336 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : 0817304584 |
A History Book Club Alternate Selection. "A controversial and provocative study of the fundamental differences that shaped the South ... fun to read", -- History Book Club Review
| Author | : Ellen Crowell |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2007-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 0748631011 |
This book identifies and interprets the longstanding ideological and aesthetic dialogue between the literary imaginations of Anglo-Ireland and the Anglo-American South. It offers a rich comparative examination of nineteenth- and twentieth-century Irish and American Southern plantation literatures and their respective representations of race and nation, gender and sexuality, region and landscape, and the gothic imagination. Pairing major writers from both traditions, including Maria Edgeworth, William Faulkner, Oscar Wilde, Katherine Anne Porter and Elizabeth Bowen, the book shows how this transatlantic dialogue coalesced around questions of power, supremacy, and gentility: writers in Anglo-Irish and Anglo-Southern literary traditions recognized and spoke to each other through the discourse of aristocracy. As the book demonstrates, from the early nineteenth-century onwards, Irish and Anglo-Southern writers conducted a sustained exploration into constructions of aristocracy through the figure of the dissipated, deviant gentleman (or lady): the dandy. By augmenting literary analysis with a variety of historical, biographical, archival and visual materials, including nineteenth-century trade cards, original letters, and twentieth-century photographic portraits, the book offers readers a wide-ranging, interdisciplinary illumination of transatlantic modernism.
| Author | : Bryan Giemza |
| Publisher | : LSU Press |
| Total Pages | : 0 |
| Release | : 2013-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 0807150908 |
In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O'Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O'Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O'Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as "anti-Catholic," continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.
| Author | : David T. Gleeson |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 300 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780807849682 |
This book explores the story of the Irish in America and southern culture. The Irish who migrated to the Old South struggled to make a new home in a land where they were viewed as foreigners and were set apart by language, high rates of illiteracy, and their own self-identification as temporary exiles from famine and British misrule. They countered this isolation by creating vibrant, tightly knit ethnic communities in the cities and towns across the South where they found work, usually menial jobs. Finding strength in their communities, Irish immigrants developed the confidence to raise their voices in the public arena, forcing native southerners to recognize and accept them--first politically, then socially. The Irish integrated into southern society without abandoning their ethnic identity. They displayed their loyalty by fighting for the Confederacy during the Civil War and in particular by opposing the Radical Reconstruction that followed. By 1877, they were a unique part of the "Solid South." Unlike the Irish in other parts of the United States, the Irish in the South had to fit into a regional culture as well as American culture in general.
| Author | : Joseph M. Flora |
| Publisher | : LSU Press |
| Total Pages | : 1096 |
| Release | : 2001-11-01 |
| Genre | : Reference |
| ISBN | : 9780807126929 |
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries
| Author | : Bryan Giemza |
| Publisher | : LSU Press |
| Total Pages | : 376 |
| Release | : 2013-07-08 |
| Genre | : History |
| ISBN | : 0807150916 |
In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O’Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O’Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O’Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as “anti-Catholic,” continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O’Connor’s native Savannah, Georgia, and Giemza’s own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.
| Author | : |
| Publisher | : |
| Total Pages | : 866 |
| Release | : 1848 |
| Genre | : Literature |
| ISBN | : |
| Author | : Tara Stubbs |
| Publisher | : Manchester University Press |
| Total Pages | : 283 |
| Release | : 2015-11-01 |
| Genre | : History |
| ISBN | : 1526102285 |
American literature and Irish culture, 1910–55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910–55 provides a balanced and structured approach to the study of the complexities of American modernist writers’ responses to Ireland. Offering new readings of familiar literary figures – including Fitzgerald, Moore, O’Neill, Steinbeck and Stevens – it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.
| Author | : Michael Kreyling |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 219 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 9781604737769 |
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell."
