Celestial Renaissance
Author | : Kelly Lee Phipps |
Publisher | : |
Total Pages | : 320 |
Release | : 1997-09-01 |
Genre | : Astrology |
ISBN | : 9781891313110 |
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Author | : Kelly Lee Phipps |
Publisher | : |
Total Pages | : 320 |
Release | : 1997-09-01 |
Genre | : Astrology |
ISBN | : 9781891313110 |
Author | : Mary Quinlan-McGrath |
Publisher | : University of Chicago Press |
Total Pages | : 396 |
Release | : 2013-02-20 |
Genre | : Art |
ISBN | : 0226922855 |
Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
Author | : Meredith J. Gill |
Publisher | : Cambridge University Press |
Total Pages | : 341 |
Release | : 2014-09-22 |
Genre | : Art |
ISBN | : 1107027950 |
This book examines the role of angels in medieval and Renaissance art and religion from Dante to the Counter-Reformation.
Author | : Monica Azzolini |
Publisher | : Harvard University Press |
Total Pages | : 387 |
Release | : 2013-02-11 |
Genre | : History |
ISBN | : 0674067916 |
The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy. It illustrates how the “predictive art” of astrology was often a critical, secretive source of information for Italian Renaissance rulers, particularly in times of crisis.
Author | : Ovanes Akopyan |
Publisher | : BRILL |
Total Pages | : 272 |
Release | : 2020-10-12 |
Genre | : Philosophy |
ISBN | : 9004442278 |
An account of the astrological controversies that arose in Renaissance Italy in the wake of Giovanni Pico della Mirandola’s Disputationes adversus astrologiam divinatricem, published in 1496.
Author | : Terry Kleeman |
Publisher | : BRILL |
Total Pages | : 444 |
Release | : 2020-10-26 |
Genre | : History |
ISBN | : 1684170869 |
In 142 CE, the divine Lord Lao descended to Mount Cranecall (Sichuan province) to establish a new covenant with humanity through a man named Zhang Ling, the first Celestial Master. Facing an impending apocalypse caused by centuries of sin, Zhang and his descendants forged a communal faith centering on a universal priesthood, strict codes of conduct, and healing through the confession of sins; this faith was based upon a new, bureaucratic relationship with incorruptible supernatural administrators. By the fourth century, Celestial Master Daoism had spread to all parts of China, and has since played a key role in China’s religious and intellectual history. Celestial Masters is the first book in any Western language devoted solely to the founding of the world religion Daoism. It traces the movement from the mid-second century CE through the sixth century, examining all surviving primary documents in both secular and canonical sources to offer a comprehensive account of the development of this poorly understood religion. It also provides a detailed analysis of ritual life within the movement, covering the roles of common believer or Daoist citizen, novice, and priest or libationer.
Author | : Philip Hardie |
Publisher | : Princeton University Press |
Total Pages | : 384 |
Release | : 2022-03 |
Genre | : Art |
ISBN | : 0691197865 |
A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artists Between the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler. From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other. Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.
Author | : R. Taton |
Publisher | : Cambridge University Press |
Total Pages | : 310 |
Release | : 2003-09-18 |
Genre | : Science |
ISBN | : 9780521542050 |
The International Astronomical Union and the International Union for the History and Philosophy of Science have sponsored a major work on the history of astronomy, which the Press publishs are in four volumes, three of which will be divided into two parts. Publication commenced with volume 4, part A. The history of astronomy has never been tackled on this scale and depth and this major synthesis breaks wholly new ground. The individual chapters of each volume have been prepared by leading experts in every field of the history of astronomy.
Author | : Bruce Eastwood |
Publisher | : BRILL |
Total Pages | : 478 |
Release | : 2007 |
Genre | : Science |
ISBN | : 9004161864 |
Based on scores of medieval manuscript texts and diagrams, the book shows how Roman sources were used in the age of Charlemagne to reintroduce and expand a qualitative picture of articulated geometrical order in the heavens.
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.