Celebre Collection De 500 Tableaux Anciens Et Modernes Des Ecoles Francaises Xviii S Flamand Hollandais Et Italien
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Memoirs of an Egotist
Author | : Stendhal |
Publisher | : Read Books Ltd |
Total Pages | : 128 |
Release | : 2021-03-22 |
Genre | : Biography & Autobiography |
ISBN | : 1528765311 |
This book contains the memoirs of Stendahl or in his own words the 'chatter about his private life' between 1821 and 1830. It was between these dates that he moved to Paris and here looks back on his life as an eccentric bachelor. 'As well as Beyle the clairvoyant self-investigator, the sardonic analyst of Parisian salon society and deliberate cultivator of wit, here emerges Beyle the despairing lover, the shakespearean enthusiast, whose romantic sentiment run always parallel with his eighteenth-century logic'. Marie-Henri Beyle - better-known by his pen name, Stendhal - was born in Grenoble, France in 1783. He turned to writing after the final defeat of Napoleon in 1815, notable works include A Life of Rossini (1824), A Life of Napoleon (1929) and The Red and the Black published in 1830. A number of works were published posthumously, including Lamiel (1889), Memoirs of an Egotist (1892) and Lucien Leuwen (1894). Stendhal is now regarded as one of the earliest and foremost practitioners of literary realism.
Collection de tableaux anciens des écoles française, flamande, hollandaise, italienne
Author | : Collectif |
Publisher | : |
Total Pages | : 22 |
Release | : 2020-11-10 |
Genre | : |
ISBN | : 9782329526720 |
Dutch Paintings of the Seventeenth Century
Author | : National Gallery of Art (U.S.) |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 1995 |
Genre | : Painting |
ISBN | : 9780894682117 |
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Catalogue de tableaux anciens et modernes des écoles flamande, française, hollandaise
Author | : Collectif |
Publisher | : |
Total Pages | : 18 |
Release | : 2020-11-10 |
Genre | : |
ISBN | : 9782329529721 |
Historical journey in a linguistic archipelago
Author | : Émilie Aussant |
Publisher | : BoD – Books on Demand |
Total Pages | : 230 |
Release | : 2020-12-14 |
Genre | : Language Arts & Disciplines |
ISBN | : 3961102937 |
This volume offers a selection of papers presented during the 14th International Conference on the History of the Language Sciences (ICHoLS XIV, Paris, 2017). Part I brings together studies dealing with descriptive concepts. First examined is the notion of “accidens” in Latin grammar and its Greek counterparts. Other papers address questions with a strong echo in today’s linguistics: localism and its revival in recent semantics and syntax, the origin of the term “polysemy” and its adoption through Bréal, and the difficulties attending the description of prefabs, idioms and other “fixed expressions”. This first part also includes studies dealing with representations of linguistic phenomena, whether these concern the treatment of local varieties (so-called patois) in French research, or the import and epistemological function of spatial representations in descriptions of linguistic time. Or again, now taking the word “representation” literally, the visual display of grammatical relations, in the form of the first syntactic diagrams. Part II presents case studies which involve wider concerns, of a social nature: the “from below” approach to the history of Chinese Pidgin English underlines the social roles of speakers and the diversity of speech situations, while the scrutiny of Lhomond’s Latin and French textbooks demonstrates the interplay of pedagogical practice, cross-linguistic comparison and descriptive innovation. An overview of early descriptions of Central Australian languages reveals a whole spectrum of humanist to positivist and antihumanist stances during the colonial age. An overarching framework is also at play in the anthropological perspective championed by Meillet, whose socially and culturally oriented semantics is shown to live on in Benveniste. The volume ends with a paper on Trần Đức Thảo, whose work is an original synthesis between phenomenology and Marxist semiology, wielded against the “idealistic” doctrine of Saussure.