Cecil Rhodes And The Cape Afrikaners
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Author | : M. Tamarkin |
Publisher | : Routledge |
Total Pages | : 354 |
Release | : 2020-04-03 |
Genre | : History |
ISBN | : 1317791924 |
This study of the relationship between Cecil Rhodes and the Cape Afrikaners fills many gaps in his political biography. Previous biographers have rarely consulted the abundant Cape Afrikaner sources that this book refers to and which contribute to a better understanding of Rhodes' political career. Rhodes, who appeared on the political scene of the Cape Colony in the 1880s, played an important role in the shaping of the political outlook of the Cape Afrikaners during the last two decades of the century.
Author | : Paul Maylam |
Publisher | : New Africa Books |
Total Pages | : 202 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9780864866844 |
Cecil Rhodes is the most written about and memorialised figure in southern African history, the subject of well over 25 biographies and numerous articles. Rhodes has featured in novels, plays and films.
Author | : Mordechai Tamarkin |
Publisher | : |
Total Pages | : 339 |
Release | : 1996-09-30 |
Genre | : Afrikaners |
ISBN | : 9781868420322 |
This title focuses on the relationship between two seemingly incompatible political partners.
Author | : Grant Parker |
Publisher | : Cambridge University Press |
Total Pages | : 579 |
Release | : 2017-08-31 |
Genre | : Art |
ISBN | : 110710081X |
This book explores how since colonial times South Africa has created its own vernacular classicism, both in creative media and everyday life.
Author | : Apollon Borisovich Davidson |
Publisher | : Protea Boekhuis |
Total Pages | : 400 |
Release | : 2003 |
Genre | : Biography & Autobiography |
ISBN | : |
A highly accessible examination of an international phenomenon
Author | : Federico Freschi |
Publisher | : Wits University Press |
Total Pages | : 328 |
Release | : 2020-02-01 |
Genre | : History |
ISBN | : 1776144716 |
Troubling Images explores how art and visual culture helped to secure hegemonic claims to the nation-state via the construction of a unified Afrikaner imaginary Emerging in the late nineteenth century and gaining currency in the 1930s and 1940s, Afrikaner nationalist fervour underpinned the establishment of white Afrikaner political and cultural domination during South Africa’s apartheid years. Focusing on manifestations of Afrikaner nationalism in paintings, sculptures, monuments, buildings, cartoons, photographs, illustrations and exhibitions, Troubling Images offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary, which helped secure hegemonic claims to the nation-state. This insightful volume examines the implications of metaphors and styles deployed in visual culture, and considers how the design, production, collecting and commissioning of objects, images and architecture were informed by Afrikaner nationalist imperatives and ideals. While some chapters focus only on instances of adherence to Afrikaner nationalism, others consider articulations of dissent and criticism. By ‘troubling’ these images: looking at them, teasing out their meanings, and connecting them to a political and social project that still has a major impact on the present moment, the authors engage with the ways in which an Afrikaner nationalist inheritance is understood and negotiated in contemporary South Africa. They examine the management of its material effects in contemporary art, in archives, the commemorative landscape and the built environment. Troubling Images adds to current debates about the histories and ideological underpinnings of nationalism and is particularly relevant in the current context of globalism and diaspora, resurgent nationalisms and calls for decolonisation.
Author | : Jonty Winch |
Publisher | : Penguin Random House South Africa |
Total Pages | : 294 |
Release | : 2020-02-01 |
Genre | : Biography & Autobiography |
ISBN | : 177609509X |
William Henry ‘Krom’ Hendricks was the first sportsman to be formally barred from representing South Africa on the basis of race. Hailing from Cape Town’s Bo-Kaap, he played in 1892 for the South African Malay team against the touring English, who insisted that he was among the best fast bowlers in the world. This made his exclusion from South Africa’s tour of England in 1894 and subsequent Test series all the more unjust. Ranged against Hendricks were virulent racism and a political alliance between arch-imperialist Cecil John Rhodes, Afrikaner Bond leader J.H. Hofmeyr, and cricket administrator William Milton. Too Black to Wear Whites documents Hendricks’s tireless struggle for recognition and the public contro¬versies around his exclusion. The book shows how Hendricks was further sidelined at senior club level by a cricket establishment determined to save its white players the embarrassment of being shown up by the country’s best fast bowler. Considering his importance in South African sports history, surprisingly little is known about Krom Hendricks. The story of his life is told here for the first time in a fascinating drama that describes the formation of a segregated South Africa through the career of an exceptional cricketer who challenged the boundaries of the system.
Author | : Uriel Abulof |
Publisher | : Cambridge University Press |
Total Pages | : 385 |
Release | : 2015-07-24 |
Genre | : Political Science |
ISBN | : 1316368750 |
Standing at the edge of life's abyss, we seek meaningful order. We commonly find this 'symbolic immortality' in religion, civilization, state and nation. What happens, however, when the nation itself appears mortal? The Mortality and Morality of Nations seeks to answer this question, theoretically and empirically. It argues that mortality makes morality, and right makes might; the nation's sense of a looming abyss informs its quest for a higher moral ground, which, if reached, can bolster its vitality. The book investigates nationalism's promise of moral immortality and its limitations via three case studies: French Canadians, Israeli Jews, and Afrikaners. All three have been insecure about the validity of their identity or the viability of their polity, or both. They have sought partial redress in existential self-legitimation: by the nation, of the nation and for the nation's very existence.
Author | : Saul Dubow |
Publisher | : OUP Oxford |
Total Pages | : 308 |
Release | : 2006-10-19 |
Genre | : History |
ISBN | : 0191516341 |
A Commonwealth of Knowledge addresses the relationship between social and scientific thought, colonial identity, and political power in nineteenth- and twentieth-century South Africa. It hinges on the tension between colonial knowledge, conceived of as a universal, modernizing force, and its realization in the context of a society divided along complex ethnic and racial fault-lines. By means of detailed analysis of colonial cultures, literary and scientific institutions, and expert historical thinking about South Africa and its peoples, it demonstrates the ways in which the cultivation of knowledge has served to support white political ascendancy and claims to nationhood. In a sustained commentary on modern South African historiography, the significance of `broad' South Africanism - a political tradition designed to transcend differences between white English- and Afrikaans-speakers - is emphasized. A Commonwealth of Knowledge also engages with wider comparative debates. These include the nature of imperial and colonial knowledge systems; the role of intellectual ideas and concepts in constituting ethnic, racial, and regional identities; the dissemination of ideas between imperial metropole and colonial periphery; the emergence of amateur and professional intellectual communities; and the encounter between imperial and indigenous or local knowledge systems. The book has broad scope. It opens with a discussion of civic institutions (eg. museums, libraries, botanical gardens and scientific societies), and assesses their role in creating a distinctive sense of Cape colonial identity; the book goes on to discuss the ways in which scientific and other forms of knowledge contributed to the development of a capacious South Africanist patriotism compatible with continued membership of the British Commonwealth; it concludes with reflections on the techno-nationalism of the apartheid state and situates contemporary concerns like the `African Renaissance', and responses to HIV/AIDS, in broad historical context.
Author | : John Griffiths |
Publisher | : Taylor & Francis |
Total Pages | : 420 |
Release | : 2022-09-27 |
Genre | : History |
ISBN | : 135102468X |
From 1830, the British Empire began to permeate the domestic culture of Empire nations in many ways. This, the fourth volume of Empire and Popular Culture, explores the representation of the Empire in popular media such as newspapers, contemporary magazines and journals and in literature such as novels, works of non-fiction, in poems and ballads.