Catalogue Of The Morse Collection Of Japanese Pottery
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Catalogue of the Morse Collection of Japanese Pottery
Author | : Museum of Fine Arts, Boston. Morse Collection |
Publisher | : Tuttle Publishing |
Total Pages | : 568 |
Release | : 1979 |
Genre | : Art |
ISBN | : |
Antiquarians of Nineteenth-Century Japan
Author | : Hiroyuki Suzuki |
Publisher | : Getty Publications |
Total Pages | : 258 |
Release | : 2022-02-22 |
Genre | : Art |
ISBN | : 1606067435 |
This volume explores the changing process of evaluating objects during the period of Japan’s rapid modernization. Originally published in Japanese, Antiquarians of Nineteenth-Century Japan looks at the approach toward object-based research across the late Tokugawa and early Meiji periods, which were typically kept separate, and elucidates the intellectual continuities between these eras. Focusing on the top-down effects of the professionalizing of academia in the political landscape of Meiji Japan, which had advanced by attacking earlier modes of scholarship by antiquarians, Suzuki shows how those outside the government responded, retracted, or challenged new public rules and values. He explores the changing process of evaluating objects from the past in tandem with the attitudes and practices of antiquarians during the period of Japan’s rapid modernization. He shows their roots in the intellectual sphere of the late Tokugawa period while also detailing how they adapted to the new era. Suzuki also demonstrates that Japan’s antiquarians had much in common with those from Europe and the United States. Art historian Maki Fukuoka provides an introduction to the English translation that highlights the significance of Suzuki’s methodological and intellectual analyses and shows how his ideas will appeal to specialists and nonspecialists alike.
Trübner's Bibliographical Catalogues
Author | : Kegan Paul, Trench, Trubner & Co |
Publisher | : |
Total Pages | : 1236 |
Release | : 1925 |
Genre | : Africa |
ISBN | : |
Potters and Patrons in Edo Period Japan
Author | : AndrewL. Maske |
Publisher | : Routledge |
Total Pages | : 345 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351553518 |
Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain traces the development of one of Japan's best-documented ceramic types, from its beginnings around 1600 until the abolition of the domain system in 1871. Using historical records, archaeological material from early kilns and consumer sites, and the results of comparative chemical analysis, this study explores the operation of Takatori as the official ceramic workshop of the Kuroda, lords of one of the largest domains in Japan. Spanning cultural, aesthetic, economic and practical aspects, this book presents Takatori ware as an ideal archetype with which to compare developments in elite ceramics in other parts of Japan throughout the Edo period. In addition to its scholarly examination of the operation of a domain-sponsored ceramics workshop over more than 250 years, the book includes illustrations of examples from each of the seven Takatori workshop locations, including beautiful pieces that have never before appeared in print.
Bachelor Japanists
Author | : Christopher Reed |
Publisher | : Columbia University Press |
Total Pages | : 650 |
Release | : 2016-11-15 |
Genre | : Literary Criticism |
ISBN | : 0231542763 |
Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s. Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.
Things Japanese
Author | : Basil Hall Chamberlain |
Publisher | : |
Total Pages | : 566 |
Release | : 1905 |
Genre | : Japan |
ISBN | : |
Things Japanese: Being Notes on Various Subjects Connected with Japan for the Use of Travellers and Others
Author | : Basil Hall Chamberlain |
Publisher | : Library of Alexandria |
Total Pages | : 791 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465600582 |
To have lived through the transition stage of modern Japan makes a man feel preternaturally old; for here he is in modern times, with the air full of talk about bicycles and bacilli and "spheres of influence" and yet he can himself distinctly remember the Middle Ages. The dear old Samurai who first initiated the present writer into the mysteries of the Japanese language, wore a queue and two swords. This relic of feudalism now sleeps in Nirvana. His modern successor, fairly fluent in English, and dressed in a serviceable suit of dittos, might almost be a European, save for a certain obliqueness of the eyes and scantiness of beard. Old things pass away between a night and a morning. The Japanese boast that they have done in thirty or forty years what it took Europe half as many centuries to accomplish. Some even go further, and twit us Westerns with falling behind in the race. It is waste of time to go to Germany to study philosophy, said a Japanese savant recently returned from Berlin:—the lectures there are elementary, the subject is better taught at Tōkyō. Thus does it come about that, having arrived in Japan in 1873, we ourselves feel well-nigh four hundred years old, and assume without more ado the two well-known privileges of old age,—garrulity and an authoritative air. We are perpetually being asked questions about Japan. Here then are the answers, put into the shape of a dictionary, not of words but of things,—or shall we rather say a guide-book, less to places than to subjects?—not an encyclopædia, mind you, not the vain attempt by one man to treat exhaustively of all things, but only sketches of many things. The old and the new will be found cheek by jowl. What will not be found is padding: for padding is unpardonable in any book on Japan, where the material is so plentiful that the chief difficulty is to know what to omit. In order to enable the reader to supply deficiencies and to form his own opinions, if haply he should be of so unusual a turn of mind as to desire so to do, we have, at the end of almost every article, indicated the names of trustworthy works bearing on the subject treated in that article. For the rest, this book explains itself. Any reader who detects errors or omissions in it will render the author an invaluable service by writing to him to point them out. As a little encouragement in this direction, we will ourselves lead the way by presuming to give each reader, especially each globe-trotting reader, a small piece of advice.