Catalogue of the Entire and Very Choice Collection of Engravings, Etchings, and Mezzotints
Author | : Sotheby, Wilkinson & Hodge |
Publisher | : |
Total Pages | : 212 |
Release | : 1866 |
Genre | : Art |
ISBN | : |
Download Catalogue Of The Entire And Very Choice Collection Of Engravings Etchings And Mezzotints The Property Of William Drugulin Who Is Selling This Portion Of His Business And Will Therefore Sell Without Reserve Comprising The Works Of The Most Eminent Masters Of The Ancient And Modern Schools Of Italy Germany Holland Flanders France And England full books in PDF, epub, and Kindle. Read online free Catalogue Of The Entire And Very Choice Collection Of Engravings Etchings And Mezzotints The Property Of William Drugulin Who Is Selling This Portion Of His Business And Will Therefore Sell Without Reserve Comprising The Works Of The Most Eminent Masters Of The Ancient And Modern Schools Of Italy Germany Holland Flanders France And England ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Sotheby, Wilkinson & Hodge |
Publisher | : |
Total Pages | : 212 |
Release | : 1866 |
Genre | : Art |
ISBN | : |
Author | : Sotheby, Wilkinson & Hodge |
Publisher | : |
Total Pages | : 195 |
Release | : 1866 |
Genre | : Art, European |
ISBN | : |
Author | : S. Leigh Sotheby & John Wilkinson (Firm) |
Publisher | : |
Total Pages | : 0 |
Release | : 1857 |
Genre | : Engraving |
ISBN | : |
Author | : Sotheby Wilkinson and Hodge |
Publisher | : Forgotten Books |
Total Pages | : 202 |
Release | : 2017-10-29 |
Genre | : Art |
ISBN | : 9780266933410 |
Excerpt from Catalogue of the Entire and Very Choice Collection of Engravings, Etchings, and Mezzotints: The Property of Mr. William Drugulin, (Who Is Relinquishing This Portion of His Business, and Will Therefore Sell Without Reserve) Comprising the Works of the Most Eminent Masters of the Ancient and Modern Schools of Italy, Germany, Holland, Flanders I. The highest bidder to be the buyer; and if any dispute arise between bidders, the lot so disputed shall be immediately put up again, provided the seller cannot decide the said dispute. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Sotheby, Wilkinson & Hodge |
Publisher | : |
Total Pages | : 195 |
Release | : 1866 |
Genre | : Art auctions |
ISBN | : |
Author | : Colin Clair |
Publisher | : London ; New York : Academic Press |
Total Pages | : 544 |
Release | : 1976 |
Genre | : Design |
ISBN | : |
Author | : Samuel van Hoogstraten |
Publisher | : Getty Publications |
Total Pages | : 426 |
Release | : 2021-01-19 |
Genre | : Art |
ISBN | : 1606066676 |
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.