Textile Fabrics

Textile Fabrics
Author: South Kensington Museum
Publisher: London, Chapman and Hall
Total Pages: 614
Release: 1870
Genre: Art objects
ISBN:

Interwoven Globe

Interwoven Globe
Author: Amy Elizabeth Bogansky
Publisher: Metropolitan Museum of Art
Total Pages: 366
Release: 2013
Genre: Art
ISBN: 1588394964

Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.

Textile Fabrics

Textile Fabrics
Author: Daniel Rock
Publisher: Forgotten Books
Total Pages: 602
Release: 2015-06-13
Genre: Crafts & Hobbies
ISBN: 9781330579855

Excerpt from Textile Fabrics: A Descriptive Catalogue of the Collection of Church-Vestments, Dresses, Silk Stuffs, Needle-Work and Tapestries, Forming That Section of the Museum Like every other specific collection of art labour among the several such brought together within these splendid halls of the South Kensington Museum, this extensive one made from woven stuffs, tapestry, and needlework, is meant to have, like them, its own peculiar useful purposes. Here, at a glance, may be read the history of the loom of various times and in many lands. Here may be seen a proof of the onward march of trade and its consequent civilizing influences. Here we take a peep at the private female life in ages gone by, and learn how women, high-born and lowly, spent or rather ennobled many a day of life in needlework, not merely graceful but artistic. Here, in fine, in strict accordance with the intended industrial purposes of this public institution, artizans, designers, and workers in all kinds of embroidery, may gather many an useful lesson for their respective crafts, in the rare as well as beautiful samples set out before them. The materials out of which the articles in this collection were woven, are severally wool, hemp, flax, cotton, silk, gold, and silver. The silken textures are in general wholly so; in many instances they are wrought up along with either cotton, or with flax; hence, in ancient documents, the distinction of "holosericum," all silk, and "subsericum," not all silk, or the warp - that is, the longitudinal threads - of cotton or flax, and the woof - that is the cross-threads of silk. Very seldom is the gold or the gilt silver woven into these textiles found upon them in a solid wire-drawn form, but almost always, after being flattened very thin, the precious metal was wound about a very small twist of cotton, or of flax, and thus became what we call gold thread. As a substitute for this, the Moors of Granada, and after them the Spaniards of that kingdom, employed strips of gilded parchment, as we shall have to notice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Catalogue of Textiles From Burying-grounds in Egypt; 1

Catalogue of Textiles From Burying-grounds in Egypt; 1
Author: Victoria and Albert Museum Dept of
Publisher: Legare Street Press
Total Pages: 196
Release: 2021-09-09
Genre:
ISBN: 9781013492426

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.