Catalogue

Catalogue
Author: Sotheby, Wilkinson & Hodge
Publisher:
Total Pages: 460
Release: 1907
Genre: Art
ISBN:

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts
Author: Thomas Kren
Publisher: Getty Publications
Total Pages: 130
Release: 1997-11-13
Genre: Art
ISBN: 0892364467

The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.

Fine Books

Fine Books
Author: Alfred William Pollard
Publisher:
Total Pages: 516
Release: 1912
Genre: Illustrated books
ISBN:

Spanish Books in the Europe of the Enlightenment (Paris and London)

Spanish Books in the Europe of the Enlightenment (Paris and London)
Author: Nicolás Bas Martín
Publisher: BRILL
Total Pages: 375
Release: 2018-02-12
Genre: Language Arts & Disciplines
ISBN: 9004359524

In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.

Flemish Manuscript Painting in Context

Flemish Manuscript Painting in Context
Author: Elizabeth Morrison
Publisher: Getty Publications
Total Pages: 212
Release: 2007-01-08
Genre: Art
ISBN: 0892368527

A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.

Beyond Words

Beyond Words
Author: Jeffrey F. Hamburger
Publisher:
Total Pages: 0
Release: 2016
Genre: Collectors and collecting
ISBN: 9781892850263

Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--

The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
Total Pages: 214
Release: 1993-02-11
Genre: Art
ISBN: 0892362286

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.

The Old Printer and the Modern Press

The Old Printer and the Modern Press
Author: Charles Knight
Publisher: London : J. Murray
Total Pages: 350
Release: 1854
Genre: Book industries and trade Great Britain History
ISBN:

Part I, "The old printer", is a revised edition of the author's "William Caxton", 1844; pt. II. "The modern press" is "a view of the progress of the press to our own day, especially in relation to ... cheap popular literature".