Catalogue Of Porcelain Decorative Objects Furniture Tapestry And Eastern Rugs The Property Of Sir David Murray Deceased Messrs Ellis Smith And From Various Sources Which Will Be Sold At Auction By Messrs Christie Manson Woods At Their Great Rooms On Thursday May 24 1934
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Author | : Shireen Huda |
Publisher | : ANU E Press |
Total Pages | : 254 |
Release | : 2008-04-01 |
Genre | : Art |
ISBN | : 1921313722 |
"Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.
Author | : Caroline Dakers |
Publisher | : UCL Press |
Total Pages | : 430 |
Release | : 2018-05-16 |
Genre | : History |
ISBN | : 1787350452 |
Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.
Author | : Susan Scott Parrish |
Publisher | : UNC Press Books |
Total Pages | : 342 |
Release | : 2012-12-01 |
Genre | : History |
ISBN | : 0807838896 |
Colonial America presented a new world of natural curiosities for settlers as well as the London-based scientific community. In American Curiosity, Susan Scott Parrish examines how various peoples in the British colonies understood and represented the natural world around them from the late sixteenth century through the eighteenth. Parrish shows how scientific knowledge about America, rather than flowing strictly from metropole to colony, emerged from a horizontal exchange of information across the Atlantic. Delving into an understudied archive of letters, Parrish uncovers early descriptions of American natural phenomena as well as clues to how people in the colonies construed their own identities through the natural world. Although hierarchies of gender, class, institutional learning, place of birth or residence, and race persisted within the natural history community, the contributions of any participant were considered valuable as long as they supplied novel data or specimens from the American side of the Atlantic. Thus Anglo-American nonelites, women, Indians, and enslaved Africans all played crucial roles in gathering and relaying new information to Europe. Recognizing a significant tradition of nature writing and representation in North America well before the Transcendentalists, American Curiosity also enlarges our notions of the scientific Enlightenment by looking beyond European centers to find a socially inclusive American base to a true transatlantic expansion of knowledge.
Author | : |
Publisher | : London : EMI Group |
Total Pages | : 1104 |
Release | : 1997 |
Genre | : Business & Economics |
ISBN | : |
Author | : Philip L. Mossman |
Publisher | : |
Total Pages | : 324 |
Release | : 1993 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Margaret S. Organ |
Publisher | : |
Total Pages | : 328 |
Release | : 1910 |
Genre | : Alcoholism |
ISBN | : |
Author | : James John Garth Wilkinson |
Publisher | : |
Total Pages | : 430 |
Release | : 1857 |
Genre | : Christian poetry, English |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 270 |
Release | : 1889 |
Genre | : Art |
ISBN | : |
Author | : Richard Hakluyt |
Publisher | : |
Total Pages | : 312 |
Release | : 1850 |
Genre | : America |
ISBN | : |
Author | : Janelle A. Schwartz |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 170 |
Release | : 2020-05-22 |
Genre | : Art |
ISBN | : 1527553388 |
Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the sixteenth century through today, this book gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes. Each chapter appropriates the idea of a cabinet of curiosity in order to expand its boundaries of meaning and to complicate our understanding of the acts of display and observation. These chapters also demonstrate that collecting is a universal trope which nevertheless depends on time and place for its particular expressions. Whether the collection is made up of literary texts and criticism, visual art, including mechanical reproductions, taxidermy and photography, historical travelogues, museum exhibitions, blockbuster films, or airline in-flight briefing cards, it conveys an urgent relevance to our consumer age, in which information is abundant and attention is a commodity.