Catalogue Of Political And Personal Satires Preserved In The Department Of Prints And Drawings In The British Museum 1761 1770
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Author | : British Museum. Department of Prints and Drawings |
Publisher | : |
Total Pages | : 994 |
Release | : 1978 |
Genre | : Broadsides |
ISBN | : |
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 1206 |
Release | : 1926 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : John Sainsbury |
Publisher | : Routledge |
Total Pages | : 298 |
Release | : 2017-03-02 |
Genre | : History |
ISBN | : 1351924974 |
John Wilkes remains one of the most colourful and intriguing characters of eighteenth-century Britain. Born in 1725, the son of a prosperous London distiller, he was given the classical education of a gentleman, before entering politics as a Whig. Finding his party in opposition following the accession of George III in 1760 he took up his pen with sensational effect, and made a career out of excoriating the new administration and promoting the Whig interest. His charismatic style and vicious wit soon ensured that he became a figurehead for the radical cause, earning him many admirers and many enemies. Amongst the latter were the king, and the artist William Hogarth who famously depicted Wilkes as a grinning, squint-eyed, pug-nosed agent of misrule. Whilst Wilkes's political career has been much explored, particularly the period between 1763 and 1774, much less has been written about his remarkable private life. This biography provides a more comprehensive examination of Wilkes throughout his long life than has hitherto been available. Taking a thematic, rather than chronological approach it is divided into six main chapters covering family, ambition, sex, religion, class and money, which allows a much more rounded picture of Wilkes to emerge. In so doing it provides a fascinating insight, not only into one of the most intriguing characters of the Georgian period, but also into wider eighteenth-century British society and its shifting attitudes to morality, politics and gender.
Author | : British Museum. Department of Prints and Drawings |
Publisher | : |
Total Pages | : 810 |
Release | : 1978 |
Genre | : Broadsides |
ISBN | : |
Author | : British Museum. Department of Prints and Drawings |
Publisher | : |
Total Pages | : 960 |
Release | : 1883 |
Genre | : Broadsides |
ISBN | : |
Author | : Peter McNeil |
Publisher | : Yale University Press |
Total Pages | : 258 |
Release | : 2018-01-01 |
Genre | : Design |
ISBN | : 0300217463 |
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
Author | : British Museum. Department of Prints and Drawings |
Publisher | : |
Total Pages | : 960 |
Release | : 1870 |
Genre | : Broadsides |
ISBN | : |
Author | : Thomas N. Ingersoll |
Publisher | : Cambridge University Press |
Total Pages | : 337 |
Release | : 2016-10-24 |
Genre | : History |
ISBN | : 1107128617 |
A new history of Loyalism using revolutionary New England as a case study.
Author | : Shoshana-Rose Marzel |
Publisher | : Bloomsbury Publishing |
Total Pages | : 261 |
Release | : 2014-12-18 |
Genre | : History |
ISBN | : 147255809X |
Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological orthodoxy as well as revolt. With contributions from a wide range of international scholars, this book presents the first scholarly analysis of dress and ideology through accessible case studies. Chapters are organized thematically and explore dress in relation to topics including nation, identity, religion, politics and utopias, across an impressive chronological reach from antiquity to the present day. Dress & Ideology will appeal to students and scholars of fashion, history, sociology, cultural studies, politics and gender studies.
Author | : Conor Lucey |
Publisher | : Manchester University Press |
Total Pages | : 409 |
Release | : 2018-05-10 |
Genre | : Art |
ISBN | : 152611996X |
Taking a cue from revisionist scholarship on early modern vernacular architectures and their relationship to the classical canon, this book rehabilitates the reputations of a representative if misunderstood building typology – the eighteenth-century brick terraced house – and the artisan communities of bricklayers, carpenters and plasterers responsible for its design and construction. Opening with a cultural history of the building tradesman in terms of his reception within contemporary architectural discourse, chapters consider the design, decoration and marketing of the town house in the principal cities of the eighteenth- and early nineteenth-century British Atlantic world. The book is essential reading for students and scholars of the history of architectural design and interior decoration specifically, and of eighteenth-century society and culture generally.