Catalogue

Catalogue
Author: May and May (Firm)
Publisher:
Total Pages: 484
Release: 1975
Genre: Booksellers' catalogs
ISBN:

Music for the People

Music for the People
Author: James J. Nott
Publisher: OUP Oxford
Total Pages: 288
Release: 2002-09-05
Genre: History
ISBN: 0191554979

Popular music was a powerful and persistent influence in the daily life of millions in interwar Britain, yet these crucial years in the development of the popular music industry have rarely been the subject of detailed investigation. For the first time, here is a comprehensive survey of the British popular music industry and its audience. The book examines the changes to popular music and the industry and their impact on British society and culture from 1918 to 1939. It looks at the businesses involved in the supply of popular music, how the industry organised itself, and who controlled it. It attempts to establish the size of the audience for popular music and to determine who this audience was. Finally, it considers popular music itself - how the music changed, which music was the most popular, and how certain genres were made available to the public.

Punch

Punch
Author: Henry Mayhew
Publisher:
Total Pages: 992
Release: 1914
Genre: Caricatures and cartoons
ISBN:

Collier's

Collier's
Author:
Publisher:
Total Pages: 912
Release: 1910
Genre: Popular culture
ISBN:

The Strad

The Strad
Author:
Publisher:
Total Pages: 908
Release: 1925
Genre: Bowed stringed instruments
ISBN:

His Master's Voice/La Voce Del Padrone

His Master's Voice/La Voce Del Padrone
Author: Alan Kelly
Publisher: Greenwood
Total Pages: 520
Release: 1988
Genre: Music
ISBN:

This discography provides, for perhaps the first time, a complete numerical catalogue of Italian gramophone recordings made by the Gramophone Company Ltd. Kelly has effectively used the archives and registers of EMI Limited (The Gramophone Company) to offer a richly detailed picture of recording activity during the years 1898 to 1929. The Gramophone Company was established in London in 1898 and by 1899 six branches had been set up in Europe, among them Milan, Italy. In each branch, matrixes were numbered serially and coded to indicate recorder, making it possible to identify not only the first Gramophone record to be made in Italy--Bice Adami singing Voi lo sapete with piano accompaniment--but to follow the course of the company's activities. The main catalogue is divided into three sections: recordings issued on the Gramophone label; recordings issued on the Zonophone label, including the Trento-Trieste Supplement; and recordings issued on the Gramophone Green label. Most entries include the following information: the original catalogue number; the matrix (serial) number of the recording in its correct form; the date of recording; the name of the artist(s) involved in making the recording, including the accompaniast where known; the title of the piece; and alternate issue numbers. Kelly's introduction gives an overview of the company's history and cataloging practices. Kelly not only examines the history of the Italian Gramophone Company, but added to the discographical record of the Victor Talking Machine Company, of which Gramophone was the European, Asian, and African partner. His discography will be welcomed by anyone interested in the international history of recorded music. Record collectors will also find it a valuable resource.