Catalogue Of European Sculpture In The Ashmolean Museum 1540 To The Present Day British
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| Author | : Nicholas Penny |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 260 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
This is a superbly illustrated Catalogue of the collection of sculpture in the Ashmolean Museum which is, after that of the Victoria and Albert Museum, the largest and most important in Great Britain. The collection is particularly strong in Italian bronzes and in the work of the New Sculptors (the former from the Fortnum Collection, the latter from the Brocklebank bequest). In addition it possesses the famous ivory Venus and Cupid by Petel, the extraordinary bronze Venus formerly attributed to Hans Mont, the baroque marble bust of Christopher Wren signed by Pierce, a boxwood Saint Sebastian in the style of Bustelli, and the Ugolino by Pierino da Vinci--probably the finest preserved Renaissance relief in wax. The Catalogue, which is divided into three volumes, also includes some ceramics, metalwork, and furniture. It is fully illustrated, including some comparative plates, and contains unusually full discussions of condition and technique.
| Author | : Nicholas Penny |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 368 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
This is a superbly illustrated Catalogue of the collection of sculpture in the Ashmolean Museum which is, after that of the Victoria and Albert Museum, the largest and most important in Great Britain. The collection is particularly strong in Italian bronzes and in the work of the New Sculptors (the former from the Fortnum Collection, the latter from the Brocklebank bequest). In addition it possesses the famous ivory Venus and Cupid by Petel, the extraordinary bronze Venus formerly attributed to Hans Mont, the baroque marble bust of Christopher Wren signed by Pierce, a boxwood Saint Sebastian in the style of Bustelli, and the Ugolino by Pierino da Vinci--probably the finest preserved Renaissance relief in wax. The Catalogue, which is divided into three volumes, also includes some ceramics, metalwork, and furniture. It is fully illustrated, including some comparative plates, and contains unusually full discussions of condition and technique.
| Author | : Nicholas Penny |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 308 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
This is a superbly illustrated Catalogue of the collection of sculpture in the Ashmolean Museum which is, after that of the Victoria and Albert Museum, the largest and most important in Great Britain. The collection is particularly strong in Italian bronzes and in the work of the New Sculptors (the former from the Fortnum Collection, the latter from the Brocklebank bequest). In addition it possesses the famous ivory Venus and Cupid by Petel, the extraordinary bronze Venus formerly attributed to Hans Mont, the baroque marble bust of Christopher Wren signed by Pierce, a boxwood Saint Sebastian in the style of Bustelli, and the Ugolino by Pierino da Vinci--probably the finest preserved Renaissance relief in wax. The Catalogue, which is divided into three volumes, also includes some ceramics, metalwork, and furniture. It is fully illustrated, including some comparative plates, and contains unusually full discussions of condition and technique.
| Author | : Nicholas Penny |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 260 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
This is a superbly illustrated Catalogue of the collection of sculpture in the Ashmolean Museum which is, after that of the Victoria and Albert Museum, the largest and most important in Great Britain. The collection is particularly strong in Italian bronzes and in the work of the New Sculptors (the former from the Fortnum Collection, the latter from the Brocklebank bequest). In addition it possesses the famous ivory Venus and Cupid by Petel, the extraordinary bronze Venus formerly attributed to Hans Mont, the baroque marble bust of Christopher Wren signed by Pierce, a boxwood Saint Sebastian in the style of Bustelli, and the Ugolino by Pierino da Vinci--probably the finest preserved Renaissance relief in wax. The Catalogue, which is divided into three volumes, also includes some ceramics, metalwork, and furniture. It is fully illustrated, including some comparative plates, and contains unusually full discussions of condition and technique.
| Author | : Nicholas Penny |
| Publisher | : Yale University Press |
| Total Pages | : 332 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780300065817 |
Surveying the sculpture of many civilizations from ancient Egypt to 20th-century North America, this book provides a basic introduction to the nature of materials used by sculptors, examining how these were regarded as well as how they were worked in different periods and in different cultures.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 358 |
| Release | : 2021-04-26 |
| Genre | : Art |
| ISBN | : 9004458840 |
Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.
| Author | : Nicholas Penny |
| Publisher | : Oxford University Press |
| Total Pages | : 912 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : 9780199513567 |
This is a superbly illustrated Catalogue of the collection of sculpture in the Ashmolean Museum which is, after that of the Victoria and Albert Museum, the largest and most important in Great Britain. The collection is particularly strong in Italian bronzes and in the work of the New Sculptors (the former from the Fortnum Collection, the latter from the Brocklebank bequest). In addition it possesses the famous ivory Venus and Cupid by Petel, the extraordinary bronze Venus formerly attributed to Hans Mont, the baroque marble bust of Christopher Wren signed by Pierce, a boxwood Saint Sebastian in the style of Bustelli, and the Ugolino by Pierino da Vinci - probably the finest preserved Renaissance relief in wax. The Catalogue - which is divided into three volumes - also includes some ceramics, metalwork, and furniture. It is fully illustrated, including some comparative plates, and contains unusually full discussions of condition and technique.
| Author | : Diane Bilbey |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 548 |
| Release | : 2002-11 |
| Genre | : Art |
| ISBN | : |
The unrivaled collection of post-medieval British sculpture in the Victoria and Albert Museum is here catalogued and illustrated for the first time. Its great strengths lie in the works from the 17th, 18th, and 19th centuries, and virtually every major sculptor active during this period is represented -- among them Nicholas Stone, John Michael Rysbrack, Louis Francois Roubiliac, Joseph Wilton, John Flaxman, and Alfred Stevens. A total of 770 pieces by 189 sculptors are included, more than a third of which have never been published before. The catalogue, wide-ranging and scholarly, will serve both as an invaluable work of reference, and in effect a history of the great tradition of sculpture in Britain.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 306 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1588394271 |
This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.
| Author | : Jack M. Callaway |
| Publisher | : Academic Press |
| Total Pages | : 549 |
| Release | : 1997-03-12 |
| Genre | : Science |
| ISBN | : 0080527213 |
Vertebrate evolution has led to the convergent appearance of many groups of originally terrestrial animals that now live in the sea. Among these groups are familiar mammals like whales, dolphins, and seals. There are also reptilian lineages (like plesiosaurs, ichthyosaurs, mosasaurs, thalattosaurs, and others) that have become sea creatures. Most of these marine reptiles, often wrongly called "dinosaurs", are extinct. This edited book is devoted to these extinct groups of marine reptiles. These reptilian analogs represent useful models of the myriad adaptations that permit tetrapods to live in the ocean. - First book in more than 80 years devoted exclusively to fossil marine reptiles - Documents the most current research on extinct marine reptiles - Prepared by the world's most prominent experts in the field - Well illustrated
