Studying Early Printed Books, 1450-1800

Studying Early Printed Books, 1450-1800
Author: Sarah Werner
Publisher: John Wiley & Sons
Total Pages: 213
Release: 2019-02-26
Genre: Literary Criticism
ISBN: 1119049962

A comprehensive resource to understanding the hand-press printing of early books Studying Early Printed Books, 1450 - 1800 offers a guide to the fascinating process of how books were printed in the first centuries of the press and shows how the mechanics of making books shapes how we read and understand them. The author offers an insightful overview of how books were made in the hand-press period and then includes an in-depth review of the specific aspects of the printing process. She addresses questions such as: How was paper made? What were different book formats? How did the press work? In addition, the text is filled with illustrative examples that demonstrate how understanding the early processes can be helpful to today’s researchers. Studying Early Printed Books shows the connections between the material form of a book (what it looks like and how it was made), how a book conveys its meaning and how it is used by readers. The author helps readers navigate books by explaining how to tell which parts of a book are the result of early printing practices and which are a result of later changes. The text also offers guidance on: how to approach a book; how to read a catalog record; the difference between using digital facsimiles and books in-hand. This important guide: Reveals how books were made with the advent of the printing press and how they are understood today Offers information on how to use digital reproductions of early printed books as well as how to work in a rare books library Contains a useful glossary and a detailed list of recommended readings Includes a companion website for further research Written for students of book history, materiality of text and history of information, Studying Early Printed Books explores the many aspects of the early printing process of books and explains how their form is understood today.

Early Printed Books

Early Printed Books
Author: E. Gordon Duff
Publisher: Cambridge University Press
Total Pages: 258
Release: 2011-03-10
Genre: Design
ISBN: 1108026745

A comprehensive 1893 survey of the early history of printing in Europe, with chapters on bookbinding and collecting.

A Description of the Early Printed Books Owned by the Grolier Club

A Description of the Early Printed Books Owned by the Grolier Club
Author: Grolier Club
Publisher:
Total Pages: 94
Release: 1895
Genre: Early printed books
ISBN:

"The books described in the following catalogue are not merely examples of early bookmaking: many of them have an historic value, for they contain the first notices in print of the invention of typography. It was with this end in view that Mr. David Wolfe Bruce and his father, the late George Bruce, were collecting for more than fifty years ... The Bruce library contained not only the incunabula here catalogued, but a great number of books on the literary history of typography. Its collection of specimen-books of types and of manuals of mechanical printing was certainly the largest ever gathered on this side of the Atlantic. This library, which Mr. Bruce frequently put at the service of his studious friends, has been lately divided, and generously presented to the book-makers as well as the book-lovers of New York. The specimen-books, grammars of printing, and all books treating of the mechanics of the art, were given to the Typothetæ of this city; the incunabula, and all the valuable books on bibliography and literary history, were given to the Grolier Club. In recognition of the great value of the gift, the Committee on Publications decided to publish a catalogue of the books, illustrated with facsimiles of the more important passages that contain references to the invention and art of printing"--Pages 7-8.

Abstractions of Evidence in the Study of Manuscripts and Early Printed Books

Abstractions of Evidence in the Study of Manuscripts and Early Printed Books
Author: Joseph A. Dane
Publisher: Taylor & Francis
Total Pages: 185
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351961160

In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.