Catalogue of Paintings, Sculpture and Contemporary Arts and Crafts
Author | : Detroit Institute of Arts |
Publisher | : |
Total Pages | : 206 |
Release | : 1920 |
Genre | : Painting |
ISBN | : |
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Author | : Detroit Institute of Arts |
Publisher | : |
Total Pages | : 206 |
Release | : 1920 |
Genre | : Painting |
ISBN | : |
Author | : Detroit Institute of Arts |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781016545747 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Detroit Institute Of Arts |
Publisher | : Theclassics.Us |
Total Pages | : 18 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230410609 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ... AMERICAN PAINTING BAKER, ELLEN KENDALL, (Mrs. Harry Thompson). 1839-1913. 131. The Young Artist. Canvas: h. 28 in., w. 23 in. Presented by friends of the Museum, 1888. BARLOW, MYRON G. 1873-. 132. A Cup Of Tea. I Canvas: h. 39 in., w. 39 in. Purchased from the Special Membership and Do-nations Fund contributed by Mr. Philip Gray, Mr. David Gray, Mr. Paul R. Gray, and their sister, Mrs. William R. Kales, 1918. BEAL, GIFFORD R. N. A. 1879. 133. Spring. Water Color: h. y in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. 134. Arabesque. Water Color: h. 14 in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. 135. Windy Day, Hudson River. Water Color: h. 14# in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. 136. Summer Landscape. Water Color: h. 14 in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. 137. Central Park. Water Color: h. 14K in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. 138. New York Freight Yards. Water Color: h. U4 in., w. 20 in. Purchased from the Farwell Fund and the income of the Yawkey Fund, 1919. BECKWITH, JAMES CARROLL. N. A. 1852-1917. 139. Self Portrait. Mahogany Panel: h. 24 in., w. 19 in. Presented by the artist, 1917. BELLOWS, GEORGE WESLEY. N. A. 1882. 140. A Day In June. Canvas: h. feet, w. 4 feet. Awarded the Temple Gold Medal, Pennsylvania Academy of Fine Arts, 1917. Purchased from the income of the Lizzie Merrill Palmer Fund, 1917. BENSON, FRANK WESTON. N. A. 1862-. 141. Portrait Of My Daughter Elizabeth. Canvas: h. 44 in., w. 37 in. Purchased from the Special Membership and Dona-tions Fund...
Author | : Sequoia Miller |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9780300214406 |
Published in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016.
Author | : Jane Alison |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2022-07-26 |
Genre | : Art |
ISBN | : 3791379356 |
This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, Hammad Nassar and Greg Salter, the book looks afresh at celebrated artists such as Francis Bacon, David Hockney, Lucian Freud and Eduardo Paolozzi, shown in dialogue with lesser-known figures. These will include those, like Francis Newton Souza, Avinash Chandra and Robert Adams, who were acclaimed by contemporaries but neglected in subsequent history-making; others, like Kim Lim, Anwar Jalal Shemza and Franciszka Themerson, are only now attracting the attention they deserve. Throughout their work, vital shared preoccupations become visible: gender, class, race and nationhood; the body, the bombsite, and the home. It is a period resonating strongly with our own: as the UK emerges from more than a decade of austerity and confronts the challenges of post-pandemic reconstruction, society is asking similarly deep questions about who we want and need to be.
Author | : J. W. Kauffman |
Publisher | : Forgotten Books |
Total Pages | : 196 |
Release | : 2017-12-03 |
Genre | : Art |
ISBN | : 9780332370606 |
Excerpt from Catalogue of Modern Paintings and Sculpture, Collected by the Late J. W. Kauffman of St. Louis: To Be Sold at Unrestricted Public Sale by Order of Mrs. N. B. Kauffman, Executrix, on the Date Herein Stated Born at Bordeaux, the l6th of August, 1829, of a family originally English. He became known by his studies of horses and dogs, sporting scenes and military subjects. He gained medals in 1865, 1866 and 1867, and a gold medal at the Exhibition of 1889. Mr. Brown was decorated with the Legion of Honor in 1870. He died in Paris the 141th day of November, 1890. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.