Catalogue of a Collection of Oriental Porcelain and Pottery
Author | : Augustus Wollaston Franks |
Publisher | : BoD – Books on Demand |
Total Pages | : 170 |
Release | : 2024-05-31 |
Genre | : |
ISBN | : 3385488729 |
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Author | : Augustus Wollaston Franks |
Publisher | : BoD – Books on Demand |
Total Pages | : 170 |
Release | : 2024-05-31 |
Genre | : |
ISBN | : 3385488729 |
Author | : Royal Academy of Arts (Great Britain). Library |
Publisher | : |
Total Pages | : 214 |
Release | : 1901 |
Genre | : Art |
ISBN | : |
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 1044 |
Release | : 1911 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : Guildhall Library (London, England) |
Publisher | : |
Total Pages | : 574 |
Release | : 1889 |
Genre | : Great Britain |
ISBN | : |
Author | : Stacey Pierson |
Publisher | : Peter Lang |
Total Pages | : 252 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : 9783039105380 |
This book presents the first comprehensive study of the collecting, consumption and display of Chinese porcelain in Britain from the 16th to the 20th century, as well as the impact of this activity on British culture. Beginning with the early porcelains acquired as objects of exotica and vessels for the consumption of tea and coffee, followed by porcelains for display in the country house interior, the first part of this book reveals the role of porcelain in Britain's developing economic relations with China and the impact of this material on both daily life and interior design. The subsequent diplomatic and political conflicts of the 18th and 19th centuries provide a framework for an examination of British consumption of Chinese porcelain as both spoils of war and iconic representations of China, material which helped to shape and influence British perceptions of China. The final section demonstrates how these perceptions of China and its porcelain began to change significantly in the 20th century with porcelains acquired as works of art and displayed publicly in museums. Collectors in Britain began to specialise in this area and actively invented a 'field' of Chinese ceramics that was promulgated by learned societies and culminated in the founding of a museum of Chinese ceramics in London by one of the foremost British collectors, Sir Percival David, who donated his world class collection to the University of London in 1950.
Author | : Stephen Wootton Bushell |
Publisher | : |
Total Pages | : 968 |
Release | : 1899 |
Genre | : Pottery |
ISBN | : |
Author | : Anna Grasskamp |
Publisher | : Bloomsbury Publishing |
Total Pages | : 329 |
Release | : 2022-12-01 |
Genre | : Art |
ISBN | : 1350277452 |
The term 'jar' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar – regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.