Colonial and Decolonial Linguistics

Colonial and Decolonial Linguistics
Author: Ana Deumert
Publisher: Oxford University Press, USA
Total Pages: 394
Release: 2021-01-09
Genre: Language Arts & Disciplines
ISBN: 0198793200

This volume offers a detailed exploration of coloniality in the discipline of linguistics, with case studies drawn from across the world. The chapters provide a nuanced account of the coloniality of linguistics at the level of knowledge and disciplinary practice, and expand their discussion to imagine a decolonial linguistics.

That Winter

That Winter
Author: Pamela Gillilan
Publisher: Bloodaxe Books
Total Pages: 80
Release: 1986
Genre: Poetry
ISBN:

Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.

Globalization and Contemporary Art

Globalization and Contemporary Art
Author: Jonathan Harris
Publisher: John Wiley & Sons
Total Pages: 846
Release: 2011-03-31
Genre: Art
ISBN: 1444396994

In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy

Learning to Unlearn

Learning to Unlearn
Author: Madina Vladimirovna Tlostanova
Publisher:
Total Pages: 0
Release: 2012
Genre: Education
ISBN: 9780814211885

A complex, multisided rethinking of the epistemic matrix of Western modernity and coloniality from the position of border epistemology.

Encyclopedia of Beat Literature

Encyclopedia of Beat Literature
Author: Kurt Hemmer
Publisher: Infobase Publishing
Total Pages: 414
Release: 2010-05-12
Genre: Language Arts & Disciplines
ISBN: 1438109083

Discusses the literary works and great authors of the Beat Generation.

Reclaiming Archaeology

Reclaiming Archaeology
Author: Alfredo González-Ruibal
Publisher: Routledge
Total Pages: 547
Release: 2013-08-21
Genre: Social Science
ISBN: 1135083525

Archaeology has been an important source of metaphors for some of the key intellectuals of the 20th century: Sigmund Freud, Walter Benjamin, Alois Riegl and Michel Foucault, amongst many others. However, this power has also turned against archaeology, because the discipline has been dealt with perfunctorily as a mere provider of metaphors that other intellectuals have exploited. Scholars from different fields continue to explore areas in which archaeologists have been working for over two centuries, with little or no reference to the discipline. It seems that excavation, stratigraphy or ruins only become important at a trans-disciplinary level when people from outside archaeology pay attention to them and somehow dematerialize them. Meanwhile, archaeologists have been usually more interested in borrowing theories from other fields, rather than in developing the theoretical potential of the same concepts that other thinkers find so useful. The time is ripe for archaeologists to address a wider audience and engage in theoretical debates from a position of equality, not of subalternity. Reclaiming Archaeology explores how archaeology can be useful to rethink modernity’s big issues, and more specifically late modernity (broadly understood as the 20th and 21st centuries). The book contains a series of original essays, not necessarily following the conventional academic rules of archaeological writing or thinking, allowing rhetoric to have its place in disclosing the archaeological. In each of the four sections that constitute this book (method, time, heritage and materiality), the contributors deal with different archaeological tropes, such as excavation, surface/depth, genealogy, ruins, fragments, repressed memories and traces. They criticize their modernist implications and rework them in creative ways, in order to show the power of archaeology not just to understand the past, but also the present. Reclaiming Archaeology includes essays from a diverse array of archaeologists who have dealt in one way or another with modernity, including scholars from non-Anglophone countries who have approached the issue in original ways during recent years, as well as contributors from other fields who engage in a creative dialogue with archaeology and the work of archaeologists.

World Art and the Legacies of Colonial Violence

World Art and the Legacies of Colonial Violence
Author: DanielJ. Rycroft
Publisher: Routledge
Total Pages: 436
Release: 2017-07-05
Genre: Art
ISBN: 1351536311

How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies. Confronting the aesthetics of Abolition, Fascism and Filipino independence, and re-thinking relationships between colonised and coloniser in Cameroon, North America and East Timor, the collection brings together new readings of Primitivism and Aboriginal art as well. It features discussions of touring exhibitions, popular media, modernist paintings and sculptures, historic photographs, human remains and art installations. In addition to the critical application of phenomenology in a fresh and contemporary manner, the volume?s ?world art? perspective nurtures the possibility that intercultural ethics are relevant to the study of art, power and modernity.