Catalogue Dune Collection Precieuse De Medailles Antiques Grecques Et Romaines Medailles Modernes Pierres Gravees En Creux Et En Relief Antiques Et Modernes
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Author | : Usd |
Publisher | : |
Total Pages | : 320 |
Release | : 1997 |
Genre | : Crafts & Hobbies |
ISBN | : 9780894682711 |
Contains 17 papers on the history of engraved gems (including both intaglios and cameos) from ancient Greece through the nineteenth century. They address the influence of Greek and Roman gems on postclassical painters, sculptors and gem engravers as well as the collecting of gems in the Middle Ages, Renaissance and later periods.
Author | : Edwyn Robert Bevan |
Publisher | : Ares Pub |
Total Pages | : 409 |
Release | : 1968 |
Genre | : Egypt |
ISBN | : 9780890055366 |
Author | : Neda Leipen |
Publisher | : Toronto, Royal Ontario Museum |
Total Pages | : 122 |
Release | : 1971 |
Genre | : PHIDIAS,CA. 500 B.C.-CA. 430 B.C. ATHENA PARTHENOS |
ISBN | : |
Author | : Peter Bernholz |
Publisher | : Springer |
Total Pages | : 370 |
Release | : 2014-06-26 |
Genre | : Business & Economics |
ISBN | : 3319061097 |
This book discusses theories of monetary and financial innovation and applies them to key monetary and financial innovations in history – starting with the use of silver bars in Mesopotamia and ending with the emergence of the Eurodollar market in London. The key monetary innovations are coinage (Asia minor, China, India), the payment of interest on loans, the bill of exchange and deposit banking (Venice, Antwerp, Amsterdam, London). The main financial innovation is the emergence of bond markets (also starting in Venice). Episodes of innovation are contrasted with relatively stagnant environments (the Persian Empire, the Roman Empire, the Spanish Empire). The comparisons suggest that small, open and competing jurisdictions have been more innovative than large empires – as has been suggested by David Hume in 1742.
Author | : Georges Riat |
Publisher | : Parkstone Press |
Total Pages | : 266 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Author | : Palestine Oriental Society |
Publisher | : |
Total Pages | : 352 |
Release | : 1928 |
Genre | : Palestine |
ISBN | : |
Vol. for include list of members.
Author | : Edward Theodore Newell |
Publisher | : |
Total Pages | : 112 |
Release | : 1937 |
Genre | : Coins, Greek |
ISBN | : |
"The peculiarly splendid portrait coinages of the Hellenistic monarchs are deservedly becoming more and more popular with collectors of ancient coins. These issues possess one outstanding characteristic which no autonomous coinage can hope to rival, and which renders the former of the utmost interest and importance to collectors, archaeologists and historians. They present us with an extraordinary series of living portraits--portraits of a quality such as only a Greek artist could produce. These men and women, be they famous or obscure, or even quite unknown to history, live again before our very eyes. Their several characters, their greatness and their foibles, grow tangible and real to us once more...This little book has not been produced with the advanced student or collector in mind; nor does it make any pretense at completeness. It is primarily intended to call the attention of collectors in general to the fascinating portrait coinages of the ancience kings"--
Author | : Joseph Grafton Milne |
Publisher | : |
Total Pages | : 155 |
Release | : 1933 |
Genre | : Coins, Roman |
ISBN | : |
Author | : Voltaire |
Publisher | : Simon and Schuster |
Total Pages | : 56 |
Release | : 2013-08-02 |
Genre | : Drama |
ISBN | : 1627933212 |
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Author | : Agostino Paravicini-Bagliani |
Publisher | : University of Chicago Press |
Total Pages | : 448 |
Release | : 2000-07 |
Genre | : History |
ISBN | : 9780226034379 |
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.