General Catalogue of Printed Books
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
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Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 612 |
Release | : 1959 |
Genre | : English literature |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 728 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : British Library (London) |
Publisher | : |
Total Pages | : 536 |
Release | : 1979 |
Genre | : Reference |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1292 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : Darius A. Spieth |
Publisher | : BRILL |
Total Pages | : 535 |
Release | : 2017-11-06 |
Genre | : Art |
ISBN | : 9004276750 |
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2016-11 |
Genre | : |
ISBN | : 9782014462500 |
Catalogue d'une belle et rare collection d'objets d'art, antiquites, medailles grecques et romaines, camees, pierres gravees, vases peints, bronze, marbres, mosaiques, nielles et emaux, tableaux et dessins anciens et modernes de grands maitres, estampes anciennes et modernes, livres sur les arts, composant le cabinet de feu M. N. Revil, dont la vente aura lieu les lundi 24 fevrier 1845 et les cinq jours suivants... / Me Bonnefons de Lavialle, commissaire-priseur; [experts] Roussel et Defer Date de l'edition originale: 1845 Sujet de l'ouvrage: Revil, Narcisse (17..?-1844) -- Collections d'art [Vente (Art). 1845-02-24 - 1845-03-01. Paris][Collection (Art). Revil, Narcisse. 1845]Reference bibliographique: Lugt, 17637 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Author | : Hollis Clayson |
Publisher | : Getty Publications |
Total Pages | : 224 |
Release | : 2003-10-30 |
Genre | : Art |
ISBN | : 0892367296 |
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Author | : James Patty |
Publisher | : University Press of Kentucky |
Total Pages | : 282 |
Release | : 2005-01-31 |
Genre | : Literary Criticism |
ISBN | : 0813171938 |
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.